Bernard Lintott (10 results)

HARDBACK BROWN. Condition: Good considering age. (title cont) (The Rights of a Christian Church.) are Fairly Stated and Answer'd in Their Kinds (vol 2 only) cover worn, edges rubbed, corners bumped, gilt on spine, pages age toned, front board loose, hinges cracked, previous owners signature on inside of front cover DATE PUBLISHED: 1710 EDITION: 378.

Good plus copy of the London 1711 Second edition. Contemporary full calf "Cambridge Style Panel" binding with front board detached. Text block has scattered foxing. Frontispiece plus six plates for a total of seven plates. (10), 182, (14 index) pages Location K91.

Condition: Acceptable. A Full View of the Popery in a Satyrical Account of the Lives of the Popes, & C. From the Pretended Succession of St. Peter, to the Present Pope Clement IX. Printed for Bernard Lindtott, at the Middle-Temple-Gatein Fleetstreet: London. Octavo. Brown leather covered boards with tissue-tape covering and reinforcing spine. Single volume only.

Condition: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .

Condition: Fine. First edition. First printing of this limited deluxe edition poetic ode to a pair of pears, illustrated in lovingly executed mezzotints - with original copper plate included in the original box. Judith Rothchild's and Mark Lintott's Verdigris press, located in the south of France, produces an eclectic selection of artist's books based around a variety of texts. For Wallace Stevens's poem of pear pondering, Rothchild and Lintott have created a book that invites visual contemplation of its fruity subjects, with weight added to the text by Rothchild's deeply set mezzotints. The plate included in this deluxe copy is of one of the larger illustrations, and shows off the delicacy and precision involved in creating a mezzotint. An attractive production, presented in both English and French. 10.5'' x 11.75'' (book); 5.75'' x 5.5'' (copper plate). Original stiff paper wrappers in green, brown, and yellow. Illustrated with nine black-and-white mezzotints of pears, with three blind-embossed shapes of pears. Loose concertina textblock as issued with [20] panels, printed one side only, with tissue guards between each fold. With black-and-white mezzotint New Year's card, numbered 17/70 and signed by Rothchild and Lintott, loosely laid in. In original green, yellow, and brown clamshell box, with original copper plate mounted to rear. A touch of rubbing to wrapper joints. Sharp and clean. 10.5'' x 11.75'' (book); 5.75'' x 5.5'' (copper plate). Signed.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnDue To The Very Old Age And Scarcity Of This Book, Many Of The Pages May Be Hard To Read Due To The Blurring Of The Original Text.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Due To The Very Old Age And Scarcity Of This Book, Many Of The Pages May Be Hard To Read Due To The Blurring Of The Original Text.

Buch. Condition: Neu. The Religion Of The Wits | At Buttons Refuted (1716) | Bernard Lintott Publisher | Buch | Englisch | 2010 | Kessinger Publishing, LLC | EAN 9781162026398 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.