C Engravers (48 results)

Soft cover. Condition: VG. 4pp poem, illustrated with 3 drawings by Rochegrosse, including a full-page plate, engraved by Davidson and State, salvaged from a damaged issue of The Century Illustrated Monthly Magazine, Volume XLV, #2, December, 1892. Housed in protective mylar report cover. C. Rochegrosse / H. Davidson and Charles State, Engravers (illustrator). …

Hardcover. Condition: Fair. Original red and stamped gilt pictorial cloth (vases of flowers on boards, decorative spine) , 5 x 7 1/2 inches, 144 pp + 10 pp publisher's ads, illustrated with 4 plates (with tissue guards) and illuminated initial letters. Hardcover, fair. Soil on cloth, corners bumped with a bit of cardboard exposed there, spine slightly tanned, approximately 1/4 inch fraying at head and foot, open tear along entire front joint. Internally, previous owner's gift inscription (in pencil) , front and rear hinges cracked, additional hinge cracks between a few of the gatherings, foxing on first and last few leaves, on and adjacent to plates and tissue guards, less so throughout, 1 plate and tissue guard loose (laid-in) , otherwise tight, clean, relatively crisp and unmarked. Poems on death, nature, love, (Robert) Emmet, and a few more or less occult themes: "The Alchymist" (alchemist) , "Hans Van Ryn: A Ghost Story" and a lengthy one, "The Demon Picture Gallery" in which a dreamer is visited by demons representing various evils, each introduced by curious illuminated initial letters by Swinton & Fay. Poems; literature; Victorian; poetry.…

Half-Leather. Condition: VERY GOOD ( AVERAGE). No Jacket. First Edition. The Leather parts are rubbed , worn. POSTED AT OUR STANDARD RATES FULLY INSURED (UK) ONLY.Please email for further details Size: 4to - over 9¾" - 12". Various Artists & Engravers Including Dewey Bates, H.W. Brewer, Herbert Gandy and Others (illustrator). Not Signed or Inscribed.…

No binding. Condition: Very Good. Antiquarian map: image (plate size): 18cm wide by 24 cm high; sheet size: 21cm by 29cm, steel engraving with original outline hand-colouring. Very Good, unmarked. Originally from Lewis's "Topographical Dictionary". Pictures show this actual map. UK orders are post-free. Sent flat in a card-backed envelope.…

Soft cover. Condition: Good. 1st Edition. B00K: Near Good/, $79.15 INTERNATIONAL ATLAS and GAZETTEER of the WORLD, A new and complete Descriptive Gazetteer of the Principal Countries of the World together with a complete collection of up-to-date Political Maps of the World, Statistical Tables, Census Figures, Air Line Distances, etc. C. S. HAMMOND & COMPANY, Inc. Map Engravers, Printers and Publishers Since 1900. C. S. HAMMOND & COMPANY 1932 UnStated, 1sT Edition S/c. Sun Bleaching On A Two Stapled Red Spine With Title No Title, Soft Cover B00K: Near Good/, Shelf, Edge And Corner Wear. 63 Numbered Pages, Printed On Off~White Paper, Browning On Outside Edges, In Good/ Condition. Water Stain On Edge Of Front Cover, Into The Next Two Pages With Some Rippling. No Odor, Not Stuck Together. D/j: None. No Odors, No Writing, No Names, No Book Plate, Not X~Library. = Description Applies To This B00K, Only, Which Is A Historically Significant Treasure From The Past, Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift For The Discriminating Reader / Collector/. WORLD WIDE SHIPPING, AVAILABLE. …

No Binding. Condition: Good. Circa 1870s, sized about 8 x 10.5 inches, engraved by Homer & Lee, NY. Overall sharp and bright, with minor soiling at upper margin. Suitable for framing. Homer & Lee, NY, Engravers (illustrator).

No Binding. Condition: Good. Circa 1870s, sized about 8 x 10.5 inches, engraved by Homer Lee & Company, NY, overall sharp and bright. Suitable for framing. Homer Lee & Company, NY, Engravers (illustrator).

