Belshaw John (56 results)

Hardcover. Condition: Fair.

Hardcover. Condition: Good.

Hardcover. Condition: Good.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Softbound book in crisp clean square condition, with traces of normal shelfwear along edges. Chapters include "The Eyes of Lucille Mars," by James C. Johnstone; "The Long Watch," by Jesse Donaldson; and "Where Men Live on Hope: Vancouver's Hobo Jungles of 1931," by Stevie Wilson.

Soft cover. Condition: As New. First Edition. A historical investigation of mourning sites and practices within the context of the province of British Columbia. The authors are concerned, primarily, with the rise of the roadside death memorial in the late twentieth century. 154 p. : ill. (chiefly col.), maps ; 21 cm. Bright, clean copy, still fresh and unmarked. Tight, square bnding, no spine creases, no wear. Weight, 350g. Lettermail may apply. Size: 8vo - over 7¾" - 9¾" tall. Book.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Most civic histories celebrate progress, industry, order, and vision. This isn't one of those. Vancouver Confidential is a collaboration of artists and writers who plumb the shadows of civic memory looking for the stories that don't fit into mainstream narratives. We honour the chorus line behind the star performer, the mug in the mugshot, the victim in the murder, the teens in the gang, and the "slum" in the path of the bulldozer. By focusing on the stories of the common people rather than community leaders and headliners, Vancouver Confidential shines a light on the lives of Vancouverites that have for so long been ignored. This new collection takes a fresh look at the raw urban culture of a port city in the mid-twentieth century. These were years when Hastings and Main was still a dynamic commercial hub, when streetcars thrummed through the city streets, and when "theatre" meant vaudeville and burlesque. Street gambling and illegal boozecans peppered the map, brothels and bootleggers served loggers and shoreworkers, and politicians were almost always larger than life. This collection of essays and art illuminates aspects of a city that was too busy getting into trouble to worry about whether it was "world class." The collection includes essays from Tom Carter, Aaron Chapman, Jesse Donaldson, James Johnston, Lani Russwurm, Eve Lazarus, Diane Purvey, Catherine Rose, Rosanne Sia, Jason Vanderhill, Stevie Wilson, Jim Wong-Chu, Will Woods, Terry Watada, and John Belshaw.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. 'Vancouver Noir' looks at the period from the 1930s to the 1960s, an era in which there was intensified concern with order, conformity, structure, and restrictions. These are visions of the city, both of what it was and what some of its citizens hoped it would either become, or, conversely, cease to be. The photographs-most of which look like stills from period movies featuring detectives with chiselled features, tough women, and bullet-ridden cars-speak to the styles of the Noir era and tell us something special about the ways in which a city is made and unmade. The authors argue that Noir-era values and perspectives are to be found in the photographic record of the city in this era, specifically in police and newspaper pictures. these photographs document changing values by emphasizing behaviours and sites that were increasingly viewed as deviant by the community's elite. They chart an age of rising moral panics. Public violence, smuggling rings, police corruption, crime waves, the sex trade, and the glamourization of sex in burlesques along and nearby Granville Street's neon alley belonged to an array of public concerns about which the media and political campaigns were repeatedly launched. "Purvey and Belshaw's 'Vancouver Noir' resurrects, in eminently readable black and white, the stories, characters, landmarks, images, lexicon and lore of one of this city's truly colourful eras." - James C. Johnstone, Historian ".If the thirties was a time of idealism, thepost-war world was one of cynicism. The insistence on social conformity and order provided a stark contrast to a seething underworld-if sometimes only in peoples' imagination. Contradictions abound. As suburban living reflected decency and family values, public concern was expressed about juvenile delinquency. Public (and even private) discussion of sex was generally taboo but the sex trade prospered in brothels and neon signs along Granville Street lit up dens of burlesque, booze and gambling.Ladies and escorts began entering the regulated beer parlours in Vancouver through separate doors in 1927. Thirsty working men crowded these establishments after a hard day's work and it was unseemly for a very long time, for women to mix freely among them. By 1954 cocktail bars were established so middle-class men and women could meet in an acceptable environment. Glamour arrived to the city in the form of supper clubs, emerging in the late 1930s and including big-name American acts like HarryBelafonte, Tony Bennett, Mitzi Gaynor, Duke Ellington and Ella Fitzgerald. Still segregation, not integration was the cultural norm as visible minorities lived in separate neighborhoods such as Hogan's Alley and Chinatown, sin' was confined to a square mile, and police attempted to the activities of drug pedlars and addicts. Attacking the poor and disenfranchised was common. Stanley Park rancheries, float houses under the Burrard Street bridge and other residential blights' to the city cameunder regular a.

