Buhler S (77 results)

Paperback. Condition: Fair. Workbook. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Workbook. Labounty (illustrator).

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Labounty (illustrator).

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority. Labounty (illustrator).

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Buhler, Cheryl; Vasconcelles, Keith (illustrator).

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Fair. Paperback. Used, fair condition, covers detached but taped back on. Ciba Review No. 30. The Essentials of Handicrafts and the Craft of Weaving among Primitive Peoples. February 1940, p. 1056-1088, 39 black and white illustrations. Ethnographic Notes, plus 4 articles by S. Bühler, curator of the Ethnographic Museum in Basel: Primitive and Civilized People; The Development of Handicrafts among Primitive Peoples; the Tools of Primitve Peoples, and The Development of Weaving among Primitive Peoples. Ciba Review. By the Swiss dye manufacturer, Chemische Industrie Basel. The company published a booklet series, on dyes, on textiles which could be dyed, and on related, related being very very loosely defined, subjects. Each is about 40 pages long with several articles on the general subject of the issue and with many small black and white illustrations. The tone is semi-scholarly; articles are mostly by academics but designed for the general reader; with bibliographies. These are the original publications by Ciba, not the modern reprints. Book.…

First Edition. Hardcover, (pictorial cloth), Oblong 4to. 175pp. Tight. No names or other markings. Illustrated throughout in Black & White and in Full-color from the Exhibition. Nice d/j with tiny edgetear toe of spine panal, else Fine in Near Fine D/j.

193 pp.; 22.8 x 15.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Carlin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. Moy, Olu Oguibe, Yvonne Rainer, Aleta M. Ringlero, Robert Rosenblum, David A. Ross, Jerry Saltz, Michele Wallace, and Jonathan Weinberg. Includes selected bibliography and participant biographies. "In October 2001, a few weeks after the tragic events of September 11, an international group of scholars, artists, and curators debated the issue of postmodernism in an online symposium on the Georgia O'Keeffe Museum website. The questions raised by the personal testimony and analysis of symposium participants about the nature of reality and representation, about the appropriateness of irony and cynicism in times of crisis, about the potential of culture to effect social change, about the limits of free expres-sion-were as important to grasping the social and cultural complexities of a wounded nation coping with the reality of September 11 as they were to a discussion of postmodernism." -- from book's back cover Fine. As New. Covers and contents clean and unmarked. …

Soft cover. Condition: Good. Paperback. Used, good condition. Ciba Review No. 30. The Essentials of Handicrafts and the Craft of Weaving among Primitive Peoples. February 1940, p. 1056-1088, 39 black and white illustrations. Ethnographic Notes, plus 4 articles by S. Bühler, curator of the Ethnographic Museum in Basel: Primitive and Civilized People; The Development of Handicrafts among Primitive Peoples; the Tools of Primitve Peoples, and The Development of Weaving among Primitive Peoples. Book.…

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Heft. Condition: Gut. 39 Seiten, 25 Fig. auf Tafeln; Das hier angebotene Heft stammt aus einer wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Stempel.). Insgesamt ordentlicher und sauberer Zustand. Sprache: Englisch Gewicht in Gramm: 200.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 175 pages : illustrations (some color). Stated second printing. Publisher's binding sturdy and fresh, corners sharp, minor bumping to foot of spine; contents as new. Minor edgewear to dust jacket. 1380 grams.

Hardcover with dustjacket, 176 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Very Good. German text. VG condition book with dust jacket. DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: as new. Wie neu/Like new.

Hardcover. Very good condition in very good dust jacket. ]. 175p. Illus. Quarto.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition. "This is the first major publication and exhibition devoted to a comparative view of the work of Georgia O'Keeffe and Ansel Adams." who became friends in Taos. The exhibition was organized y the Georgia O'Keeffe Museum in Santa Fe. Contains essays and beautiful illustrations by both artists. Contains an index, source notes, chronologies, and a bibliography in the rear. This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The dust jacket has a few light scratches to the rear panel, else it is in similarly nice condition with no chips, tears, or markings.; B&W & Color Photographs & Illustrations; 4to 11" - 13" tall; 176 pages.…

Condition: as new. Wie neu/Like new.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Softcover. Condition: Very Good-. Cover has fading along extremities; owner name on wrapper. ; Errata slip included. Catalog of an exhibition of March 15 - May 1, 1964. ; 82 pages.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780791451403. …

Condition: Good. Good condition. Gifter's inscription on title page. Smudges on cover. Smudges on page edges. Cover creased. Corner bumped. Rubbed on cover. Shelf cocked. Dented on cover. (art, american, paintings, women).