No Binding. Condition: Good. Circa 1870s, sized about 8 x 10.5 inches, engraved by Homer Lee & Company, NY, overall sharp and bright. Suitable for framing. Homer Lee & Company, NY, Engravers (illustrator).

No Binding. Condition: Good. Circa 1870s, sized about 8 x 10.5 inches, engraved by Homer Lee & Company, NY, overall sharp and bright. Suitable for framing. Homer Lee & Company, NY, Engravers (illustrator).

Hardcover. Condition: Very Good. 1st Edition. BRITISH LIFE IN THE RAJ Large Paper Copy, with 20 hand-coloured aquatint plates, watermarked 1821. Contemporary straight-grain morocco, attractive decorative wide gilt & blind edge tooling, a few marks, corners & edges rubbed. Re-spined, old laid down, raised bands, gilt title & ornate gilt tooling. Internally, frontis, [3], (vi-xxiii) preface, (60 pp) not paginated (signatures: B-L2), 20 hand coloured plates (numbered, dated 1813 & titled, within pink washed frame), a.e.g., bound without the half title, old repaired margin tear to C3, not dated but c1823/4, plates watermarked J Whatman Turkey Mill 1821, text leaves watermarked 1822 & 23, horizontal crease to last 2 blanks, book plates to fpd (John Morrice; Hermann Marx of Cobham, Surrey). With 2 loose additional plates: Native Tailor, B&W, & Native Barber, coloured. (366*264 mm). (Abbey Travel 440; Colas 888; Lipperheide 1486; Tooley 184). D'Oyly was a civil servant in the East India Company who published a series of works with his lithographs of the region and its people. The plates in this work are identical to those in The European in India, which was published by Orme in 1813 (Abbey 435). 0. DOYLEY Charles [D'OYLY]. (CLARK J.H. [John Heaviside] and DUBOURG C. - engravers) (illustrator). …

Condition: Very Good. Stephen Gooden illustrated hard back binding in publisher's original straw buckram covers, black title and author lettering to the spine and to the front cover. 8vo. 7½'' x 5¼''. Rubáiyát over 62 pages carrying the 75 quatrains of Edward FitzGerald's version enriched with 4 mounted plates and 4 decorations by Stephen Gooden. Very Good clean condition book, in Very Good condition dust wrapper with small rubs to the spine ends and corners, not price clipped, 5/-. Gooden's work can be found in the collections of the British Museum and the Victoria and Albert Museum in London, the Fitzwilliam Museum, Cambridge and the Museum of Fine Arts, Boston, USA. Member of the P.B.F.A. Rubáiyát of Omar Khayyám.…

Condition: Fair. This is ex-library and may have the usual library/used-book markings inside. In fair condition, suitable as a study copy. Likely dated 1844. Monochrome. Approx 30 x 43.5cm. Scale in Spanish Leagues 26.2 -One Degree. And English miles 68.75 One degree. Map has been neatly cut into 9 equal sections and backed onto cloth so it may be folded easily. Some general grubbiness. There are approx. twenty small red pen underlinings of place names on map. A couple of corners are slighty worn. On reverse side of two panels blue board has been secured, and labelled with black writing within a white sticker. Small pencil marking on back of map which is also grubby. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,100grams, ISBN.…

Handcoloured map, 28.5 x 39cm (including platemark); 34 x 41cm (sheet), relief throughout shown by hachures, publisher's or binder's numeric stamp (102), the margins a little browned and chipped, but in very good condition. This sheet maps a sweeping, wild, and politically fragmented area of North-Eastern and Central-Eastern India. It captures the dense, rugged interiors of Allahabad, Bahar (Bihar), Gangpoor, Sumbhulpoor, and Ruttunpoor. The sheet explicitly delineates the territories under direct East India Company British administration from those of the sovereign regional native rulers, specifically marking out the lands of the Rajah of Berar, the Rajah of Rewah, and the Bundelcund (Bundelkhand). The maritime port city of Balasore sits near the lower right-hand margin where the land meets the Bay of Bengal.…

