Birgit Abels

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About this Item: New Age Books, 2010. Paperback. Condition: New. pp. x + 154 1st Edition. Seller Inventory # 262400577

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About this Item: New Age Books, 2010. Paperback. Condition: New. pp. x + 154. Seller Inventory # 5447326

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About this Item: New Age Books. Soft cover. Condition: New. Seller Inventory # 1344355

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About this Item: New Age Books/MLBD, 2010. Paperback. Condition: New. First edition. The harmonium holds an ambiguous reputation in India as well as in its "home continent" of Europe. There is an abundance of clear statements made by distinguished Indian musicians, theoreticians and also politicians who time and again would decry the instrument. Rabindranath Tagore`s famous description of the harmonium as "that bane of Indian music" is just one example. And yet, the harmonium is arguably the instrument most widely used for accompanying the foremost medium of North Indian classical music, i.e. the human voice. Thus, by all appearances the anxiety about the harmonium`s potentially destructive impingement on traditional music, is not shared by the majority of the musicians. This book seeks to understand the complex history of the harmonium in North India, analyse the apparent conflict between musical theory and practice and describe how the instrument is used in musical practice. Is the harmonium an instrument suitable for Indian music? Can it live up to the requirements of Indian music? Can it live up to the requirements of Indian music? These questions pervade the whole book, at the end of which, they will appear in a whole new light. Printed Pages: 164. Seller Inventory # 24903BV

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About this Item: Motilal Banarsidass Publishers Pvt. Ltd., New Delhi, India, 2010. Softcover. Condition: New. First Edition. The harmonium holds an ambiguous reputation in India as well as in its "home continent" of Europe. There is an abundance of clear statements made by distinguished Indian musicians, theoreticians and also politicians who time and again would decry the instrument. Rabindranath Tagore's famous description of the harmonium as "that bane of Indian music" is just one example. And yet, the harmonium is arguably the instrument most widely used for accompanying the foremost medium of North Indian classical music, i.e. the human voice. Thus, by all appearances the anxiety about the harmonium's potentially destructive impingement on traditional music, is not shared by the majority of the musicians. This book seeks to understand the complex history of the harmonium in North India, analyse the apparent conflict between musical theory and practice and describe how the instrument is used in musical practice. Is the harmonium an instrument suitable for Indian music? Can it live up to the requirements of Indian music? Can it live up to the requirements of Indian music? These questions pervade the whole book, at the end of which, they will appear in a whole new light.Printed Pages: 154. Seller Inventory # 102613

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About this Item: Condition: Very Good. Former Library book. Great condition for a used book! Minimal wear. Seller Inventory # 18365446-75

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About this Item: Condition: Very Good. Great condition for a used book! Minimal wear. Seller Inventory # 18507293-6

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About this Item: Amsterdam University Press, 2011. Paperback. Condition: Good. Illustrated. Softcover. Clean text -- NO writing, NO highlighting to text. Light waviness to first two leaves. Curl to front cover at fore-edge. A good reading copy. Seller Inventory # mon0000177249

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About this Item: Condition: New. This is Brand New. Seller Inventory # MLBD-15012021-99

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About this Item: Amsterdam University Press, 2011. Paperback. Condition: Good. Illustrated. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 9089640851-2-4

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About this Item: Condition: New. Seller Inventory # 21505208-n

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About this Item: Condition: As New. Unread book in perfect condition. Seller Inventory # 21505208

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About this Item: New Age Books, 2010. Paperback. Condition: Brand New. 154 pages. 8.30x0.50x5.50 inches. In Stock. Seller Inventory # zk8178223090

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About this Item: Vwb Vlg. F. Wissenschaft 2018-02-01, 2018. Paperback. Condition: New. Seller Inventory # 6666-LBR-9783861359173

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About this Item: Vwb Vlg. F. Wissenschaft 2013-01-01, 2013. Perfect Paperback. Condition: New. Seller Inventory # 6666-LBR-9783861359050

