Bajevic Maja (14 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New.

Hardcover. Condition: new. Hardcover. This publication on the French-Bosnian artist Maja Bajevic accompanies her comprehensive exhibition at the Migros Museum fuer Gegenwartskunst and focuses on her most recent bodies of works. Since the mid-1990s she has explored a wide variety of issues related to globalization and migration, inclusion and exclusion, exploitation, neoliberalism and the interactions between these notions. Bajevic also consistently investigates her own identity, and the meaning of home and what this constitutes. Her oeuvre is part of a tradition in art that deals with social and educational issues, that aims to shake up the prevailing social consciousness. In this respect, Bajevics approach is all-encompassing; for example, when she compiles an archive of political slogans, she focuses on the entire political spectrum.By bringing together the core of Bajevics oeuvre with specially commissioned essays by art historians and curators, this publication reflects on her main artistic strategies and themes, standing as a reference monograph covering the last ten years of her work. The book is divided into three chapters: Power, Governance and Labor, and includes essays by Barbara Biedermann, Manuel Borja-Villel, Boris Buden, Raphael Gygax, and Ana Janevski.Maja Bajevic (born 1967) lives and works in Paris and Sarajevo. In recent years her work has been shown in a number of solo exhibitions in European institutions, e.g. at Daad Galerie in Berlin (2012), Museo Nacional Centro de Arte Reina Sofia in Madrid (2011), Kunsthaus Glarus (2009), and the National Gallery of Bosnia-Herzegovina in Sarajevo (2006). Bajevic has also been represented in group exhibitions, notably at the 56th Venice Biennale All the World's Futures (2015), the 4th Thessaloniki Biennale in Greece (2013), the Royal Academy of Arts in London (2010), and Zacheta National Gallery of Art in Warsaw (2010). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

8vo. pp 200. Original publisher's grey and white illustrated boards with detail of artwork, and white debossed lettering at front and spine. Illustrated throughout in colour. ISBN: 9783037644973 Fine.

Hardcover without dustjacket as issued, 200 pages, in English and German; very good condition, except crimp to upper left corner of rear cover; inscribed and signed by Maja on title page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: New.

Condition: New.

Hardcover. Condition: Brand New. bilingual edition. 200 pages. 9.25x7.00x1.00 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New.

Hardcover. Condition: new. Hardcover. This publication on the French-Bosnian artist Maja Bajevic accompanies her comprehensive exhibition at the Migros Museum fuer Gegenwartskunst and focuses on her most recent bodies of works. Since the mid-1990s she has explored a wide variety of issues related to globalization and migration, inclusion and exclusion, exploitation, neoliberalism and the interactions between these notions. Bajevic also consistently investigates her own identity, and the meaning of home and what this constitutes. Her oeuvre is part of a tradition in art that deals with social and educational issues, that aims to shake up the prevailing social consciousness. In this respect, Bajevics approach is all-encompassing; for example, when she compiles an archive of political slogans, she focuses on the entire political spectrum.By bringing together the core of Bajevics oeuvre with specially commissioned essays by art historians and curators, this publication reflects on her main artistic strategies and themes, standing as a reference monograph covering the last ten years of her work. The book is divided into three chapters: Power, Governance and Labor, and includes essays by Barbara Biedermann, Manuel Borja-Villel, Boris Buden, Raphael Gygax, and Ana Janevski.Maja Bajevic (born 1967) lives and works in Paris and Sarajevo. In recent years her work has been shown in a number of solo exhibitions in European institutions, e.g. at Daad Galerie in Berlin (2012), Museo Nacional Centro de Arte Reina Sofia in Madrid (2011), Kunsthaus Glarus (2009), and the National Gallery of Bosnia-Herzegovina in Sarajevo (2006). Bajevic has also been represented in group exhibitions, notably at the 56th Venice Biennale All the World's Futures (2015), the 4th Thessaloniki Biennale in Greece (2013), the Royal Academy of Arts in London (2010), and Zacheta National Gallery of Art in Warsaw (2010). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Gr.8°, 200 S., 200 Abb., Kart., Verlagsfrisch. EA. Text dt./engl. - «In einer grossen Übersichtsausstellung zeigt das Migros Museum für Gegenwartskunst das Werk der französisch-bosnischen Künstlerin Maja Bajevic (*1967 in Sarajevo, Bosnien-Herzegowina). Der Fokus der Ausstellung liegt auf dem Schaffen der letzten zehn Jahre, das durch Neuproduktionen erweitert wird. Seit Mitte der 1990er Jahre arbeitet Bajevic an den unterschiedlichsten Fragestellungen, die um Globalisierung, In- und Exklusion, Ausbeutung, Neoliberalismus und deren Wechselwirkungen kreisen. Bajevic stellt dabei auch immer wieder die Frage nach der eigenen Identität und Heimat und wie sich diese konstituiert bzw. eine solche «verunmöglicht» wird. Die Präsentation im Migros Museum für Gegenwartskunst verdeutlicht Bajevics kontinuierliche Arbeit an Themen wie der Missbrauch von Macht und Religion, Migration und Marginalisierung des Fremden sowie die Spannung zwischen lokal und global und setzt ihr Werk in die Tradition einer Kunst, die eine soziale, aufklärende Funktion übernimmt und auf eine Veränderung des vorherrschenden Bewusstseins setzt. Maja Bajevic lebt und arbeitet in Paris und Sarajevo. Ihr ?uvre war in jüngster Zeit in mehreren Einzelausstellungen in europäischen Institutionen zu sehen: Daad Galerie, Berlin (2012); Museo Nacional Centro de Arte Reina Sofía, Madrid (2011); Kunsthaus Glarus (2009); National Gallery of Bosnia & Herzegovina, Sarajewo (2006). Parallel dazu war Bajevic in Gruppenausstellungen in «All the World?s Futures», 56. Venedig-Biennale (2015); 4. Internationale Canakkale-Biennale, Türkei (2014); The National Museum of Art, Oslo (2014); 4. Thessaloniki-Biennale, Griechenland (2013); Art Beijing, China (2012); Museum of Contemporary Canadian Art, Toronto (2011); Royal Academy of Arts, London (2010); Zacheta National Gallery of Art, Warschau (2010), vertreten. Die Ausstellung wird kuratiert von Raphael Gygax (Kurator, Migros Museum für Gegenwartskunst). Zur Ausstellung erscheint eine umfangreiche Publikation bei JRP|Ringier mit Beiträgen von Barbara Biedermann, Manuel Borja-Villel, Boris Buden, Ana Janevski und Raphael Gygax.» 1100 gr. Schlagworte: Kunst - Monographien, Kunst - 20 Jht. nach 1945.