Printed colour map 29 x 25 cm with inset map of the Eastern Part of India, colour key reference key to the ruling divisions, current and projected railways and telegraphs also shown, central fold, slight toning; in very good condition. Interesting map shaded by Divisions: the Presidencies of Bengal, Madras, Bombay, Ceylon, "Native States under British Protection" and "Independent States" (Nepal and Bhutan). …

Corrected Ed. 31 x 37 inches. Linen backed folding map hand coloured in outline, dec. e.ps., folding into gilt lettered textured brown cloth boards, some scratching and sl. bubbling, rebacked in black cloth. With the signature of Flo. Fitzwygram Cap. Inniskilling Dragoons 1853. Lieutenant-General Sir Frederick Wellington John Fitzwygram, 4th Baronet DL JP (18231904) British Army cavalry officer, expert on horses and Conservative politician. A cavalry officer who served with the 6th (Inniskilling) Dragoons in the Crimean War. He subsequently commanded the Cavalry Brigade at Aldershot. US$89.…

Condition: Good. Engraving. 26.5 x 17.5 cm (sheet). Good, water staining in lower margin, light surface soiling.

Handcoloured map, 29.5 x 39cm (including platemark); 34.5 x 42cm (sheet), relief throughout shown by hachures, publisher's or binder's stamp (99), the margins a little browned and chipped, but in very good condition. An attractive map showing Central and Eastern India, including Hyderabad, Berear and the Northern Circars. This long coastal strip along the Bay of Bengal (modern-day Andhra Pradesh and Odisha) is marked as a critical British presidency asset. The map shows its major maritime ports, like Masulipatnam and Visakhapatnam, which acted as vital economic gatekeepers connecting Central India's interior to ocean trade lines. As the official hydrographers to the East India Company, John and Charles Walker packed their maps with technical markers intended to educate the British public.…

Condition: Good. A collection of 72 engravings on China paper, illustrating La Fontaine and other writers. Contained in a qtr. cloth portfolio. Sheet size 31 x 21 cm. Platemark 17 x 11cm.

Condition: Good. 4to. 2 vols. Contemporary roan, gilt spine, rubbed on covers. 22 x 28cm. .Very good and fresh. OCLC Number / Unique Identifier:6006014: genealogical tables, folded maps, plates, portraits. Bookplate of John Rolle, 1st Baron Rolle of Stevenstone (1750-1842).

