Biederman Charles Joseph (20 results)

Oversize Paperback. Condition: Near Fine. No Jacket. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition. 8.5 X 11 inches, 146 pages. Paperback Very Good. Slightly worn cover. No names or marks. Light crease to back cover. Illustrated with art reproductions and 20 pages of color reproductions, mostly of Biederman's art pieces.

Soft cover. Condition: Very Good. 146 pages.

paperback. Condition: Good. PAPERBACK - Minor cover wear - clean unmarked text - tight binding. ** WE SHIP DAILY (Mon-Fri) ** Free Tracking Information.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Couple small scuffs to front panel of jacket.

Hardcover. Octavo. Hardcover. Bound in black cloth with illustrated jacket. xxi, 262 pages, illustrations, facsimiles ; 23 cm. "Lucid guide to many of the greatest ideas of the twentieth century. The revolutions in both art and science have never been discussed more engagingly."--Jacket. VG. Light wear around the edges of jacket. Minor foxing to end papers.

Paperback. Condition: Good. Stated First Edition. Published 1951. Good gently used copy. Previous owner's stamps on first and title page. Occasaional pencil markings. Scarce! Ships from Dinkytown in Minneapolis, Minnesota.

Hardcover. Condition: Fine with no dust jacket. 146 pages. Root Wright Monet Cezanne Brady Griffith. priority and international shipping will be extra, please inquire; 8 1/2 x 11 1/4 ".

Staplebound. Condition: VG-. Some light soiling. Small square quarto. Staplebound. Illustrated wraps. 8 pages : illustrations (chiefly color) ; 25 cm. Catalog of an exhibition held at Meredith Ward Fine Art, New York City, Nov. 11, 2005-Jan. 14, 2006./ Includes bibliographical references.

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall. Physical description: 100 pages : illustrations (some colour) ; 31 cm. Subjects: Biederman, Charles. Art, Modern 20th century United States ; Exhibitions. Genre: Art. Language: English. 3 Kg.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall. Physical description: 100 pages : illustrations (some colour) ; 31 cm. Subjects: Biederman, Charles. Art, Modern 20th century United States ; Exhibitions. Genre: Art. Language: English. 1 Kg.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: very good. Book. 245 x 245 mm, 32 pp. in stapled, printed wraps. Special issue of the groundbreaking art, architecture and literary magazine FORM, which was edited by influential Cambridge academics of the period, and was noteworthy for republishing and translating avant-garde texts. This particular issue is dedicated to the 'Brighton Festival Exhibition of Concrete Poetry'. Features a map and index of the works exhibited (the exhibition was directed by FORM editor Stephen Bann), as well as a translation of 'The first years of Concrete Poetry' by Eugen Gomringer. This issue also includes: an essay by Lewis Shelley on the avant-garde Black Mountain College (the first in a series); an essay by Joseph Albers entitles 'My courses at the Hochschule fur Gestaltung at Ulm', and an essay on 'Albers' 'Graphic Tectonics' by Irving Finkelstein'; 'What is Kinetism?' by Lev Nusberg - translated from his manifesto; 'Symmetry: Nature and the Plane' and 'A Non-Aristotelian Creative Reality' by Charles Biederman; poetry by Anselm Hollo, and a section on 'Great Little Magazines', with this particular issue focused on 'Mecano', which was edited by Theo von Doesburg. Reprinted from 'Mecano' here is 'Two Men' by Kurt Schwitters, 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and 'Manifesto on the Lawfulness of Sound' by Raoul Hausman (translated by Richard Taylor'. Ref: Allen, Artist's Magazines, MIT Press, 2011. p. 261 Condition: crease to front cover as seen, minor toning to covers, internally near fine. Overall very good.

1st Edition. Near fine cloth copy in a poor if somewhat edge-torn (with some loss) and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved; tight, bright, clean and strong. Provenance; the critic and poetry activist Charles Tomlinson's copy; signed and inscribed by the author to him. Physical description: 696 pages, illustrations, 29 cm. Subjects: Biederman, Charles. Art Philosophy. Art History. Art criticism. 4 Kg.

1st Edition. Near fine cloth copy in a poor if somewhat edge-torn (with some loss) and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved; tight, bright, clean and strong. Provenance; the critic and poetry activist Charles Tomlinson's copy; signed and inscribed by the author to him. Physical description: 696 pages, illustrations, 29 cm. Subjects: Biederman, Charles. Art Philosophy. Art History. Art criticism. 2 Kg.