Buskirk Martha (204 results)

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paperback. Condition: Fair.

Paperback. Condition: Good. An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised by minimalists' use of industrial materials and methods, including competing claims of ownership and artistic authorship evident in conflicts over the right to fabricate artists' works. Examining recent examples of appropriation, she finds precedents in pop art and the early twentieth-century readymade and explores the intersection of contemporary artistic copying and the system of copyrights, trademarks, and brand names characteristic of other forms of commodity production. She also investigates the ways that connections between work and context have transformed art and institutional conventions, the impact of new materials on definitions of medium, the role of the document as both primary and secondary object, and the significance of conceptually oriented performance work for the intersection of photography and the human body in contemporary art. Buskirk explores how artists active in the 1980s and 1990s have recombined strategies of the art of the 1960s and 1970s. She also shows how the mechanisms through which art is presented shape not only readings of the work but the work itself. She uses her discussion of the readymade and conceptual art to explore broader issues of authorship, reproduction, context, and temporality. …

Paperback. Condition: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience. Ex-Library. …

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: Good. An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised by minimalists' use of industrial materials and methods, including competing claims of ownership and artistic authorship evident in conflicts over the right to fabricate artists' works. Examining recent examples of appropriation, she finds precedents in pop art and the early twentieth-century readymade and explores the intersection of contemporary artistic copying and the system of copyrights, trademarks, and brand names characteristic of other forms of commodity production. She also investigates the ways that connections between work and context have transformed art and institutional conventions, the impact of new materials on definitions of medium, the role of the document as both primary and secondary object, and the significance of conceptually oriented performance work for the intersection of photography and the human body in contemporary art. Buskirk explores how artists active in the 1980s and 1990s have recombined strategies of the art of the 1960s and 1970s. She also shows how the mechanisms through which art is presented shape not only readings of the work but the work itself. She uses her discussion of the readymade and conceptual art to explore broader issues of authorship, reproduction, context, and temporality. …

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: good. Used - Good: All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May include From the library of labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.…

softcover. Condition: Nearly fine copy. 1st. Tall 8vo, 307 pp. Profusely illustrated (illustrator).

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Softcover. Condition: Fine. Marker marks on top and bottom edges. ; "In this book Marth Buskirk addresses the interesting fact that since the early 1960s, almost anything can be and has been called art. " ; Square 8vo 8" to 9" tall; 307 pp.

Condition: As New. Unread book in perfect condition.

Softcover, 308 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New.

Paperback. Condition: new. Paperback. Can ordinary lives be extraordinary? Writer, speaker, and author Martha Van Buskirk passionately and graciously shares how you (yes, you!) can make a difference in your very own family, neighborhood, and community through Spirit-led acts. When we seek to glorify and serve God through our "small" everyday actions, we can make a big impact in others' lives-no matter who we are, where we live, or where God takes us. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

paperback. Condition: Very Good. Very Good. Gently used with no markings in text. Binding is tight. Some light shelfwear. Still in great reading condition.

Soft cover. Condition: Good. A few pages with a few examples of underlining and marginalia, in light pencil, o/w clean, tight copy with a crease-free spine. BP/Art.

Softcover. Condition: Near Fine Condition. Lsight wear to cover Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Philosophy; ISBN: 0262522179. ISBN/EAN: 9780262522175. Inventory No: 049373.

Paperback. Condition: Acceptable. Minor Water Damage Some shelf wear Satisfaction 100% guaranteed.

Hardcover missing dustjacket, 100 pages, in English; otherwise very good condition, ; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Edition not stated, hardcover, has shallow waving to the head of the text block, mild bumps to the spine ends and cover corners, and a touch of rubbing to the covers. Overall, a solid, Very Good copy in a like, unclipped dust jacket, which has bumps to the spine ends and cover corners, and rubbing with light smudging to the covers. …

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft Cover. Condition: Near Fine. Expanded Edition. soft cover, as issued., clean, no writing or markings, no bumps or tears. strong sewn/glued binding.; 227pp. b/w illustrations throughout. contains seven essays, and five interviews, plus the transcript of a six person round table discussion. this is an expanded edition of the original october 70 issue with a reply that appeared in october 71. Size: 8vo - over 7¾" - 9¾" tall. Scholarly Journal.…

Glossy Wraps. Condition: Near Fine. None. 1st American Edition. " The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchampfrom the 1950's to the present, including interviews with contemporary artists and a round-table discussion of the Duchamp effect on conceptual art." Near Fine Glossy Wraps. Size: Tall 8vo.…