Complete two volume first edition set of the Jervas translation. Bindings need professional repair for Volume I's front board is detached with slender splitting to rear joint although with rear board still firm; likewise Volume II's joints have splitting with some pliability to front board but with its rear board still firm - sold as is. Hardcovers: H 28cm x L 22cm. Uniformly bound in contemporary (mid to late 1700s) full tree leather; boards rubbed with some old surface losses at bottom margins; shelf-wear to boards' gilt tooled edges; boards' gilt inner dentelles remain reasonably bright; spines retain their gilt tooled compartments and original dark red title labels and black volume# labels. No bookbinder marks present but likely the set is the product of a higher-end London bindery. Both volumes share the same Tonson and Dodsley 1742 London imprint and their title pages credit translator Charles Jarvis which is an incorrect spelling of his surname as it should be "Jervas" (the misspelling also occurs on the spine titles which specify "Jarvis's Don Quixote"). Each volume retains its original sewn-in dark green silk ribbon page markers although the usual expected fraying at their bottom ends. Marbled endpapers; both volumes have mid-18th century style armorial bookplate of Andrew Lindegren on their respective front pastedowns (which may or may not be Swedish immigrant iron ore importer Andrew Lindegren, ?-1783, of Portsmouth, England). Some light toning and scattered foxing to leaves. Text blocks are firm. ***** VOLUME I. Collates as [fp], [ffep], [ffly], [ffly], [first frontis plate], i-xxiv, [8], xxv-xxxii, [second frontis plate], [8], 1-88, [6], [6], [plate], 1-6, [plate], 7-14, [plate], 15-22, [plate], 23-30, [plate], 31-42, [plate], 43-46, [plate], 47-64, [plate], 65-74, [plate], 75-76, [plate], 77-90, [plate], 91-100, [plate], 101-108, [plate], 109-112, [plate], 113-130, [plate], 131-150, [plate], 151-170, [plate], 171-184, [plate], 185-234, [plate], 235-236, [plate], 237-246, [plate], 247-278, [plate], 279-298, [plate], 299-306, [plate], 307-310, [plate], 311-350, [plate], 351-355; [rfly], [rfly], [rfep], [rp]. "The Translator's Preface" on pages iii-xxiii; "A Supplement to the Translator's Preface" on eight unnumbered pages which is attributed to William Warburton (and most often summarized as "a dissertation on the origin of books of chivalry"); "Advertisement Concerning the Prints. By John Oldfield, M.D." on pages xxv-xxxii; "The Life of Michael de Cervantes Saavedra Written by Don Gregorio Mayans & Siscar: His Catholic Majesty's Library-Keeper. Translated, from the Spanish Manuscript, by Mr. Ozell." with imprint - London: Printed by J. and R. Tonson, 1738 - on pages i-vi, [2], 1-88; "The Author's Preface" on pages [6]; Table of the Chapters on pages [6]; followed by novel on pages 1-355. Total of 28 plates present. Past bookseller's pencil notations on ffep verso and opposing front fly recto. ***** VOLUME II. Collates as [fp], [ffep], [ffly], [ffly], i-xii, 1-2, [plate], 3-12, [plate], 13-22, [plate], 23-34, [plate], 35-46, [plate], 47-68, [plate], 69-82, [plate], 83-108, [plate], 109-114 [plate], 115-118, [plate], 119-146, [plate], 147-154, [plate], 155-158, [plate], 159-166, [plate], [plate], 167-172, [plate], 173-176, [plate], 177-232, [plate], 233-234, [plate], 235-236, [plate], 237-242, [plate], 243-248, [plate], 249-262, [plate], 263-280, [plate], 281-294, [plate], 295-298, [plate], 299-300, [plate], 301-308, [plate], 309-318, [plate], 319-324, [plate], 325-330, [plate], 331-332, [plate], 333-338, [plate], 339-346, [plate], 347-360, [plate], 361-362, [plate], 363-364, [plate], 365-366, [plate], 367-374, [plate], 375-378, [plate], 379-384, [plate], 385-388, [rfly], [rfly], [rfep], [rp]. Bookseller pencil marking on ffep verso. "The Preface to the Reader" on pages iii-vi and "Table of the Chapters" on pages vii-xii. Total of 41 plates. ***** The volumes' 69 plates matches the total cited by all bibliographic r.…

