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Paperback. Condition: new. Paperback. A techno-cognitive look at how new technologies are shaping the future of musicking.A techno-cognitive look at how new technologies are shaping the future of musicking."Musicking" encapsulates both the making of and perception of music, so it includes both active and passive forms of musical engagement. But at its core, it is a relationship between actions and sounds, between human bodies and musical instruments. Viewing musicking through this lens and drawing on music cognition and music technology, Sound Actions proposes a model for understanding differences between traditional acoustic "sound makers" and new electro-acoustic "music makers."What is a musical instrument? How do new technologies change how we perform and perceive music? What happens when composers build instruments, performers write code, perceivers become producers, and instruments play themselves? The answers to these pivotal questions entail a meeting point between interactive music technology and embodied music cognition, what author Alexander Refsum Jensenius calls "embodied music technology." Moving between objective description and subjective narrative of his own musical experiences, Jensenius explores why music makes people move, how the human body can be used in musical interaction, and how new technologies allow for active musical experiences. The development of new music technologies, he demonstrates, has fundamentally changed how music is performed and perceived. "This is a theoretical music technology book, influenced by new research in embodied music cognition. The main focus is on musical instruments and how they shape our experiences of music"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Published by MIT Press 2022-12-13, 2022
ISBN 10: 0262544636 ISBN 13: 9780262544634
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Published by Springer Nature Switzerland, Springer International Publishing, 2025
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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This open access book offers a historical context and an overview of the field's current artistic and scientific research. Sonic design includes the construction and performance of acoustic instruments but also recording, editing, mixing, and synthesizing sounds using analog and digital electronic devices. This book explores sonic design from the perspectives of music theory, music perception, embodied cognition, phenomenology, soundscape studies, acoustics, new interfaces for musical expression, sound and music computing, and music information retrieval. The chapters are selected contributions from an international seminar organized to celebrate the achievements of Professor Rolf Inge Godĝy at the University of Oslo. As a composer, researcher, teacher, and supervisor, Professor Godĝy has been central in developing a holistic approach to sonic design, from theory to practice. This book offers a comprehensive overview of the field's current state, making it essential reading for students, practitioners, and researchers across a wide range of disciplines.
Taschenbuch. Condition: Neu. Sonic Design | Explorations Between Art and Science | Alexander Refsum Jensenius | Taschenbuch | Current Research in Systematic Musicology | x | Englisch | 2025 | Springer | EAN 9783031578946 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
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Published by MIT Press Ltd Dez 2022, 2022
ISBN 10: 0262544636 ISBN 13: 9780262544634
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Taschenbuch. Condition: Neu. Neuware - 'This is a theoretical music technology book, influenced by new research in embodied music cognition. The main focus is on musical instruments and how they shape our experiences of music'--.
Paperback. Condition: new. Paperback. A techno-cognitive look at how new technologies are shaping the future of musicking.A techno-cognitive look at how new technologies are shaping the future of musicking."Musicking" encapsulates both the making of and perception of music, so it includes both active and passive forms of musical engagement. But at its core, it is a relationship between actions and sounds, between human bodies and musical instruments. Viewing musicking through this lens and drawing on music cognition and music technology, Sound Actions proposes a model for understanding differences between traditional acoustic "sound makers" and new electro-acoustic "music makers."What is a musical instrument? How do new technologies change how we perform and perceive music? What happens when composers build instruments, performers write code, perceivers become producers, and instruments play themselves? The answers to these pivotal questions entail a meeting point between interactive music technology and embodied music cognition, what author Alexander Refsum Jensenius calls "embodied music technology." Moving between objective description and subjective narrative of his own musical experiences, Jensenius explores why music makes people move, how the human body can be used in musical interaction, and how new technologies allow for active musical experiences. The development of new music technologies, he demonstrates, has fundamentally changed how music is performed and perceived. "This is a theoretical music technology book, influenced by new research in embodied music cognition. The main focus is on musical instruments and how they shape our experiences of music"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.