Andre Julius (60 results)

Condition: New. pp. 65.

Condition: New. pp. 65.

Paperback. Condition: Good. Paperback. Binding sound, text clean, moderate shelfwear; a couple of small chips to edge of spine. 98 pages. Hard-to-find issue. Book.

Condition: New. pp. 65.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Condition: New. De Catulli Carmine LXIV non nullisque eius locis. Dissertatio. Book.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Excellent condition. Dust Jacket Condition: dj. xxiv, 552 pp. Published in cooperation with the Lutheran World Federation, Department of Theology and Studies. Dustjacket. LCC: 9716506.

Hardcover. Dust Jacket Condition: Good. Translated from the French by Christopher Dufton, James Dunnett, John Gilbert, Mark Helston, Wilfred Lascelles, Michele Osborne, Jane Pepperel, Anthea Ridett, Helen Topsfield, and Malcom Warner. 408 pp. originally published in 1981 as Le Grand Atlas de l'Architecture Mondial (Encyclopedia Universalis France) on the basis of Mitchell Beazley's 1975 work, Great Architecture of the World. Very good condition; a few touches of wear on covers.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2019. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2019. Ammareal gives back up to 15% of this item's net price to charity organizations.

OBrosch., [72] unpaginierte Seiten mit zahlr. Abb., quer 24 x 21 cm, von außen bestaubt, sonst perfekt. Book Language/s: French.

of Saccharomyces cerevisiae (S. A. Molec. gen. Genet. 178) 1980. S. 603 - 610. gr8. m. zahlr. Tab. (St.) (U.) br. -3) Sonderabdruck.

Paperback. Condition: New. Print on Demand. This book is a profound exploration of the intricate relationship between Catullus, his poetry, and the literary landscape of his time. The author delves into the Alexandrian and Antiochean origins of Catullus's poetics, revealing his innovative adaptation of Greek models within a Roman context. Through meticulous textual analysis, the author examines the thematic depth of Catullus's most celebrated work, the 64th poem, a complex and multi-layered epyllion that explores the mythological narrative of the Argonauts' quest for the Golden Fleece. The analysis illuminates Catullus's masterful use of language, imagery, and meter, showcasing his unique blend of erudition and emotional intensity. The book contributes to the ongoing scholarly discourse on Catullus's place within the Roman literary tradition, arguing for his significant role in shaping the development of Latin poetry. It provides a fresh perspective on Catullus's artistry and sheds light on the enduring influence of his work on subsequent generations of poets. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Hardcover. Condition: Used - Very Good. Clark University, Worcester & American Chemical Society, 1911. (153) pages. Halftones of student notes. 9.5 x 6.25", white stamped green cloth. 'To Mr. A. George Bullock With Compliments of Department of Chemistry, Clark University, Worcester, Mass.' (rubberstamp). From Journal of American Chemical Society & Science. VG.

