1837 Paris (42 results)

Payne Dresden & Leipzig 1855 [Blatt zu den Rändern hin braunfleckig.].

11,2 x 9,4 cm (Bildgröße mit Umrahmung - Blattgröße 15 x 11 cm). Sehr gutes Exemplar. Sprache: de.

unterhalb der Darstellung typographisch betitelt und bezeichnet; Gesellschaft für vervielfältigende Kunst Wien 1890 [Das dekorative Blatt an den Rändern leicht braunfleckig.].

No Binding. Condition: Very Good. A splendid original antique hand-coloured print, colouring not contemporary but delicately and expertly executed, mounted (matted) and ready to frame. Shows a view of the interior with congregation. T ALLOM (illustrator).

Lithograph, from "Iconographie des Contemporains depuis 1789 Jusqu'a 1829".

Brossura. Condition: Discreto. Testo inglese. Cm.31x24. Pg.4. 20 gr.

Brossura. Condition: Discreto. Testo inglese. Cm.32,5x23,5. Pg.4. Esemplare a fogli staccati. 20 gr.

Brossura. Condition: discrete. Testo inglese. Cm.32,5x23,5. Pg.12. Esemplare a fogli staccati. 20 gr.

Brossura. Condition: discrete. Testo inglese. Cm.32,5x23,5. Pg.12. Esemplare a fogli staccati. Frontespizio figurato. 20 gr.

Quarter green calf, coloured marble paper boards, gilt lettering and cross band decorations to the spine. 8vo 10'' x 7'' 573 pages. Italian text. Paper guarded engravings throughout. Sporadic foxing to the margins, plates and paper guards, light rubbing to the corners of the boards, binding firm and tight. Carlo Botta was born at San Giorgio Canavese in Piedmont, he studied medicine at the University of Turin, and obtained his doctors degree when about twenty years of age. Having rendered himself obnoxious to the government during the political commotions that followed the French Revolution, he was imprisoned for over a year; and on his release in 1795 he withdrew to France, only to return to his native country as a surgeon in the French army, whose progress he followed as far as Venice. Here he joined the expedition to Corfu, from which he did not return to Italy till 1798. At first he favoured French policy in Italy, contributed to the annexation of Piedmont by France in 1799, and was an admirer of Napoleon; but he afterwards changed his views, realizing the necessity for the union of all Italians and for their freedom from foreign control. Member of the P.B.F.A. ITALY (History & Culture).…

Brossura. Condition: discrete. Cm.31x23. Pg.18 (15 di musica incisa). Coperta muta. 150 gr.

1p., 12mo. In fair condition, on lightly-aged paper. The receipt reads: 'Pour l'exposition de M. Gambart: | un tableau par T. Schmitson de Vienne representant des chevaux sortant de l'abreuvoir | prix (nette) frcs. 1500. - | Londre, le 30: Juin 862 | Charles Sedelmeyer | m[archan]d. de tableaux de Vienne'. Sedelmeyer has written some calculations in the bottom right-hand corner, and at the foot: 'Received back the above | Sedelmeyer'.…

avec un tableau de leurs valeurs comparées, indiquant, de plus, les degrés de talent et d'esprit par un jury de vrais libéraux. In-8, 363 pages. Demi veau framboise, dos à nerfs, non rogné. (des rousseurs). Reliure fin XIXème. Ouvrage paru anonymement non cité par Barbier. Ex-libris.