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About this Item: Vwb Vlg. F. Wissenschaft 2018-02-01, 2018. Paperback. Condition: New. Seller Inventory # 6666-LBR-9783861359166

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About this Item: Vwb Vlg. F. Wissenschaft 2014-01-01, 2014. Perfect Paperback. Condition: New. Seller Inventory # 6666-LBR-9783861359074

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About this Item: Condition: New. Seller Inventory # 29531903-n

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About this Item: Condition: As New. Unread book in perfect condition. Seller Inventory # 29531903

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About this Item: Condition: New. Seller Inventory # 21505208-n

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About this Item: Condition: As New. Unread book in perfect condition. Seller Inventory # 21505208

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About this Item: VWB Vlg. F. Wissenschaft Jan 2015, 2015. Taschenbuch. Condition: Neu. Neuware - Despite influential recent scholarship on men in dance, the topic of bodily movement remains feminized in much of Western popular culture as well as in academia. Yet because gender is a construct that relies on perceptions of the body, regardless of that body's gender, bodily movements provide keys to understanding how masculinities are constructed or questioned in different cultural contexts. This special issue seeks to understand how staged performances present or challenge ideals of masculinity, as well how masculine and feminine genders are constructed relationally through dance performance. It developed from a panel presented at the 2010 meeting of the Society for Ethnomusicology titled 'Music, movement, and masculinities,' but has since grown to include additional scholars. The issue will begin with an introduction contextualizing and commenting on the range of articles in the volume. In the first, author 1 suggests answers to the question of why ballet pas-de-deux gender protocols have failed to evolve, even in the face of numerous academic and choreographic critiques of ballet's gender roles. Next, author 2 examines the ironic portrayal of masculine rock stereotypes in competitive air guitar movements, demonstrating the genre's use as a bodily critique of rock's gender and racial constructions. The third contribution focuses on how capitalist realities have altered the ways in which Hungarian men creatively represent themselves through modern folk dance, while the fourth provides an analysis of the 'official' masculinities displayed in Hungarian State Folk Ensemble choreographies. The fifth article challenges the construction of 'oriental dance' as a feminine realm by demonstrating that male performers present a particular, orientalist type of masculinity. Finally, author 6 examines the performance of masculinities in ballet-based Ukrainian concert dance in Canada. As a whole, the proposed issue presents diverse views on contemporary masculine bodily expression from both established and emerging dance scholars, and it covers a broad range of geographic areas. Its examination of staged dance performances around the world, each of which aestheticizes masculinities in a different way, will be of interest to ethnomusicologists, dance ethnologists, folklorists, and performance studies scholars. In addition, it takes impetus from the current interdisciplinary interest in gesture studies, while pushing that field forward through its specific emphasis on masculine movements in popular, traditional, and classical musical contexts. 172 pp. Englisch. Seller Inventory # 9783861359081

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About this Item: VWB Vlg. F. Wissenschaft, 2014. Taschenbuch. Condition: Neu. Neuware - East African 'classic' music, known in Tanzania as zilipendwa or in Kenya as zilizopendwa (literally, 'thosewhich were loved') is making a comeback. Artists such as Samba Mapangala, Les Wanyika, Daudi Kabaka, Mlimani Park Orchestra, Ottu Jazz, Mbaraka Mwinshehe, Marijani Rajabu, and Tabora Jazz can be heard being played either on sound systems at clubs or weddings, or being rendered live by cover bands to warm up the crowd before playing their own numbers. With the exception of youth who are under the spell of the explosive Swahili version of hip hop and R&B (called Bongo Flava in Tanzania, Genge or Kapuka in Kenya) these gentle old songs still carry meaning and grace the night at many dance halls, discos, bars, hotels and social functions in Nairobi, Kisumu, Eldoret, Mombassa, Arusha, Mwanza, Morogoro, Tanga, and Dar es Salaam. These songs are also covered, remixed, and sampled by rap artists, and they are also played in church. What is fascinating about the nostalgia for this music is the intensity with which it is happening: it is nothing short of a nostalgia movement. The undergirding theme of this collection of articles will demonstrate how nostalgia for zili(zo)pendwa is far from being a melancholic rumination over days long-past, but is enacted instead for the sake of health and community well-being. Zili(zo)pendwa is a conscious act towards musicking the values of a fading era, creating temporary autonomous zones where by Review Authors and Titles of Recordings Reviewed) 184 pp. Englisch. Seller Inventory # 9783861359074