524 pp.; 24.5 x 20 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Museen der Stadt, Köln, Germany, May 20 - August 16, 1981. Texts by Laszlo Glozer, Hugo Borger, Karl Ruhrberg, and Kasper Koenig. Artists include Laszlo Glozer, Hugo Borger, Karl Ruhrberg, Kasper Koenig, Georges Roualt, Marc Chagall, Oskar Kokoschka, Man Ray, Salvador Dali, Yves Tanguy, Constantin Brancusi, Otto Freundlich, Henry Moore, Max Beckmann, Oskar Schlemmer, Paul Klee, Julius Bissier, Fritz Winter, Kurt Schwitters, Wassily Kandinsky, Georges Vantongerloo, Jean Arp, Alberto Magnelli, Sophie Taeuber-Arp, Max Bill, Richard Paul Lohse, Camille Graeser, Julio Gonzalez, Henri Laurens, Pablo Picasso, Piet Mondrian, Joan Miró, Alexander Calder, Fernand Léger, Stuart Davis, László Moholy-Nagy, Max Ernst, Marcel Duchamp, André Masson, Roberto Echaurren Matta, Wilfredo Lam, Mark Tobey, Robert Motherwell, Arshile Gorky, Joseph Cornell, Giorgio de Chirico, Giorgio Morandi, Ivan Le Lorraine Albright, Eugene Berman, Paul Delvaux, Horace Pippin, Abraham Rattner, Stanley Spencer, Dorothea Tanning, Hans Bellmer, Balthus, Jean Hélion, Georges Braque, Jean Fautrier, Jean Dubuffet, Antonin Artaud, Henri Michaux, Alberto Giacometti, Wols (Wolfgang Schulze), Francis Picabia, René Magritte, Karel Appel, Constant (Constant Nieuwenhuys), Henry Heerup, Carl-Henning Pedersen, Willi Baumeister, Werner Heldt, Ernst Wilhelm Nay, Hans Hartung, Lucio Fontana, Jackson Pollock, David Smith, Clyfford Still, Barnett Newman, Henri Matisse, Bram Van Velde, Jean Bazaine, Serge Poliakoff, Maria Helena Veira da Silva, Nicolas De Staël, Pierre Soulages, Jean-Paul Riopelle, Sam Francis, Georges Mathieu, César Domela, Fritz Glarner, Josef Albers, Auguste Herbin, Ellsworth Kelly, Norbert Kricke, Reg Butler, Lynn Chadwick, Pietro Consagra, Etienne Martin, Herbert Ferber, Bernhard Heiliger, Barbara Hepworth, Berto Lardera, Luciano Minguzzi, Mirko (Mirko Basaldella), Eduardo Paolozzi, Theodore Roszak, Nicolas Schoeffer, Hans Uhlmann, Alberto Burri, Giuseppe Capogrossi, Emilio Vedova, K.R.H. Sonderborg, Karl Otto Götz, Bernard Schultze, Emil Schumacher, Francis Bacon, Germaine Richier, Asger Jorn, Hans Hofmann, Franz Kline, Willem de Kooning, Arnulf Rainer, Antonio Saura, Antoni Tapies, Eduardo Chillida, Mark Rothko, Cy Twombly, Edward Hopper, Jasper Johns, Robert Rauschenberg, Richard Hamilton, Bernard Réquichot, Raymond Hains, Jacques Mahé de la Villéglé, François Dufrene, Yves Klein, Arman (Armand Fernandez), Christo, Jean Tinguely, Niki de Saint-Phalle, Daniel Spoerri, Mimmo Rotella, Piero Manzoni, Jan J. Schoonhoven, Heinz Mack, Otto Piene, Günther Uecker, Jesus-Raphael Soto, Gotthard Graubner, Yaakov Agam (Jacob Gipstein), Pol Bury, Frank Joseph Malina, Paul Talman, Diter Rot [Dieter Roth], Diter Rot [Dieter Roth], John Cage, George Brecht, Wolf Vostell, Robert Filliou, Nam June Paik, Allan Kaprow, Jim Dine, George Segal, Claes Oldenburg, Ad Reinhardt, Frank Stella, Kenneth Noland, Morris Louis, Roy Lichtenstein, John Chamberlain, James Rosenquist, Mark di Suvero, Andy Warhol, Robert Morris, Donald Judd, Dan Flavin, Robert Ryman, Agnes Martin, Larry Poons, Sol LeWitt, Carl Andre, Paul Thek, Horace Clifford Westermann, Richard Artschwager, Edward Kienholz, Öyvind Fahlström, William N. Copley, Georg Baselitz, Frank Auerbach, David Hockney, Larry Bell, John McCracken, Edward Ruscha, Bruce Nauman, John Baldessari, Hermann Nitsch, Günter Brus, Otto Muehl, Joseph Beuys, Sigmar Polke, Gerhard Richter, A.R. Penck [Ralf Winkler], Jörg Immendorff, Blinky Palermo, Ulrich Rückriem, Richard Tuttle, Salon de la Jeune Peinture, Walter de Maria, Richard Long, Michael Heizer, Jan Dibbets, Robert Smithson, Michelangelo Pistoletto, Pino Pascali, Pier Paolo Calzolari, Mario Merz, Luciano Fabro, Jannis Kounellis, Giulio Paolini, Giuseppe Penone, Giovanni Anselmo, James Lee Byars, Franz Erhard Walther, Gilbert & George, Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner, On Kawara, Panamarenko, Jean Le Gac, Christian Boltanski, Daniel Buren, Malcolm Morley, Hanne Darboven, Richard Serra, Reiner Ruthenbeck, Eva Hesse, Vito Acconci, Dan Graham and Marcel Broodthaers. Includes exhibition checklist and index of illustrations. Text in German. Good. Yellowing and dusting of covers, rubbing of cover edges, and bumping of bottom edge of recto. Dust soiling to text block edge, contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

