Alessandro Striggio (35 results)

Softcover. Condition: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paper Wrappers. Condition: Very Good. No Jacket. 16 pages. In Italian and English. Some very useful PENCIL notes which I intentionally did not erase.

Soft cover. Condition: Good. No Jacket. 1986 paperback/ex-library with usual markings/clean & unmarked text.

OBroschur. Condition: Sehr gut. Premiere 20. Juli 2014, Auff. v. 30. Juli 2014 anl. Opernfestspiele. 160 S., 6-seit. Falteinleger mit Stab, Besetzung u. Künstlerbiografien, OBroschur, 8°. Umfangr. Materialsammlung mit zahlr. farb. Abb. u. Probenfotos. Zahlr. Texte u. OBeiträge, u.a.: Gedanken zu Monteverdis "Orfeo"-Orchester in Mantua (I. Bolton). Oper u. Antike?: Zu den Voraussetzungen von Monteverdis "L'Orfeo" (L. Lütteken). Die Trennung von Mensch u. Künstler in "L'Orfeo" (R. Karlitschek). Vollständiger Abdruck des Librettos auf italienisch u. in der wortgetreuen Ü v. Ursula Jürgens. Lose beiliegen 2 Kritiken. Einband minimal fleckig, Hinterdeckel Eckknick, geringf. Markierung auf Besetzungszettel. Schönes, sehr gutes Exemplar. Broschüre.

OBroschur. Condition: Sehr gut. Premiere 15. Juli 1999, Auff. v. 17. Juli 1999. 74 S. mit zahlr., tls. farb. Abb. u. Szenenfotos, 4-seit. Falteinleger mit Stab u. Besetzung, OBroschur, gr.8°. Vollständiger Abdruck des Librettos in der wortgetreuen deutschen Ü v. Ursula Jürgens. OBeiträge u.a.: Neue Strukturen aus traditionellen Elementen: Zur Bedeutung v. Monteverdis "L'Orfeo" für die Kunstform Oper (I. Fenlon). Kunst u. Mythos: Monteverdis "L'Orfeo" - Archetypus der Oper (U. Bermbach). Stimme, Gestus, Affekt: Musik u. Szene in Monteverdis "L'Orfeo" (B. Zuber). Der moderne Mensch heißt Orfeo: Dramaturgie u. Programmatik e. Modellfalls der frühen Oper (J. Schläder). Zahlr. weit. Texte, u.a.: Zur Aufführung "L'Orfeo" (A. Freyer). Lose beiliegen 4- seit. Faltblatt mit Künstlerbiografien sowie 4 größere Zeitungsrezensionen. Einband gering berieben, auf erster Seite, hinterem Innendeckel u. auf Besetzungseinleger mont. Zeitungsausschnitte bzw. Kritiken, geringf. Notiz auf Besetzungszettel. Sonst sehr gut. Broschüre.

Paperback. Condition: Very Good.

4°. OBrosch. xxix, 202 S. Sprache: Englisch Gewicht in Gramm: 700.

Condition: BUONO USATO. ITALIANO Teatro Comunale di Firenze. 47° Maggio Musicale Fiorentino 1984. Direttore artistico Luciano Alberti. Musica di Claudio Monteverdi. The Early Opera Project. Palazzo Vecchio - Salone dei Cinquecento 19-23 giugno 1984. Illustrazioni presenti nel volume. Il volume si presenta in buono stato di conservazione. Il dorso e le copertine sono dorati e mostrano lievi segni di usura. Le pagine interne sono leggermente ingiallite dal tempo e fruibili. I tagli bruniti e regolari. La cerniera è ben salda. Numerazione pagine 940-1024. Totale pagine 84.

Condition: New. 2007. Paperback. . . . . .

Condition: New. 2007. Paperback. . . . . . Books ship from the US and Ireland.

paperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: Good. Taschenbuch. Zustandsangabe altersgemäß. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. 47 Seiten. In deutscher und italienischer Sprache. Einband mit leichten Gebrauchsspuren, beschriftet, mit Schul-Stempel sowie leicht verfärbt. Vorsatz mit Schulstempel.

Encuadernación de tapa blanda. Condition: Aceptable. Libro en aceptable estado, encuadernado en rústica, en lengua italiana, valenciana y castellana. Se trata del libreto de la ópera de Monteverdi en las traducciones al valenciano de Empar Jiménez y al castellano de Alfredo Brotóns Muñoz, con estudios sobre la obra de Joseph Kerman y Alfredo Brotóns. 130 páginas.

132 pp. Rústica Libreto en italiano,valencianoy español.