Hardcover. Condition: Fine. A very fine example, with high contrast, of this rare print. This is the first published engraving dedicated to Michelangelo's Moses, and one of only two made in the 16th century. The funerary monument of Julius II occupied Michelangelo, in various phases, from 1505 to the 1540s. Prints of the entire monument are few. In them, the figure of Moses is necessarily reduced in size and imperfectly executed. Later prints of the statue in isolation, such as that by the Netherlandish artist Jacob Matham (1571-1631), in which the figure is shown in reverse, fail to match the standard set by this early engraving. The inscription reads: Moysis ingens ex marmore simulacrum, in Julij Secundi/ Pontificis Maximi ad petri in Exquilijs uincula sepulcro / præstanti Michaelis Angeli Bonarotae manu, fictum. [The immense marble statue of Moses in the Church of San Pietro in Vincoli on the Esquiline Hill, sculpted by the hand of Michelangelo Buonarroti for the tomb of Pope Julius II.] Michelangelo's design for the tomb of Pope Julius II, with the master's iconic figure of Moses, was originally intended for St. Peter's but was, ultimately, installed in the church of San Pietro in Vincoli in Rome. The work was commissioned by Pope Julius in 1505, at which time Michelangelo received an initial payment of 100 gold ducats, but was not completed until March 1545. Michelangelo re-worked his initial design numerous times, first in 1513 (after Julius' death), and again in 1516, 1525/1526, 1532 and 1542. The final monument includes three figures carved by Michelangelo: the aforementioned Moses, and Leah and Rachel (symbols, respectively, of the active and contemplative life). Michelangelo's sculptures of the dying and rebellious slaves (now in the Louvre) and the Genius of Victory (Palazzo Vecchio, Florence) were not used in the final design. On the second tier of the monument as it stands, is an effigy of the reclining Julius II attributed to Tommaso di Pietro Boscoli (1503-1574) but with the face possibly the work of Michelangelo, watched over by the Madonna and Child (carved by Alessandro Scherano di Settignano after a model by Michelangelo) and flanked by a sibyl and a prophet; these last two sculptures were carved by Michelangelo's pupil Raffaello da Montelupo (ca. 1504-ca. 1567). "The engraving reproduces, accurately, in the same direction and without substantial variations, the sculpture of the tomb of Julius II, identifying the light source at the top left. The work, attributed by Bottari to Beatrizet (Heinecken, 1768), was treated as anonymous by Heinecken in the Nachrichten of 1768, but later included by him in the list of Beatrizet's works (Dictionnaire, 1788). Nagler recorded it both under the monogram of Cornelis Bos and as the work of Beatrizet. Appearing in the Hollstein repertoire as Bos, it was subsequently treated among works of doubtful attribution both of Bos (Schéle, 1965) and of Beatrizet (Bianchi, 2004). "Due to the fact that copies of this print are found in volumes of Roman composition on the model of the Speculum Romanae Magnificentiae (El Escorial; Madrid, Biblioteca Nacional; both datable between the mid-1580s and the 1590s) one would be led to believe that the plate was engraved in Rome, where in the last decade of the 16th century it was acquired by Van Aelst. This does not, however, exclude Cornelis Bos as a possible author (since more than one of his plates is known to bear a Roman address in late editions), even if it makes it more likely -in our opinion- the identification with a Flemish engraver active in Italy. In the sparse and luminous texture and in the clean geometries one could also perceive the burin of Niccolò della Casa."(Alberti, Rovetta, and Salsi, "D'après Michelangelo"(2015), p. 219 ff.). SECOND STATE, of three, with the addition of ?Romae? incised at lower right.…

Condition: Good. Large 4to. 23 x 31cm. Half goatskin and marbled paper boards by the artisan biner Sasha Mosalov.Plates with minor to major foxing in the margins.[iii]-v, [3], [9]-84 pp. With 26 steel-engraved plates from drawings by Seth Eastman including the frontispiece, plus steel-engraved added title; plain protective interleaves for the plates. .A series of detailed engravings after drawings by Seth Eastman, who was stationed, along with his wife Mary, at Fort Snelling, Minnesota, from 1841 through 1848. These depict such revealing aspects of Native American life as transportation of wounded, the medicine dance of the Winnebagoes, spearing fish from a canoe, an Indian woman dressing a buffalo skin, etc. Wagner-Camp cautions that the work "should not be confused with Mrs. Eastman's later work, published in 1854 as Chicora, and again as American Annual. Mrs. Eastman's Portfolio consists of twenty-six engravings from Captain Eastman's paintings of Indian life, each with a guard sheet and a short explanatory essay of two or three pages." Field 477n; Wagner-Camp 222c.; Howes E-17; Sabin 21682; Wagner-Camp-Becker 222a; OCLC Number / Unique Identifier:1870490: 84 pages, 25 unnumbered leaves of plates : illustrations, portrait ; 33 cm? Seth Eastman was a painter and soldier best known for his depictions of the everyday life of Dakota and Ojibwe people around Fort Snelling in the 1840s.OCLC Number / Unique Identifier:1870490: A selection of plates from volumes 1-3 (1851-1853) of: Schoolcraft, Henry Rowe. Historical and statistical information respecting the history, condition, and prospects of the Indian tribes of the United StatesAdded engraved title page: The American aboriginal port folio. With vignette "Engraved by Illman & Sons."Cover title: Eastman's aboriginal portfolioCollation: [1]? 2-10? [11] [$1 signed]; 42 leaves, pages [i-iii] iv-v [vi-viii (viii blank)] [9] 10-84 + 25 plates (each preceded by a bound-in guard sheet)Plates engraved by Charles K. Burt, James Smillie, John C. McRae, C.E. Wagstaff & J. Andrews, and Alfred JonesFirst plate, a portrait of Red Jacket, bound as frontispieceIssued in blue cloth, stamped in gold; all edges gilt.…

