Barbara Cameron Smith (12 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Fair.

Softcover. Condition: Very Good. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Poetry; Poetry; Australian::Australian Poetry, Prose, Verse. ISBN: 0724012745. ISBN/EAN: 9780724012749. Inventory No: 280157.

Paperback. Condition: new. Paperback. Best known for his pastoral scenes featuring statuesque gum trees, Heysen won critical acclaim when he first exhibited his Flinders Ranges paintings in 1928, featuring the 'bare bones of landscape'. From 1926 to 1949 Heysen spent many months in the Far North of South Australia, inspiring artworks that have rarely been seen. Hans Heysen Was Here brings together a vast selection of these artworks inspired by the stark landscape that helped reawaken his love of painting. The oil paintings, watercolours, charcoal drawings and field sketches in this book are illuminated by Heysen's previously unpublished observations about his semi-arid surrounds and the challenges and joys of camping there. The letters and artwork serve as an irreplaceable time capsule of the Flinders Ranges before destocking and re-vegetation transformed the landscape, and an insight into the life and times of a giant of Australian art. Best known for his pastoral scenes featuring statuesque gum trees, Heysen won critical acclaim when he first exhibited his Flinders Ranges paintings in 1928. Hans Heysen Was Here brings together a vast selection of these artworks inspired by the stark landscape that helped reawaken his love of painting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders. …

Paperback thin trade, very good condition, laminated card covers (stapled), black & white drawings (many full-page), minor edgewear. 47 pp. A delightful and humorous story for young adults about a young foal's introduction to its world on a farm in the Australian bush. Not previously published, the story was originally written by Bernard O'Reilly from the battlefields of North Africa during WW2, in episodes to his young daughter Thelma at home in Australia. Barbara Cameron-Smith's wonderful illustrations capture Folly's personality and reactions to the creatures she meets.…

Soft cover. Condition: Very Good. a small, clean and useful guide to the plants and animals of the australian alps.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Paperback,very good condition, 1999 , 19 cm x 15 cm, 96 pages ,very good condition inside, see photos . Please note this is the picture of the book you are buying as we do not use stock photos.All our books are shipped from Victoria, Australia. …

63 pp.; 19 x 27.9 cm.; glue bound; tipped in image[s]; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Massachusetts College of Art Bakalar and Huntington Galleries, Boston, January 20 - March 4, 2000. Essays by Robert E. Alvis and Louise Myers Kawada. Artists include Barbara Bosworth, Gillian Brown, Inga McCaslin Frick, Peter Eudenbach, Bill Jacobson, Fred H.C. Liang, Cameron Shaw, Arlene Shechet, Duane Slick, Kiki Smith, Pat Steir, Hiroshi Sugimoto, Bill Thompson, Roger Tibbetts, Stephen Tourlentes, Mark Winetrout, Petah Coyne, Jeanne Dunning, Peter Garfield, Michal Hardoof-Raz, Arnaldo Hernandez, Christopher Wiley, David Ireland, Larimer Richards, Gary Simmons, and Tomas Vu Daniel. Includes an exhibition checklist. Also includes a tipped in multiple by Peter Eudenbach titled "Memento Mori," a flattened penny with the image of the distorted skull found in Hans Holbeins "The Ambassadors." Good / Very Good. Rubbing of covers, spine, and cover edges and bumping to bottom right corner of publication. Contents clean and unmarked. …

Paperback. Condition: new. Paperback. Best known for his pastoral scenes featuring statuesque gum trees, Heysen won critical acclaim when he first exhibited his Flinders Ranges paintings in 1928, featuring the 'bare bones of landscape'. From 1926 to 1949 Heysen spent many months in the Far North of South Australia, inspiring artworks that have rarely been seen. Hans Heysen Was Here brings together a vast selection of these artworks inspired by the stark landscape that helped reawaken his love of painting. The oil paintings, watercolours, charcoal drawings and field sketches in this book are illuminated by Heysen's previously unpublished observations about his semi-arid surrounds and the challenges and joys of camping there. The letters and artwork serve as an irreplaceable time capsule of the Flinders Ranges before destocking and re-vegetation transformed the landscape, and an insight into the life and times of a giant of Australian art. Best known for his pastoral scenes featuring statuesque gum trees, Heysen won critical acclaim when he first exhibited his Flinders Ranges paintings in 1928. Hans Heysen Was Here brings together a vast selection of these artworks inspired by the stark landscape that helped reawaken his love of painting. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: new. Paperback. Best known for his pastoral scenes featuring statuesque gum trees, Heysen won critical acclaim when he first exhibited his Flinders Ranges paintings in 1928, featuring the 'bare bones of landscape'. From 1926 to 1949 Heysen spent many months in the Far North of South Australia, inspiring artworks that have rarely been seen. Hans Heysen Was Here brings together a vast selection of these artworks inspired by the stark landscape that helped reawaken his love of painting. The oil paintings, watercolours, charcoal drawings and field sketches in this book are illuminated by Heysen's previously unpublished observations about his semi-arid surrounds and the challenges and joys of camping there. The letters and artwork serve as an irreplaceable time capsule of the Flinders Ranges before destocking and re-vegetation transformed the landscape, and an insight into the life and times of a giant of Australian art. Best known for his pastoral scenes featuring statuesque gum trees, Heysen won critical acclaim when he first exhibited his Flinders Ranges paintings in 1928. Hans Heysen Was Here brings together a vast selection of these artworks inspired by the stark landscape that helped reawaken his love of painting. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…