Cartonato. A cura di Gaspare De Caro. In antiporta il frontespizio della prima edizione del libretto dell'«Euridice» di Ottavio Rinuccini, stampata a Firenze nel 1600. Biblioteca dell'utopia Numero di tavole: pp.223 altezza 0 larghezza 0 Esemplare in buone condizioni, in cofanetto con leggeri segni d'usura, leggere macchie di polvere e macchia di umidità molto estesa.Copertina rigida con lievi macchie di polvere e macchie di umidità in quarta. Tagli sfrangiati e con tracce di polvere, taglio di testa colorato di oro.Pagine leggermente ingiallite.

brossura. Condition: Perfetto (Mint). Book.

Rilegato. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Un omaggio editoriale alla librettistica, genere che comprende varie forme di componimenti dialogici e scenici, musicati e non. Un'opera decisamente originale contenente accurate considerazioni critiche per ciascun libretto. INDICE DEL PRIMO VOLUME Introduzione Sull'entità del libretto Notizie di alcuni libretti e librettisti OTTAVIO RINUCCINI La favola di Dafne; L'Euridice; L'Arianna ALESSANDRO STRIGGIO La favola d'Orfeo GIULIO ROSPIGLIOSI Il Sant'Alessio BENEDETTO FERRARI DELLA TIORBA Il Pastor regio GIULIO STROZZI La finta pazza GIOVANNI FRANCESCO BUSENELLO L'incoronazione di Poppea GIOVANNI FAUSTINI L'Egisto; L'Ormindo, Il Titone, La Doriclea; L'Euripo NICOLÒ MINATO Xerse Descrizione bibliografica Titolo: Drammi per musica. Dal Rinuccini allo Zeno. Volume 1 Autori: Ottavio Rinuccini, Alessandro Striggio, Giulio Rospigliosi, Benedetto Ferrari della Tiorba, Giulio Strozzi, Giovanni Francesco Busenello, Giovanni Faustini, Niccolò Minato Curatore: Andrea Della Corte Editore: Torino: UTET Unione tipografico-editrice torinese 1970 Lunghezza: 762 pagine; 24 cm ISBN: 8802015058, 9788802015057 Collana: Volume 57 di Classici italiani Soggetti: Librettistica, Generi musicali, Storia della Musica, Drammi, Dramma musicale, Libretti musicali, Bibliografia, Riferimento, Collezionismo, Edizioni pregiate, Libri rari fuori catalogo, Melodrammaturgia, Opera lirica, Compositori, Letteratura, Teatro, Testi, Antologie, Critica, Interpretazione, Opere generali, Generi letterari, Componimenti dialogici, Metrica, Strofica, Strofe, Opera comica, Melodramma, Favola, Scena, Spettacolo, Suono, Linguaggio, Camerata dei Bardi, Arte Composizione Parola Settecento Camerale Madrigali Umanesimo Cinquecento Seicento Musicisti Claudio Monteverdi Poesia Stesura Versificazione Francesco Cavalli Antonio Sartorio Fillide Melandroni Caravaggio Paolo Sarpi Cesare Cremonini Papa Clemente IX Storici estetica Ferruccio Busoni Romualdo Giani Verdi Arrigo Boito Critici Interpretazione Dumas Prologo Monologo Giacomo Castoreo Poetica Poesia Aristotele Ugo Rolandi Ludovico Ariosto Girolamo Frigimelica Roberti Carlo Francesco Pollarolo Venezia Pietro Pariati Mitologia Favole Dafne Achille Adelanta Adrasto Alessio Amante Amastre Anselmo Apollo Ariodate Aristone Arsamene Bella Beltà Brama Bruscolo Canto Cavalier Trace Celeste Coro Isolani Ciapo Ciel Clito Crin Deidamia Desso Diletto Diomede Dolce Dolore Donna Drusilla Duolo Ecco Eliogabalo Elviro Eumene Eunuco Fato Figlio Flavio Fortunageriana Giovanni Faustini Giove Gora Guerrieri Isabella Alma Amato Anima Armi Aure Ombre Lagrimar Laurina Leandro Libretto Licomede Lieto Lisa Moro Mortal Morte Musica Nerone Ninfa Nodrice Nunzio Odoardo Orfeo Ottone Pastori Pazzo Pensiero Periarco Pianto Pietà Poppea Romilda Scena Sesta Scena Terza Sdegno Seneca Sospiri Sposa Stelle Tancia Teseo Tetide Tormento Ulisse Xerse Zelì Pietro Metastasio Euridice Arianna Librettisti italiani Poeti XVI secolo Librettists, Musical genres, History of Music, Dramas, Musical drama, Musical librettos, Bibliography, Reference, Collectibles, Valuable editions, Rare books out of print, Melodramaturgy, Opera, Composers, Literature, Theatre, Texts, Anthologies, Criticism, Interpretation, General works, Literary genres, Dialogic compositions, Metrica, Strophic, Strophe, Comic opera, Melodrama, Fable, Scene, Show, Sound, Language, Art Composition of Words Eighteenth century Madrigals Humanism Sixteenth century Seventeenth century Musicians Poetry Drafting Versification Historians Aesthetics Critics Interpretation Prologue Monologue Poetics Poetry Aristotle Venice Mythology Fables Shepherds Thought Periarchus Crying Pity Torment Italian Librettists Poets 16th century.