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About this Item: VWB Vlg. F. Wissenschaft Feb 2018, 2018. Taschenbuch. Condition: Neu. Neuware - Contents: +++ Articles \* Hilary Vanessa Finchum-Sung: Foreword: Aesthetics of Interculturality in East Asian Contemporary Music \* Hilary Vanessa Finchum-Sung: Artistic Habitus in an Intercultural World: A Tale of Two Artists \* Chien-Chang Yang: Technologies of Tradition in Post-War Musical Avant-Gardism: A Theoretical Reflection \* Fuyuko Fukunaka: World Music History and Interculturality: Toward Recontextualizing Post-War Japanese Avant-Garde Music \* Hyejin Yi: National Cultural Memory in Late-Twentieth-Century East Asian Composition: Isang Yun, Hosokawa Toshio and Zhu Jian'er \* Hee Sook Oh: Intercultural Aesthetics in the Contemporary Korean Compositions of Hae-Sung Lee +++ Book Reviews (Eva-Maria Alexandra van Straaten, ed.) \* Brian Cogan: Jonathan Pieslak, Radicalism and Music: An Introduction to the Musical Cultures of al-Qa'ida, Racist Skinheads, Christian-Affiliated Radicals, and Eco-Animal Rights Militants (2015) \* Thomas Solomon: Kofi Agawu, The African Imagination in Music (2016) \* Simran Singh-Grewal: Mwenda Ntarangwi, The Street Is My Pulpit: Hip Hop and Christianity in Kenya (2016) \* Mark Porter: Julia Koll, Kirchenmusik als sozioreligiöse Praxis: Studien zu Religion, Musik und Gruppe am Beispiel des Posaunenchors (2016) \* Oli Wilson: Denis Crowdy, Hearing the Future: The Music and Magic of the Sanguma Band (2016) \* Krystal Klingenberg: Thomas Solomon and Sylvia A. Nannyonga-Tamusuza (eds.), Ethnomusicology in East Africa: Perspectives from Uganda and Beyond (2012) \* Krystal Klingenberg: Thomas Solomon (ed.), African Musics in Context: Institutions, Culture, Identity (2015) \* Mark Slobin: Amalia Ran and Moshe Morad (eds.), Mazal Tov Amigos! Jews and Popular Music in the Americas (2016) \* Rik Adriaans: Burcu Yildiz, Experiencing Armenian Music in Turkey: An Ethnography of Musicultural Memory (2016) \* David Cooper: Desi Wilkinson, Call to the Dance: An Experience of the Socio-Cultural World of Traditional Breton Music and Dance (2016) \* Sergio Navarrete Pellicer: Charles V. Heath, The Inevitable Bandstand: The State Band of Oaxaca and the Politics of Sound (2015) +++ Recording Reviews (Rehanna Kheshgi, ed.) \* Ana P. Sanchez-Rojo: Serrano de Corazón (Highlander at Heart). Produced by Alex E. Chávez and Daniel E. Sheehy (2016) \* Hermann Hudde: Sweet Geriatrics. Produced by Waleed Howrani (2012) \* Ioannis Tsekouras: Bahçeye Hanimeli. (Honeysuckle in the Garden). Produced by Aysenur Kolivar and the Helesa Project (2012) +++ About the Contributors +++ the world of music (new series) 168 pp. Englisch. Seller Inventory # 9783861359166