9 S. Text in Englisch/Deutsch. Sprache: Deutsch Gewicht in Gramm: 350.

Couverture souple. Condition: Bon. Pas de jaquette. Edité à la Revue (E. Armand Editeur), 1937 - Fascicule in-4° sur papier journal saumon puis blanc, 24 pp., texte sur 3 colonnes, illustrations en noir, petites traces du temps sinon bon état - La Violette - Le combat contre la jalousie - Cosas de Espana - Le culte de Vénus - Deux politiques économiques - L'origine des espèces vivantes - Notre individualisme, ses revendications et ses thèses - De la chasteté féminine - Mentalité occultiste mentalité scientifique etc.

Broché. Condition: Neuf. 2 volumes brochés, couvertures illustrées, XXIV et 308 pages [1], et in fine 20 pages d'illustrations en noir et blanc et en couleurs, 220 pages, avec de nombreuses illustrations, étui. Tome I: Mémoire historique et biographique sur l'ancienne Société Royale des sciences de Montpellier par Junius Castelnau, précédé de la vie de l'auteur et suivi d'une Notice historique sur la Société des Sciences et Belles-Lettres de la même ville par Eugène Thomas (Réimpression de l'édition de Montpellier, Boehm 1858). Tome II: L'Académie des Sciences et Lettres de Montpellier de 1846 à nos jours, par Hubert Bonnet et André Thevenet, avec la collaboration de Louis Bourdiol. Etat de neuf ( Photographies sur demande / We can send pictures of this book on simple request ).

Condition: New.

Condition: 1850-1900. ANDRÉ Julius Deux Versets pour Orgue par Julius André Paris, La Maitrise Journal 4e Année n° 18 Heugel H. 3458 XIXe siècle 3 pages Bon état 017678 Nouveau.

Hardcover. Condition: Sehr gut. 128 Seiten Eine Sammlung von Geschichten und Geschicken unter dem Zeichen des Löwen, ergänzt durch astrologische Charakterkunde. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! HC1-882-4/8-00421350 Sprache: Deutsch Gewicht in Gramm: 151.

SOFTCOVER. Condition: FINE. 1st Edition. Extra Large 4to. in colour printed stiff card covers, unpaginated, approx. 186pp on thick art paper, mainlyfull-page plates in colour and b/w. Text in French . [CONDITION: Covers slightly tanned else FINE, a well preserved clean and tight unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so, orders made by card will only be completed after you have approved any extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condition: Sehr gut. 123 Seiten Eine Sammlung von Geschichten, die sich thematisch mit dem Sternzeichen Löwe und seinen Eigenschaften auseinandersetzen. Enthält Werke bekannter Autoren und bietet eine literarische Erkundung dieser Thematik. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! HC1-186-7/8-00842440 Sprache: Deutsch Gewicht in Gramm: 148.

Condition: 1. Orgel Spielpartitur . .

Hardcover. Condition: Good. XXXII-922 p., figure ; In-8° par André Marfort . Préface de Amé Pictet . French.

Couverture souple. Condition: Très bon. Edition originale. Manuel Abecassis, surnommé Ménie par ses amis, jeune industriel, issue de l'oligarchie portugaise fut l'un des seuls de sa caste à soutenir le MFA lors de la Révolution des oeillets, donnant chaque soir des fêtes somptueuses à l'Avenida Palace cher à Valery Larbaud au printemps 1974, il permettra à Dominique de Roux de rencontrer Otelo de Carvalho et surtout Madalena de Sacadura qu'il emmènera avec lui au Mozambique voir le Général Kaulza de Arriaga qui était un cousin de son père, voyage qui sera relaté dans le "Cinquième Empire".

Taschenbuch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.