Gr.-4°. OBrosch. xiii, 57 S. Sprache: Italienisch Gewicht in Gramm: 600.

Gr.-4°. OBrosch. 65 S. Sprache: Italienisch Gewicht in Gramm: 600.

Orig.-Karton. Condition: Gut. 28,5 x 21,5 cm. XIX, 202 Seiten. ISBN 0895792060 Sprache: Deutsch Gewicht in Gramm: 1001.

Soft Cover. Condition: F. First Edition. 1973-1978. 5 vols. 8vo. printed paper wraps in custom-made casebound green cloth folder with leather gilt spine label entitled 'Anne and Vivian Ridler', the set comprising: 1. Rosinda. An Opera by Francesco Cavalli edited by Jane Glover. An English vesion of the original libretto by Giovanni Faustini by Anne Ridler. 1973. Oxford University Opera Club, Oxford; pp. 40 (last blank). 2. The King of the Golden River. An Opera for Children by Elizabeth Maconchy. [A music drama for children in seven scenes, based on the story by John Ruskin]. Undated, c. 1973. Parchment (Oxford) Limited, Oxford; pp. 34 (last blank). An admission ticket, programme, synposis and publicity flyer are loosely enclosed. 3. Eritrea. An Opera by Pietro Francesco Cavalli, edited by Jane Glover. Libretto by Giovanni Faustini. English version by Anne Ridler. 1975. Oxford University Press, Oxford. pp. 40. A TLS from the publisher to Simon Nowell-Smith is loosely enclosed. 4. Orfeo. Opera by Claudio Monteverdi, Libretto by Alessandro Striggio, English singing version by Anne Ridler. 1975. Faber Music, London; pp. 18. 5. The Lambton Worm. An Opera in two Acts. Music by Robert Sherlaw Johnson, Libretto by Anne Ridler. 1978. Oxford University Opera Club, Oxford; pp. 16. A fine set of these uncommon libretto. Ex-libris Simon Nowell Smith and Judith Adams Nowell-Smith, with their ownership labels to front pastedown of the folder.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1586 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 36 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1607 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 54 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 54 Language: Italian.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1586 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 38 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian.

8º. 24 S. Mit zwei mont. Portraits auf Tafeln. Halbpergamentband der Zeit. Konzert-Programm der Tonhallegesellschaft in Zürich. Textrevision und deutsche Übertragung von Hedwig Kehrli. - Exemplar aus dem Besitz der Autorin. Mit einem Brief (Typoscript) vom Dirigenten Hermann Dubs. Eine "Bescheinigung für Frau Hedwig Kehrli in Zürich". Fliegender Vorsatz mit handschr. Namenszug und Datierung der Autorin sowei zwei montierten Eintrittskarten für die beiden Vorstellungen vom 10. und 11. Februar 1936. - Mit hübsch gestaltetem Titelblatt. Deutsch-italienischer Paralleltext. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.

In-folio, en feuilles, couverture imprimée (emboîtage de l'éditeur).10 lithographies originales hors texte de Jean-Paul Chambas, dont une en noir et 9 en couleurs (2 sur double page). Tirage unique limité à 210 exemplaires numérotés sur vélin de Rives, signés par l'artiste et accompagnés d'un enregistrement de l'opéra de Monteverdi par l'orchestre Concentus Musicus de Vienne sous la direction de Nikolaus Harnoncourt (2 Compact Discs insérés dans l'emboîtage).

In-folio, en feuilles, couverture imprimée (emboîtage de l'éditeur).10 lithographies originales hors texte de Jean-Paul Chambas, dont une en noir et 9 en couleurs (2 sur double page). Tirage unique limité à 210 exemplaires numérotés sur vélin de Rives, signés par l'artiste et accompagnés d'un enregistrement de l'opéra de Monteverdi par l'orchestre Concentus Musicus de Vienne sous la direction de Nikolaus Harnoncourt (2 Compact Discs insérés dans l'emboîtage).

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1607. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: - 54, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 54 54.

LeatheBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1917 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 16 Language: Italian Pages: 16.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1584. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages: - 98, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 98 98.