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About this Item: VWB Vlg. F. Wissenschaft Feb 2018, 2018. Taschenbuch. Condition: Neu. Neuware - Contents: +++ Articles \* Lonán Ó Briain: Introduction: Sounding and Silencing Ethnicity in the 21st Century \* Martin Stokes: Musical Ethnicity: Affective, Material and Vocal Turns \* Rachel Harris: The New Battleground: Song-and-dance in China's Muslim Borderlands \* Lijuan Qian: Which Identity Matters Competing Ethnicities in Chinese TV Music Contests \* Thomas Solomon: Who Are the Laz Cultural Identity and the Musical Public Sphere on the Turkish Black Sea Coast \* Nomi Dave: Music, Multipartyism and the 'Guinean Family' +++ Book Reviews (Eva-Maria Alexandra van Straaten, ed.) \* Peter Kvetko: Jayson Beaster-Jones, Music Commodities, Markets, and Values: Music as Merchandise (2016) \* Barbara Alge: Javier F. León and Helena Simonett (eds.), A Latin American Music Reader. Views from the South (2016) \* Tony Perman Jennifer Kyker, Oliver Mtukudzi: Living Tuku Music in Zimbabwe (2016) \* Kacey Link: Morgan James Luker, The Tango Machine: Musical Culture in the Age of Expediency (2016) \* Yair Hashachar: Moshe Morad, Fiesta de Diez Pesos: Music and Gay Identity in Special Period Cuba (2014) \* Stephen Wilford: Regine Allgayer-Kaufmann (ed.), World Music Studies (2016) \* Aaron S. Allen: Mark Pedelty, A Song to Save the Salish Sea: Musical Performance as Environmental Activism (2016) \* Inna Naroditskaya: Aida Huseynova, Music of Azerbaijan: From Mugham to Opera (2016) \* Leah Kardos: Mark J. Butler, Playing with Something That Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance (2014) \* Allan F. Moore: Per Elias Drabløs, The Quest for the Melodic Electric Bass: from Jamerson to Spenner (2015) \* Niko Higgins: Nina Sun Eidsheim, Sensing Sound: Singing & Listening as Vibrational Practice (2015) +++ Recording Reviews (Rehanna L. Kheshgi, ed.) \* Rakae Rehman: Jamil Travelers: Dosti Music Project. Produced by Found Sound Nation. (2017) \* Alisha Lola Jones: Fannie Lou Hamer: Songs My Mother Taught Me. Smithsonian Folkways Recordings. (2015) \* Alexander Markovic: Playing 'Til Your Soul Comes Out: Music of Macedonia. Produced by Martin Koenig, recorded by David Jones. Smithsonian Folkways Recordings. (2015) \* Lauren Eldridge: Lakou Mizik. Wa Di Yo (You Tell Them). Stewart Cumbancha. (2016) +++ About the Contributors +++ the world of music (new series) 176 pp. Englisch. Seller Inventory # 9783861359173

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About this Item: VWB Vlg. F. Wissenschaft Jan 2015, 2015. Taschenbuch. Condition: Neu. Neuware - Despite influential recent scholarship on men in dance, the topic of bodily movement remains feminized in much of Western popular culture as well as in academia. Yet because gender is a construct that relies on perceptions of the body, regardless of that body's gender, bodily movements provide keys to understanding how masculinities are constructed or questioned in different cultural contexts. This special issue seeks to understand how staged performances present or challenge ideals of masculinity, as well how masculine and feminine genders are constructed relationally through dance performance. It developed from a panel presented at the 2010 meeting of the Society for Ethnomusicology titled 'Music, movement, and masculinities,' but has since grown to include additional scholars. The issue will begin with an introduction contextualizing and commenting on the range of articles in the volume. In the first, author 1 suggests answers to the question of why ballet pas-de-deux gender protocols have failed to evolve, even in the face of numerous academic and choreographic critiques of ballet's gender roles. Next, author 2 examines the ironic portrayal of masculine rock stereotypes in competitive air guitar movements, demonstrating the genre's use as a bodily critique of rock's gender and racial constructions. The third contribution focuses on how capitalist realities have altered the ways in which Hungarian men creatively represent themselves through modern folk dance, while the fourth provides an analysis of the 'official' masculinities displayed in Hungarian State Folk Ensemble choreographies. The fifth article challenges the construction of 'oriental dance' as a feminine realm by demonstrating that male performers present a particular, orientalist type of masculinity. Finally, author 6 examines the performance of masculinities in ballet-based Ukrainian concert dance in Canada. As a whole, the proposed issue presents diverse views on contemporary masculine bodily expression from both established and emerging dance scholars, and it covers a broad range of geographic areas. Its examination of staged dance performances around the world, each of which aestheticizes masculinities in a different way, will be of interest to ethnomusicologists, dance ethnologists, folklorists, and performance studies scholars. In addition, it takes impetus from the current interdisciplinary interest in gesture studies, while pushing that field forward through its specific emphasis on masculine movements in popular, traditional, and classical musical contexts. 172 pp. Englisch. Seller Inventory # 9783861359081