Hard Cover. Condition: Very Good. First Edition. True first printing dated 1875 at title page. Detailed and extensive forty-page Chatto & Windus catalogue at back with date of December, 1874. Verso title page is ornately designed circular emblem decorated with symbols for the Dalziel Bros: "Dalziel Brothers, Engravers & Printers, Camden Press." Dark green full-cloth pictorial boards, ornate gilt and black cover art and titles, light shelf, corner wear, rub. Crisp gilt decorated spine title design. Pages very good, bright; clean and without writing. Dark green matte endpapers. Bright gilded page edges at all sides. Frontispiece plate with original tissue guard intact. Illustrated throughout with the whimsical imagery seemingly a century ahead of its time. Bind good, square; hinge reinforced. Sharp very good rarity. In this infamous tale, our hero little Frank has many strange adventures after falling asleep full of plum cake. He embarks on a dreamy world adventure through imaginary lands with bizarre and unheard-of creatures. Victorian novel at least likely partially inspired by Lewis Carroll's "Alice's Adventures in Wonderland." Humoured children's - though just as entertaining for well coiffed adults - novel by English author Tom Hood, son of Thomas Hood, Senior. . a thread of persiflage which may be appreciated by the older reader;" Dedication: "To my puzzledom pilgrims, who have been often in my mind while I was writing these pages, I inscribe this work. Tom Hood." Author Tom Hood was a humorist and playwright famous for editing the magazine "Fun" and satirical literature such as this novel. His father Thomas Hood was an English poet and humorist known for works including "The Bridge of Sighs." Both contributed significantly to English literature in their respective eras. This was one of many over-the-top comedic novels for children following "Alice's Adventures" first published in 1864; near a decade prior. Controversy ensued in the late nineteenth century when an English critic mistook the dates and attributed "From Nowhere to the Moon" the influence upon Lewis Carroll's high-jinks andventure and not vice versa as was correct according to the original publishing dates. William Brunton was a 19th-century Irish artist and cartoonist known for his work in magazines like Punch and The Illustrated Times. He also illustrated children's books, including this and "Moonshine Fairy Stories" in 1882. Edward Charles Barnes was a British painter active in the 19th century, known for his oil paintings and artworks. He is recognized as a fine artist. Some of the cutest, funniest and a little grotesque, imagery ever produced for this humoured cirque du soleil. Engravings by the Dalziel Brothers company. Features eight heavy stock plates which are classicly modern and large partial page designs greeting readers at each chapter title page. Features an extensive forty-page publisher's catalogue dated 1874 at back of volume which is profusely illistrated with vignettes and decoration. 232 pages. Insured post. Size: 12mo - over 6¾" - 7¾" tall. Brunton, W.; Barnes, E. C.; Dalziel Bros. (Engravers) (illustrator).…

Condition: Good. Large folio. 46.5 x 62 cm. Original boards, worn but intact; lower corners with loss.Complete with 57 etched and engraved plates. Tissue guards in place and foxed ; Light to moderate foxing throughout the plates, mainly in the margins. En 1804, Napoléon Ier lui demanda de rassembler grand nombre de portraits d'hommes illustres grecs et romains pour y créer une collection. Aux frais du gouvernement, il lui fut ordonné une iconographie grecque puis romaine, qui parurent respectivement en 1808 & en 1817. Les planches ont été gravées sur cuivre, d'après de nombreux artistes français et italiens, dont Laguiche, Pozzi, Tofanelli, Mauri, etc.OCLC Number: 68527874; Brunet V-1314; Quérard X-250. .In-plano (620 X 460 mm). Cartonnage d'attente du temps. (Reliure endommagée. Fortes rousseurs).Titre et 57 planches gravées sur papier vélin. Ennio-Quirino Visconti (1751-1818), diplomate et archéologue, fut tour à tour sous-bibliothécaire du Vatican, bibliothécaire du Palais Chigi, conservateur du Musée du Capitole, puis, devenu Français en 1814, conservateur du Musée du Louvre.Sans le volume de l'Iconographie romaine.Expertise by Jean-Paul VEYSSIERE, libraire - expert. Membre de la LILA-ILAB;Expert CNES, assesseur près la commission de conciliation et d'expertise douaniè.…

