Andre G Bourassa (23 results)

Soft Cover. Condition: Acceptable. Previous owner's name and date on first page. The interior is clean and tight. Binding is good. Cover is slightly faded and edge worn. 136 pages.

Condition: As New. Unread book in perfect condition.

Couverture souple. Condition: Très bon. 375 p. Ill. Couverture légèrement défraîchie. code 1521.

Couverture souple. Condition: Très bon. Étude sur le manifeste du Refus Global, suivi d'une reproduction du texte. Nombreuses illustrations noir et blanc.

Condition: New.

Couverture souple. Condition: Très bon. In-8. 361 pages. Essai bien documenté. Nombreuses illustrations.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Paperback. Condition: Gut. 357 pp. Cover with slight signs of wear, inside very good 569 Sprache: Französisch Gewicht in Gramm: 807.

Soft cover. Condition: Very Fine. Montral: vlb Editeur, 1993 Broche/softcover, 8vo, illustrated, 361 numbered pages, texte en francais Small name inscrip on ffep, o/w a very fine unmarked, unsoiled and uncreased copy Very Fine.

Couverture souple. Condition: Très bon. 205 p. Ill. code 1537.

Montréal, Editions L'Étincelle, 1977, in-8, br., 375 p.

Soft cover. Condition: Near Fine. Refus Global Et Ses Environs : 1948-1988 André-g. Bourassa, Gilles Lapointe ISBN 10: 2890063054 / ISBN 13: 9782890063051 Published by L'hexagone, 2005 185 p ill.

Paperback. Condition: Good. In French. Name written on first page, underlining and marginal marks on a handful of pages. Generally mild wear.

Taschenbuch. Condition: Neu. Surrealism and Quebec Literature | History of a Cultural Revolution | André G Bourassa | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1984 | University of Toronto Press | EAN 9781442652163 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Trade Paperback. Condition: Very Good -. First Printing. Vol. X, No. 2, Feb./Fev. 1978, [138 pp]; small spot of rubbing/lifting on front cover at bottom edge. otherwise very light wear & soiling. [Contributors include Eli Mandel, Robert Gibbs, Miriam Waddington] {05}.

Condition: Neuf.

Couverture souple. Condition: bon. R100067057: 1977. In-8. Broché. Etat d'usage, Tâchée, Dos plié, Intérieur frais. 375 pages - quelques planches en couleurs et en noir et blanc - couverture jaunie - 1er plat tâché. . . . Classification Dewey : 808.116-Surréalisme.

Couverture souple. Condition: Comme neuf. Ref poche 6. Format poche. Les Herbes Rouges, 1986. Format 11x18 cm, broche, 613 pages. Exemplaire avec un envoi autographe de l' auteur en page de garde. Tres bon etat. Signé par l'auteur.

Paperback. Condition: Brand New. 410 pages. 9.60x6.57x0.83 inches. In Stock. This item is printed on demand.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In 1948 the Quebec artist Paul-Emile Borduas published his famous manifesto Refus global-a plea on behalf of the powers of imagination and sensibility in society and a revolt against rationalization, mechanization, and other restraining influences, including the church. Borduas and his consigners were bitterly attacked. But the message of Refus global had far-reaching and revolutionary effects on the culture of Quebec and ultimately on its politics. AndrÉ Bourassa, in this important work, underlines the role played by artists and poets during the 1940s and the relationships among various groups. But his emphasis is on the literature of Quebec, from the first novel in 1837 (also the year of Quebec's first revolution), through the Quiet Revolution of the 1950s and 1960s, to the present. In manifestos, poems, articles, and theatre pieces he examines the nature of Quebec surrealism and its international context. Surrealism took three main forms in the province: one reflecting AndrÉ Breton's school of thought as defined in the manifestos from 1924 on; another more generally related to the movements such as cubism or revolutionary surrealism; and finally, the spontaneous use of surrealism in its timeless aspect-as in cathedral gargoyles and African masks, religious myths and communications with the spirit world, the dream imagery of Bosch and Goya, or the automatic writing of Achim von Arnim and GÉrard de Nerval. An understanding of these kinds of surrealism is essential to understanding the significance of Refus global and of the events and attitudes which followed when surrealists took ideological stands, especially against Stalinism and Duplessis. When first published in 1977, SurrÉalisme et literature quÉbÉcoise won immediate critical acclaim, including the Prix France-Canada. Jean Ethier-Blais, in Le Devoir, called 'une vue spectrale, non seulement de nos lettres, mais mieux encore, de notre sensibilitÉ.' For this English translation, Bourassa has revised the text significantly to incorporate new insights and new information. The updated and comprehensive bibliography will be particularly valuable for anyone studying surrealism. 410 pp. Englisch. …

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In 1948 the Quebec artist Paul-Emile Borduas published his famous manifesto Refus global-a plea on behalf of the powers of imagination and sensibility in society and a revolt against rationalization, mechanization, and other restraining influences, including the church. Borduas and his consigners were bitterly attacked. But the message of Refus global had far-reaching and revolutionary effects on the culture of Quebec and ultimately on its politics. AndrÉ Bourassa, in this important work, underlines the role played by artists and poets during the 1940s and the relationships among various groups. But his emphasis is on the literature of Quebec, from the first novel in 1837 (also the year of Quebec's first revolution), through the Quiet Revolution of the 1950s and 1960s, to the present. In manifestos, poems, articles, and theatre pieces he examines the nature of Quebec surrealism and its international context. Surrealism took three main forms in the province: one reflecting AndrÉ Breton's school of thought as defined in the manifestos from 1924 on; another more generally related to the movements such as cubism or revolutionary surrealism; and finally, the spontaneous use of surrealism in its timeless aspect-as in cathedral gargoyles and African masks, religious myths and communications with the spirit world, the dream imagery of Bosch and Goya, or the automatic writing of Achim von Arnim and GÉrard de Nerval. An understanding of these kinds of surrealism is essential to understanding the significance of Refus global and of the events and attitudes which followed when surrealists took ideological stands, especially against Stalinism and Duplessis. When first published in 1977, SurrÉalisme et literature quÉbÉcoise won immediate critical acclaim, including the Prix France-Canada. Jean Ethier-Blais, in Le Devoir, called 'une vue spectrale, non seulement de nos lettres, mais mieux encore, de notre sensibilitÉ.' For this English translation, Bourassa has revised the text significantly to incorporate new insights and new information. The updated and comprehensive bibliography will be particularly valuable for anyone studying surrealism. …