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About this Item: VWB Vlg. F. Wissenschaft, 2013. Taschenbuch. Condition: Neu. Neuware - Contents: +++ Articles \* Barbara Alge: Transatlantic Musical Flows in the Lusophone World: An Introduction \* Suzel Ana Reily: Reconceptualizing 'Musical Mulatismo' in the Mining Regions of Portuguese America \* Martha Tupinambá de Ulhôa and Luiz Costa-Lima Neto: Memory, History and Cultural Encounters in the Atlantic: The Case of Lundu \* Christine Dettmann History in the Making: An Ethnography into the Roots of Capoeira Angola \* Katherine Brucher Crossing the Longest Bridge: Portuguese Bands in the Diaspora \* Jorge de La Barre and Bart Vanspauwen: A Musical Lusofonia Music Scenes and the Imagination of Lisbon +++ Book Reviews (Dan Bendrups, ed.) \* Jonathan Glasser: Richard C. Jankowsky, Stambeli: Music, Trance, and Alterity in Tunisia \* Dale A. Olsen: Matthias Stöckli and Arnd Adje Both (eds.), Flower World: Music Archaeology of the Americas/Mundo Florido: Arqueomusicología de las Américas \* Kent Windress: Bode Omojola, Yoruba Music in the Twentieth Century: Identity, Agency and Performance Practice \* Chunghee Sarah Soh: Joshua D. Pilzer, Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese 'Comfort Women' \* Dan Bendrups: David Kaminsky, Swedish Folk Music in the Twenty-First Century: On the Nature of Tradition in a Folkless Nation +++ Recording Reviews (Robert Fry, ed.) \* Elizabeth A. Clendinning: From Kuno to Kebyar: Balinese Gamelan Angklung, produced by Ruby Ornstein \* Ryan McCormack: Seven Stamps, produced by Dimitar Bodurov \* Shari Lindblom: Cute Boy, Charming Girl: Children's Songs of the Modern Hebrew Nation (1882-1948), produced by Edwin Seroussi, the Jewish Music Research Centre, and The Hebrew University of Jerusalem \* Plamena Kourtova: Kelmti Horra (My Word is Free), produced by Emel Mathlouthi +++ Website Reviews (Frances Wilkins, ed.) \* Hannah Marsden: Folk Punjab \* Keith Howard: Tinotenda: Shona Mbira \* Kristin Borgehed: Ukrainian Folklore Audio Project \* Kirk King: Sant Sucha Singh Archives of Music \* Máire Ni Bhaoil:l Inishowen Song Project \* Noel Lobley: The Official Woody Guthrie Website \*Joseph Jordania: Sounding the Depths +++ About the Contributors +++ the world of music (new series) 184 pp. Englisch. Seller Inventory # 9783861359050

