Bach Cile M (21 results)

Paperback. Condition: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Paperback. Condition: Good. Smal stian to rear cover, owner name stamped on first page. Clean interior, binding strong, moderate wear. Photos available upon request.

Condition: New.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Condition: Very Good. Flat with an intact stapled binding. Slight edge wear and tanning. No markings.

Hardback. Condition: Good. There are stories scattered throughout human history of rare individuals of remarkable talent, energy, and promise whose lives are unexpectedly and tragically cut short. Artist Frank Mechau was one of these. His artistic career spanned only twenty years?1926 to 1946?but in the course of those years he produced paintings, murals, and drawings of exceptional potency and poignancy. His work shows influences of the masters he studied?European, Japanese, and Chinese?from whom he developed his own aesthetic of line, design, and composition that, in a singular way, speaks to broader artistic truths. In Frank Mechau: Artist of Colorado, Cile Bach offers a thoughtful and engaging account of Mechau?s career. Using excerpts from letters, notes, and journals, she infuses the book with Mechau?s presence, giving readers not only a sense of the strength of his artistic talent but a glimpse of the extraordinary self-educated man behind the work?his determination, his sharp mind, his playful wit, his gentleness, and his love of life, his family, and the Western Slope of Colorado that was his home. Cile Bach?s account remains the only substantial documentation to date of Mechau?s career?which makes this second edition of Frank Mechau: Artist of Colorado a prized and important book. Its publication marks the 35th anniversary of the book?s first appearance in 1981, when it accompanied a Frank Mechau exhibition at the Aspen Center for the Visual Arts. Happily, the new edition will make its debut at the Colorado Springs Fine Arts Center?s Legacy Series Exhibit featuring Frank Mechau, scheduled from March 4 to May 15, 2016.…

Softcover. Condition: Very Good. Third printing. Illustrated from black and white photographs, color and black-and-white lithographs. Small quarto. 213pp. Faint sticker offsetting on half-title and inside front wrapper, wrappers lightly rubbed, very good.

Softbound. Greenish color pictorial wraps. 80 pp., 12 color and 36 small and large bw plates and photographs. Published to accompany an exhibition held in Aspen (December 13, 1981-January 24, 1982) and at the University of Colorado Art Gallery, Boulder (May 5-June 19, 1982. Main essay written by Cile M. Bach ; with an introduction by Philip Yenawine and an afterword by Edith A. Tonelli. This is the first edition of this catalogue. Good+, wear to the extremities of the front cover, library of congress stamp of back of title-page.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. This book shows minimal sign of wear to the cover, binding, or pages. Dust jacket condition is Good. Secure packaging for safe delivery.

Condition: Very Good. 1967. Hardback. Second printing. Good clean copy with minor age & shelf wear. DJ price clipped & has some nicks and tears, remains very good. . . . .

Soft cover. Condition: Fair. Fair oblong (approx. 9-1/4" tall x 12") soft cover of American art. 215pp. Issued in connection with an exhibition held at the Denver Art Museum, January 12-March 17, 1974, this catalog includes 137 illustrations including some in color. Pen scribbles on the wrapper's front cover; rear cover has a large area with moisture related light wrinkling. There is related damage, albeit ever diminishing in area and intensity, to the last several pages. Still, nearly all of this internal damage is limited to the margin and gutter near the spine tail. Further, all contents are clean and fully accessible as there is no sticking of pages. The white page edges are toning. NOT an ex-library copy.…

Soft cover. Condition: Good. No Jacket. 1st Edition. Presumed first edition. Softcover. 80 pages. Illustrated. Extensive rubbing to covers, else good+ condition. Interior very good. (ART8).

Condition: Very Good. 1967. Hardback. Second printing. Good clean copy with minor age & shelf wear. DJ price clipped & has some nicks and tears, remains very good. . . . . Books ship from the US and Ireland.

Soft cover. Condition: Very Good. 1st Edition. 108 pages : illustrations ; 26 cm.

Condition: Gut. 72 p Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. M09939 Sprache: Englisch Gewicht in Gramm: 230.

Condition: VG. Denver 1960 first edition. Denver Art Museum. 4to wraps. 18p. Exhibition catalogue. Monotone illus. VG.

tan cloth hardbound 8vo. 8º (octavo) with brown & gilt spine label. dustwrapper in protective plastic book jacket cover. fine cond. binding square & tight. covers clean. edges clean. old bookplate with no name inside front cover, otherwise contents free of markings. dustwrapper in vg cond. spine sunfaded a bit. couple of 1cm tears, mild soiling on the rear, not price clipped. nice clean copy. no library markings or store stamps, no stickers or bookplates, no names, no inking , no underlining, no remainder markings etc ~. first edition so stated. first printing (NAP). b&w frontis. xx+337p. 2 b&w maps. 16 b&w illustrations. 24 b&w plates. 2 appendices. bibliography. index. american indian history. american history. religion. cosmology. mythology. anthropology. art history. archeology. ~FOR MANY PEOPLE the Sioux, as warriors and as buffalo hunters, have become the symbol of all that is Indian ~ colorful figures endowed with great fortitude and powerful vision. They were the heroes of the Great Plains, and they were the villains, too. Royal B. Hassrick here attempts to describe the ways of the people, the patterns of their behavior, and the concepts of their imagination. Uniquely, he has approached the subject from the Sioux's own point of view, giving their own interpretation of their world in the era of its greatest vigor and renown ~the brief span of years from about 1830 to 1870. In addition to printed sources, the author has drawn from the observations and records of a number of Sioux who were still living when this book was projected, and were anxious to serve as links to the vanished world of their forebears. Because it is true that men become in great measure what they think and want themselves to be, it is important to gain this insight into Sioux thought of a century ago. Apparently, the most significant theme in their universe was that man was a minute but integral part of that universe. The dual themes of self~expression and self~denial reached through their lives, helping to explain their utter defeat soon after the Battle of the Little Big Horn. When the opportunity to resolve the conflict with the white man in their own way was lost, their very reason for living was lost, too. There are chapters on the family and the sexes, fun, the scheme of war, production, the structure of the nation, the way to status, and other aspects of Sioux life.…

Softcover. Square softcover. Black and white and several color plates throughout. Surface creases and closed tear top joint front cover, very good clean copy 80 pages.

Wraps. Condition: About Fine. First Edition, First Printing. 28 pages : illustrations ; 28 cm. 4to. Staplebound wraps. Book Condition: about fine. Brochure to accompany an exhibition by the Denver Art Museum concerned with basic elements of the visual world. The brochure and exhibit update and synthesize previous Museum publications and exhibits on the topic. Written and edited by Cile M. Bach. Description..…

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: Good. 4to. 28 pp. Soft Cover. Stapled Wraps. Black and white illustrations throughout. Very Good. Minor shelf wear. Some toning to interior sheet edges. Light rubs to spin. Blindstamp of the San Francisco Museum of Art Library on back cover.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.…