Condition: Very Good. First edition thus Stephen Gooden illustrated hard back binding in publisher's special quarter green leather binding over emerald green cloth boards, gilt title lettering to the spine, top edge gilt. 8vo. 8'' x 5½''. Hand written number 36 of 125 Limited Edition copies SIGNED by the artist 'Stephen Gooden'. Rubáiyát over 63 pages carrying the 75 quatrains of Edward FitzGerald's version enriched with 4 full-page plates and 4 decorations by Stephen Gooden. The trade edition published in the same year contained the same plates, albeit were tipped-in and not full-page. Slight sun fading down the spine. Very Good condition book in Very Good peppermint green paper covered slip case carrying the correct limited edition number 36 for this book. Gooden's work can be found in the collections of the British Museum and the Victoria and Albert Museum in London, the Fitzwilliam Museum, Cambridge and the Museum of Fine Arts, Boston, USA. Member of the P.B.F.A. Rubáiyát of Omar Khayyám.…

Engraved map, 39 x 30.5cm; 41 x 34cm (sheet), relief throughout shown by hachures, publisher's or binder's numeric stamp (94A), the margins a little browned and chipped with loss to the two keys at the inner edge marking Indian and Persian distances but the map in very good condition. A highly detailed example of political and military cartography from the height of the Victorian era, capturing the Central Asian frontier at the dawn of the "Great Game". The map covers the expanse of Central Asia, stretching from the deserts of modern-day Uzbekistan and Turkmenistan down through Afghanistan and Pakistan to the Arabian Sea. It maps out the Emirate of Bukhara in the north and the Desert of Khiva. It explicitly references the "Nomadic Tribes of Turkomans" roaming the steppes. Afghanistan is centred on the map, and displays the fractured geography of the Afghan kingdom. It details the treacherous mountain passes of the Hindu Kush, alongside the major strategic cities of Kabul, Kandahar, and Herat. Beloochistan (Balochistan) & Sinde (Sindh)anchor the southern third of the sheet, it routes down toward the coastline, showing the vast desert paths, tribal domains, and the mouth of the Indus River.…

Map with original colour 18.6 x 25.9 cm, central fold, inner margin darkened and outer margin a bit worn but in very good condition. An appealing map showing Iran/Persia, Afghanistan and Beluchistan finely shaded and the borders with Turkey, India, Turkestan and the Russian Empire. Also noting that "Names referring to Ancient Geography are in Light Characters", and recording submarine telegraph cables.…

Engraved map wth outline hand colour, 29.7 x 42 cm, relief shown in hachures, key to abbreviations, including "Ancient Ruins", the west and east extremities attactively engraved to burst through the border, original folds, map with occasional spotting, more pronounced at the lower corner, edges a little ragged, small chip to the inner margin (no loss to the map), manuscript pagination in the lower corner, but in good condition.…

Printed map in colour, elevation shown with hachures, 29 x 23.5 cm, text on the verso relating to entries for Afghanistan Beluchistan and Turkey, prepared for Hunt & Eaton's "New York Recorder's Atlas", small tears to the top edge, but in very good condition.

63.5 x 111.5 cm. Uncoloured, with principal points (light houses, etc) highighted in orange. Large folding sheet chart of the Firth of Forth. Title in red ink on verso. Some offsetting. Ink stamp to lower right corner.