Barskova Polina (172 results)

Paperback. Condition: Very Good.

Paperback. Condition: Very Good.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

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paperback. Condition: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

Soft cover. Condition: Near Fine. 1st Edition. 2022 paperback first thus with full number line . Tiny fold on front cover and a hint of curling, else fine .

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condition: As New.

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paperback. Condition: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Trade Paperback. Condition: Near Fine. First Edition. A Near Fine clean copy, tight uncreased spine, with no markings to the text. 184pp.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: Very Good. Book is printed in both English and Russian. - Great overall condition. Minor cosmetic wear. No noteworthy blemishes. No writing. ; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.…

Paperback. Condition: Very Good. - Book is in great overall condition. No writing or major blemishes. Minor wear.; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Polina Barskova, Anna Glazova, and Maria Stepanova all were born in the early to mid-1970s and came of age during perestroika. They are old enough to have visceral memories of Soviet life but young enough to move adeptly with the new influences, new media and new life choices introduced in the post-Soviet era. In distinct ways all three are engaged in the project of renovating Russia's great modernist tradition for a radically different historical situation. They write poems of imaginative daring, pushing recognizable scenarios into the fantastic, the surreal or the speculative, bending form and language to the task. They also display a cerebral firepower boosted by their education in institutions Soviet, European and American, and which they exercise in their chosen professionsBarskova and Glazova are academics, teaching at Hampshire College and Cornell University respectively, and Stepanova is chief editor of the influential online journal Open Space. Barskova, Glazova, and Stepanova read one another attentively and have published reviews of each other's work, a mark of how they perceive themselves as engaged in the same project of "modernizing" Russian poetry. The broad trend in Russian poetry after the collapse of Soviet-era literary paradigms has been dispersalof hierarchies, of institutions, of poetic models and of poets themselves, many of whom live and work outside the cultural capitals, whether abroad or in the provinces. These poets are moving beyond the Russian modernists' engagement with totalitarianism to address subjects such as the Holocaust and the war in Chechnya, and they are doing so in a fundamentally new mode."Relocations is a highly enjoyable collection of poetry introducing the English-language world to three incredibly diverse and talented women poets writing in Russian that could be as meaningful to a casual fan of poetry as to a comparative literature scholar. A much-needed, timely, fun, and all-too-relevant read in 2014." Will Evans, Three Percent.…

Paperback. Condition: new. Paperback. A poignant collection of short pieces about the author's hometown, St. Petersburg, Russia, and the siege of Leningrad that combines memoir, history, and fiction.Living Pictures refers to the parlor game of tableaux vivants, in which people dress up in costume to bring scenes from history back to life. Its a game about survival, in a sense, and what it means to be a survivor is the question that Polina Barskova explores in the scintillating literary amalgam of Living Pictures. Barskova, one of the most admired and controversial figures in a new generation of Russian writers, first made her name as a poet; she is also known as a scholar of the catastrophic siege of Leningrad in World War II. In Living Pictures, Barskova writes with caustic humor and wild invention about traumas past and present, historical and autobiographical, exploring how we cope with experiences that defy comprehension. She writes about her relationships with her adoptive father and her birth father; about sex, wanted and unwanted; about the death of a lover; about Turner and Picasso; and, in the final piece, she mines the historical record in a chamber drama about two lovers sheltering in the Hermitage Museum during the siege of Leningrad who slowly, operatically, hopelessly, stage their own deaths.Living Pictures introduces a startlingly daring and original new voice from world literature. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Good. Six of the most remarkable contemporary Russian poets present their groundbreaking verse in a bilingual poetry collection published in partnership with PEN America?s Writers in Dialogue project.  In 2020, as international travel skidded to a halt, PEN America?s Writers in Dialogue project?which opens the exhilarating world of contemporary Russian poetry to American readers by bridging the American and Russian literary communities?went remote, using online connection to foster collaborations between daring emerging or undertranslated poetic voices and dexterous translators. In this remarkable volume, the Russian poets and American translators who were paired for this initiative present their collaborative work in a bilingual format, along with conversations about the pleasures, challenges, and intimacies of translation. English-reading audiences will have an opportunity to experience the boldness and range, stylistic and thematic, of Russia?s vital poetry scene. Featuring Ainsley Morse, Maria Galina, Catherine Ciepiela, Aleksandra Tsibulia, Anna Halberstadt, Oksana Vasyakina, Elina Alter, Ivan Sokolov, Kevin M.F. Platt, Ekaterina Simonova, Valeriya Yermishova, and Nikita Sungatov.…