Paperback. Condition: new. Paperback. Most civic histories celebrate progress, industry, order, and vision. This isn't one of those. Vancouver Confidential is a collaboration of artists and writers who plumb the shadows of civic memory looking for the stories that don't fit into mainstream narratives. We honour the chorus line behind the star performer, the mug in the mugshot, the victim in the murder, the teens in the gang, and the "slum" in the path of the bulldozer. By focusing on the stories of the common people rather than community leaders and headliners, Vancouver Confidential shines a light on the lives of Vancouverites that have for so long been ignored. This new collection takes a fresh look at the raw urban culture of a port city in the mid-twentieth century. These were years when Hastings and Main was still a dynamic commercial hub, when streetcars thrummed through the city streets, and when "theatre" meant vaudeville and burlesque. Street gambling and illegal boozecans peppered the map, brothels and bootleggers served loggers and shoreworkers, and politicians were almost always larger than life. This collection of essays and art illuminates aspects of a city that was too busy getting into trouble to worry about whether it was "world class." The collection includes essays from Tom Carter, Aaron Chapman, Jesse Donaldson, James Johnston, Lani Russwurm, Eve Lazarus, Diane Purvey, Catherine Rose, Rosanne Sia, Jason Vanderhill, Stevie Wilson, Jim Wong-Chu, Will Woods, Terry Watada, and John Belshaw. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Pamphlet. Condition: Very Good. Vol 29, pp. 25-47, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, else VG.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Trade Paperback. Condition: Near Fine. A clean, unmarked book with a tight binding. Price sticker on cover. 220 pages. Many b&w photos.

Paperback. Condition: Good. Light scuffing on cover. Gentle wear on cover edges and corners. Faint soiling on page edge.

Softcover. Condition: Fine. First Edition. Stiff crisp unmarked book. ; 8.74 X 5.91 X 0.71 inches; 192 pages.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. 'Vancouver Noir' looks at the period from the 1930s to the 1960s, an era in which there was intensified concern with order, conformity, structure, and restrictions. These are visions of the city, both of what it was and what some of its citizens hoped it would either become, or, conversely, cease to be. The photographs-most of which look like stills from period movies featuring detectives with chiselled features, tough women, and bullet-ridden cars-speak to the styles of the Noir era and tell us something special about the ways in which a city is made and unmade. The authors argue that Noir-era values and perspectives are to be found in the photographic record of the city in this era, specifically in police and newspaper pictures. these photographs document changing values by emphasizing behaviours and sites that were increasingly viewed as deviant by the community's elite. They chart an age of rising moral panics. Public violence, smuggling rings, police corruption, crime waves, the sex trade, and the glamourization of sex in burlesques along and nearby Granville Street's neon alley belonged to an array of public concerns about which the media and political campaigns were repeatedly launched. "Purvey and Belshaw's 'Vancouver Noir' resurrects, in eminently readable black and white, the stories, characters, landmarks, images, lexicon and lore of one of this city's truly colourful eras." - James C. Johnstone, Historian ".If the thirties was a time of idealism, thepost-war world was one of cynicism. The insistence on social conformity and order provided a stark contrast to a seething underworld-if sometimes only in peoples' imagination. Contradictions abound. As suburban living reflected decency and family values, public concern was expressed about juvenile delinquency. Public (and even private) discussion of sex was generally taboo but the sex trade prospered in brothels and neon signs along Granville Street lit up dens of burlesque, booze and gambling.Ladies and escorts began entering the regulated beer parlours in Vancouver through separate doors in 1927. Thirsty working men crowded these establishments after a hard day's work and it was unseemly for a very long time, for women to mix freely among them. By 1954 cocktail bars were established so middle-class men and women could meet in an acceptable environment. Glamour arrived to the city in the form of supper clubs, emerging in the late 1930s and including big-name American acts like HarryBelafonte, Tony Bennett, Mitzi Gaynor, Duke Ellington and Ella Fitzgerald. Still segregation, not integration was the cultural norm as visible minorities lived in separate neighborhoods such as Hogan's Alley and Chinatown, sin' was confined to a square mile, and police attempted to the activities of drug pedlars and addicts. Attacking the poor and disenfranchised was common. Stanley Park rancheries, float houses under the Burrard Street bridge and other residential blights' to the city cameunder regular attack by civic authorities. 'Vancouver Noir' succeeds in exposing what lies beneath, delivering readers a fascinating glimpse of another side of the city."- British Columbia History Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Paperback. Condition: Good. Vancouver Confidential.

Condition: New.

Soft cover. Condition: As New. Near to new SKU BM 40a.

Condition: New.

Paperback. Condition: Very Good. Very slight wear, a clean tight copy.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.