Soft cover. Condition: New. O'Keeffe on Paper by Barbara Buhler Lynes, Ruth Fine etc SEALED!!UNOPENED!! A National Gallery of Art Publication Georgia O'Keeffe (1887-1986), one of the most innovative and renowned of all American artists, made works on paper throughout her long career. More than 50 of her most stunning watercolors, charcoals, and pastels are presented in this volume, the catalogue of an exhibition that opens in April 2000 at the National Gallery of Art, Washington, and travels in July to the Georgia O'Keeffe Museum, Santa Fe. Images dating from 1915 through 1962 reveal O'Keeffe's unique imagination and technical virtuosity and chart the development of her personal abstract vision. Essays by well-known scholars address the significance of the works on paper to O'Keeffe's art as a whole; examine the importance of her choice of materials in the development of her aesthetic; and place O'Keeffe's works on paper in the context of her American modernist contemporaries. 80 illustrations, 60 in full color, 192 pages, DGRAY2.…

Soft cover. Condition: Fine. 1st Edition. 518 pp., x. '10' in number line. Profusely illustrated with black and white illustrations. Following the Preface and "Introduction: The Expanding Discourse", Contents divided into 29 successive Essays: (1) Margaret R. Miles, "The Virgin's One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture"; (2) Patricia Simons, "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture"; (3) Mary D. Garrard, "Leonardo da Vinci: Female Portraits, Female Nature"; (4) Patricia L. Reilly, The Taming of the Blue: Writing Out Color in Renaissance Theory"; (5) Lilian Zirpolo, "Botticelli's Primavera: A Lesson for the Bride"; (6) Rona Goffen, "Titian's Sacred and Profane Love and Marriage"; (7) Yael Even, "The Loggia dei Lanzi: A Showcase of Female Subjugation"; (8) Margaret D. Carroll, "The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence"; (9) Natalie Boymel Kampen, "The Muted Other: Gender and Morality in Augustan Rome and Eighteenth-Century Europe"; (10) Anne Higonnet, "Secluded Visiion: Images of Feminine Experience in Nineteenth-Century Europe"; (11) James M. Saslow, " ' Disagreeably Hidden ' : Construction and Constriction of the Lesbian Body in Rosa Bonheur's Horse Fair"; (12) Tamar Garb, " ' L'Art Feminin ' : The Formation of a Critical Category in Late Nineteenth-Century France"; (13) Linda Nochlin, "Morisot's Wet Nurse: The Construction of Work and Leisure in Impressionist Painting"; (14) Griselda Pollock, "Modernity and the Spaces of Femininity"; (15) Norma Broude, "Edgar Degas and French Feminism, ca. 1880: ' The Young Spartans ', The Brothel Monotypes, and the Bathers Revisited"; (16) Tamar Garb, "Renoir and the Natural Woman"; (17) Abigail Solomon-Godeau, "Going Native: Paul Gauguin and the Invention of Primitivist Modernism"; (18) Peter Brooks,"Gauguin's Tahitian Body"; (19) Carol Duncan, "The MoMA's Hot Mamas"; (20) Marilyn Lincoln Board, "Constructing Myths and Ideologies in Matisse's Odalisques"; (21) Mary Ann Caws, "Ladies Shot and Painted: Female Embodiment in Surrealist Art"; (22) "Janice Helland, "Culture, Politics, and Identity in the Paintings of Frida Kahlo"; (23) Helen Langa, "Egalitarian Vision, Gendered Experience: Women Printmakers and the WPA/FAP Project"; (24) Anne M. Wagner, "Lee Krasner as L.K."; (25) Barbara Buhler Lynes, "Georgia O'Keeffe and Feminism: A Problem of Position"; (26) Josephine Withers, "Judy Chicago's Dinner Party: A Personal Vision of Women's History"; (27) Lowery S. Sims, "Race Riots, Cocktail Parties, Black Panthers, Moon Shots, and Feminists: Faith Ringgold's Observations on the 1960s in America"; (28) Freida High W. Tesfagiorgis, "Afrofemcentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold"; (29) Craig Owens, "The Discourse of Others: Feminists and Postmodernism"; Notes on the Contributors, pp. 503-505; Index, pp. 506-518. Glossy decorative green wrappers with Title and Editor names in White letters across top third and bottom front cover, respectively. Subtitle in yellow, just above a large, middle-lower middle, front cover, color illustration of Edgar Degas' "Spartan Girls Challenging Boys". Tiny nick to lower left spine corner and similar tiny nick to left edge spine near midpoint; small, soft crease, diminishingly, at top corners, pp. 11-40, First three pages of #8 Essay (Carroll) have small amount of yellow highlighting and first five pages of Essay #14 (Pollock), similarly,(i.e., 8 pp of 518 pp) : describes worse than it is, but there you have it. Virtually As New: Tight binding (NO cracks); square corners; NO remainder marks; NO previous owner names. Essentially, Clean text. Solid copy. …