Brown James Benjamin (80 results)

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardcover. Condition: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Condition: New. ~ NEW Inside and Out! Clean & Crisp Pages. (E-mail for more info./pics).

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Jane Zwinger; Cover Artist (illustrator). This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+, Not Price Clipped. American First. Complete number line from 1 to 10; minor wear; otherwise a solid, clean copy with no marking or underlining; collectible condition. Book.

Soft Cover. Condition: Very Good. Jane Zwinger; Cover Artist (illustrator). Wraps have only light wear, spine is unbent. Pages are clean with no markings in text. Size: 8vo - over 7¾" - 9¾" tall.

hardcover. Condition: Like New. Stated first edition, first printing. As new.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. GIlbert Stuart; Charles wilson Peale, Benjamin Trott, Edward Greene Malbone, John Wollaston, Samuel King, Rembrandt Peale, William Henry Brown, Jeremiah Theus, Charles Peale Polk, Robert Feke, James Sharples, John Wesley Jarvis, Fevret De St. Memin, (illustrator). First Edition, First Printing. dj w/price clipped; 197 clean, unmarked pages.a collection of 58 portraits of prominent Jewish pioneers.

dvd. Condition: Used - Good.

Softcover. xx, 331 pp. Published in cooperation with the Center for Medieval Studies at the University of Minnesota. Medieval Studies at Minnesota. Volume 6. Softcover. LCC: 9330869.

SingleIssueMagazine. Condition: Very Good-. Vol. XXXIV, No. 1. Pulp magazine. [Edited by Sam Merwin. Jr.] Cover art by Bergey. Includes "The Ultimate Planet" (novel) by Noel Loomis; "Alien Earth" (novelet) by Edmond Hamilton; "On the House" (novelet) by Benj. Miller; "The Concrete Mixer" (novelet) by Ray Bradbury; "Operation Pumice" by Raymond Z. Gallun; "Quest of the Starhope" by Leigh Brackett; "Quite Logical" by Rog Phillips; "The Hierophants" by Margaret St. Clair; "The Lost Race" by Murray Leinster; "All Good Bems" by Fredric Brown; "The Box" by James Blish. Special Features: "The Reader Speaks"; "The Man of the Future" by F. Orlin Tremaine; "The Frying Pan" (fanzine review); "Science Fiction Book Review". Illustrated by Virgil Finlay, Napoli, and others. Dealer's marks on cover in heavy pencil; front cover has short tear at lower front edge with associated wrinkling; rear cover has mild stains, foxing and upper staple tear; 1/2" loss at spinehead. Nicer than this sounds. Book.

Softcover. Condition: Excellent condition. xx, 407 pp. GlossaHouse Festschrift Series. Volume 1. Softcover. LCC: 2017956474.

Softcover. Condition: Excellent condition. xx, 407 pp. GlossaHouse Festschrift Series. Volume 1. Softcover. LCC: 2017956474.

Softcover. Condition: Excellent condition. xx, 407 pp. GlossaHouse Festschrift Series. Volume 1. Softcover. LCC: 2017956474.

SingleIssueMagazine. Condition: Very Good+. Vol. XXXIV, No. 1. Pulp magazine. [Edited by Sam Merwin. Jr.] Cover art by Bergey. Includes "The Ultimate Planet" (novel) by Noel Loomis; "Alien Earth" (novelet) by Edmond Hamilton; "On the House" (novelet) by Benj. Miller; "The Concrete Mixer" (novelet) by Ray Bradbury; "Operation Pumice" by Raymond Z. Gallun; "Quest of the Starhope" by Leigh Brackett; "Quite Logical" by Rog Phillips; "The Hierophants" by Margaret St. Clair; "The Lost Race" by Murray Leinster; "All Good Bems" by Fredric Brown; "The Box" by James Blish. Special Features: "The Reader Speaks"; "The Man of the Future" by F. Orlin Tremaine; "The Frying Pan" (fanzine review); "Science Fiction Book Review". Illustrated by Virgil Finlay, Napoli, and others. Tanning; dealer's marks in pen on front; tears at spine ends with small losses. Book.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: Brand New. 150 pages. 8.00x5.00x0.34 inches. This item is printed on demand.

Paperback. Condition: Near Fine. 1st. 112, [7] pages, illustrations; 23 x 27 cm. Catalogue of an exhibition held at the Art Institute of Chicago, 8 October to 27 November 1977; and other venues. Near fine. Firm binding, clean inside copy. Age toning. *** A great catalogue with an important contribution by Benjamin Buchloh and lots of Conceptual art. *** CONTENTS: Introduction, by A. James Speyer and Anne Rorimer; Europe in the Seventies: Aspects of Recent Art, by Jean-Christophe Ammann; Some Aspects of British Art Today, by David Brown; A Letter from Rudi Fuchs; Formalism and Historicity - Changing Concepts in European and American Art since 1945, by Benjamin H. D. Buchloh. Scarce. Size: Oblong. Collectible.

Soft cover. Condition: Fine. 1st Edition. COMPLETE RUN, first editions. Five volumes, octavo (25 x 17 x 4cm). Publisher's printed card wraps. With an introductory letter from the editors and a typed letter from the press office loosely inserted. No. 5 has a postcard noting that the journal had ceased to be produced. Internally clean, press cutting in the first volume has left offset toning to facing pages. Light external wear. Fine. Scarce with only nine institutional holdings within the UK and no other copies seen for sale at the time of cataloguing. Part of US Cold War era soft power projection, a journal highlighting modern American thinking and art.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1911 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 116 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 116 Language: English.

[3] pp.; 73 x 18.3 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman and Carolee Schneemann. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. 2.4 cm. dog-ear to bottom right corner of recto with bumping, light bumping of bottom left corner, and 1.2 cm. dog-ear to upper right corner with 7.7 cm. area of bumping. Multiple light fingerprint marks on verso.

[1] pp.; 58.2 x 27.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman, and Carolee Schneemann. Designed by George Maciunas. Good. Folded in sixteen with wear along fold lines and light soiling on verso along fold lines. 1.6 cm. dog-ear to bottom right corner and bumping of bottom left corner and edge. Light bumping of upper left corner of recto and 6 cm. area of light soiling to verso.

Leather Bound. Condition: New. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1822. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 40, Pages:- 125, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 40 125.

Leather Bound. Condition: New. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1793. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 11, Pages:- 152, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 11 152.