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About this Item: VWB Vlg. F. Wissenschaft, 2014. Taschenbuch. Condition: Neu. Neuware - East African 'classic' music, known in Tanzania as zilipendwa or in Kenya as zilizopendwa (literally, 'thosewhich were loved') is making a comeback. Artists such as Samba Mapangala, Les Wanyika, Daudi Kabaka, Mlimani Park Orchestra, Ottu Jazz, Mbaraka Mwinshehe, Marijani Rajabu, and Tabora Jazz can be heard being played either on sound systems at clubs or weddings, or being rendered live by cover bands to warm up the crowd before playing their own numbers. With the exception of youth who are under the spell of the explosive Swahili version of hip hop and R&B (called Bongo Flava in Tanzania, Genge or Kapuka in Kenya) these gentle old songs still carry meaning and grace the night at many dance halls, discos, bars, hotels and social functions in Nairobi, Kisumu, Eldoret, Mombassa, Arusha, Mwanza, Morogoro, Tanga, and Dar es Salaam. These songs are also covered, remixed, and sampled by rap artists, and they are also played in church. What is fascinating about the nostalgia for this music is the intensity with which it is happening: it is nothing short of a nostalgia movement. The undergirding theme of this collection of articles will demonstrate how nostalgia for zili(zo)pendwa is far from being a melancholic rumination over days long-past, but is enacted instead for the sake of health and community well-being. Zili(zo)pendwa is a conscious act towards musicking the values of a fading era, creating temporary autonomous zones where by Review Authors and Titles of Recordings Reviewed) 184 pp. Englisch. Seller Inventory # 9783861359074

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About this Item: VWB Vlg. F. Wissenschaft Feb 2018, 2018. Taschenbuch. Condition: Neu. Neuware - Contents: +++ Articles \* Lonán Ó Briain: Introduction: Sounding and Silencing Ethnicity in the 21st Century \* Martin Stokes: Musical Ethnicity: Affective, Material and Vocal Turns \* Rachel Harris: The New Battleground: Song-and-dance in China's Muslim Borderlands \* Lijuan Qian: Which Identity Matters Competing Ethnicities in Chinese TV Music Contests \* Thomas Solomon: Who Are the Laz Cultural Identity and the Musical Public Sphere on the Turkish Black Sea Coast \* Nomi Dave: Music, Multipartyism and the 'Guinean Family' +++ Book Reviews (Eva-Maria Alexandra van Straaten, ed.) \* Peter Kvetko: Jayson Beaster-Jones, Music Commodities, Markets, and Values: Music as Merchandise (2016) \* Barbara Alge: Javier F. León and Helena Simonett (eds.), A Latin American Music Reader. Views from the South (2016) \* Tony Perman Jennifer Kyker, Oliver Mtukudzi: Living Tuku Music in Zimbabwe (2016) \* Kacey Link: Morgan James Luker, The Tango Machine: Musical Culture in the Age of Expediency (2016) \* Yair Hashachar: Moshe Morad, Fiesta de Diez Pesos: Music and Gay Identity in Special Period Cuba (2014) \* Stephen Wilford: Regine Allgayer-Kaufmann (ed.), World Music Studies (2016) \* Aaron S. Allen: Mark Pedelty, A Song to Save the Salish Sea: Musical Performance as Environmental Activism (2016) \* Inna Naroditskaya: Aida Huseynova, Music of Azerbaijan: From Mugham to Opera (2016) \* Leah Kardos: Mark J. Butler, Playing with Something That Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance (2014) \* Allan F. Moore: Per Elias Drabløs, The Quest for the Melodic Electric Bass: from Jamerson to Spenner (2015) \* Niko Higgins: Nina Sun Eidsheim, Sensing Sound: Singing & Listening as Vibrational Practice (2015) +++ Recording Reviews (Rehanna L. Kheshgi, ed.) \* Rakae Rehman: Jamil Travelers: Dosti Music Project. Produced by Found Sound Nation. (2017) \* Alisha Lola Jones: Fannie Lou Hamer: Songs My Mother Taught Me. Smithsonian Folkways Recordings. (2015) \* Alexander Markovic: Playing 'Til Your Soul Comes Out: Music of Macedonia. Produced by Martin Koenig, recorded by David Jones. Smithsonian Folkways Recordings. (2015) \* Lauren Eldridge: Lakou Mizik. Wa Di Yo (You Tell Them). Stewart Cumbancha. (2016) +++ About the Contributors +++ the world of music (new series) 176 pp. Englisch. Seller Inventory # 9783861359173

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