Samtida nött skinnryggsband med häftesomslag monterade på pärmarna, frampärmen med titeltryck och monterad vinjett. Planscherna i tämligen gott skick trots ställvis obetydlig fingersmutsning och skrynkling. Proveniens: Joh. Ax. Almquist (etikett), senare namnteckning "U. Otterstedt 1960" på främre spegeln. Stockholm, [Gjöthström & Magnusson, 1830]. Folio. 35 x 26 cm. 16 litograferade planscher, varav 4 kolorerade. Komplett. Helt litograferat tryck. Winqvist (1972), sid. 126-32 i textdelen & G 107-22 i bilddelen. Mörners Stockholmska scener är det andra album han utgav efter hemkomsten. Det har stort kulturhistoriskt värde och hör till de av hans bilder som oftast reproduceras i litteraturen om 1800-talet. Motiven är ofta från det borgerliga sällskapslivet med starka inslag av humor och karikatyr. En del gatubilder har stockholmstopografiskt intresse, andra underhåller med fyllehumor eller scener från ungkarlslivet med krog- och spelmotiv. Winqvist uppmärksammar hur illustrerade verk av olika slag började bli ett viktigt inslag på borgerskapets salongsbord, och att Mörners två första album efter hemkomsten till Sverige fyller de båda viktigaste behoven: dels resebilderna från främmande länder i "Rese minnen från Frankrike Tyskland och Italien", dels den välbekanta hemmamiljön i "Stockholmska scener". - - - "Scenes from Stockholm drawn and lithographed", album of lithographs by Swedish count Hjalmar Mörner (1794-1837). Stockholm, [Gjöthström & Magnusson, 1829]. Folio. 35 x 26 cms. 16 lithographs, 4 of which are hand-coloured. Issued in 4 instalments with no title or text. Complete. Contemporary calf-backed boards with the original printed wrappers covering the sides, worn. Plates rather fine despite some very slight finger-soiling and creasing. Provenance: Joh. Ax. Almquist (label), later ownership inscription "U. Otterstedt 1960" on front pastedown. - - - Hjalmar Mörner was a Swedish military man, one of the most talented draughtsmen among the many "artist soldiers" of his time. Having received an artistic training aimed at drawing military maps etc., Mörner spent many years away from Sweden, in Italy, England and France, where he died in 1837. In England he published two rare albums, "Miscellaneous Sketches of Contrasts" (1831) and "Humourous Sketches" (1832), greatly influenced by the English caricaturists.…

Samtida nött skinnryggsband med häftesomslag monterade på pärmarna, frampärmen med titeltryck och vinjett. Planscherna i tämligen gott skick trots ställvis obetydlig fingersmutsning och skrynkling, något enstaka kantriss och smärre fläckar på baksidan av några planscher. Proveniens: Namnchiffer daterat 1830 i bläck på främre fribladet, uttytt i blyerts "G. W. Palm". Senare namnteckning "U. Otterstedt 1950" på främre spegeln. Stockholm, stentr. hos Gjöthström & Magnusson, [1829]. Folio. 36 x 26 cm. 24 litograferade planscher, varav 6 kolorerade. Komplett. Helt litograferat tryck. Utgavs som 6 häften utan titelblad eller text. Bygger på skisser utförda 1816-29. Winqvist (1972), sid. 123-6 i textdelen & G 79-102 i bilddelen. Mörners Reseminnen är hans första litografiska album efter återkomsten till Sverige, och utgör det tidigaste svenska resealbum inom genren "voyage pittoresque" där intresset i första hand är inriktat på människor och med en mer realistisk än pittoresk lokalfärg. Winqvist uppmärksammar hur illustrerade verk av olika slag började bli ett viktigt inslag på borgerskapets salongsbord, och att Mörners två första album efter hemkomsten till Sverige fyller de båda viktigaste behoven: dels resebilderna från främmande länder i "Rese minnen från Frankrike Tyskland och Italien", dels den välbekanta hemmamiljön i "Stockholmska scener" följande år. - - - "Memories from Travels in France, Germany and Italy", album of lithographs by Swedish count Hjalmar Mörner (1794-1837). Stockholm, Gjöthström & Magnusson, [1829]. Folio. 36 x 26 cms. 24 lithographs, 6 of which are hand-coloured. Issued in 6 instalments with no title or text, based on drawings from the years 1816-29. Complete. Contemporary calf-backed boards with the original printed wrappers covering the sides, worn. Plates rather fine despite some very slight finger-soiling and creasing, a few very short tears and stains to verso of a few plates. Provenance: Initials in ink of artist Gustaf Wilhelm Palm dated 1830 on front flyleaf. Later ownership inscription "U. Otterstedt 1950" on front pastedown. - - - Hjalmar Mörner was a Swedish military man, one of the most talented draughtsmen among the many "artist soldiers" of his time. Having received an artistic training aimed at drawing military maps etc., Mörner spent many years away from Sweden, in Italy, England and France, where he died in 1837. In England he published two rare albums, "Miscellaneous Sketches of Contrasts" (1831) and "Humourous Sketches" (1832), greatly influenced by the English caricaturists.…

Condition: Good. Folio. 38.5 x 50cm. Original printed wraps with title and 15 hand-colored lithographed plates, heightened with gum arabic, loose as issued in original printed wrappers; neatly and sympathetically rebacked. Preserved in a modern cloth-backed and marbled boards portfolio with ties. References: Bobins 380; Colas 2318, Hiler S. 700 - Barth 25629 - Brun II, 525. OCLC Number / Unique Identifier:748854414.Charles Eugène Perron from Geneva was a graphic artist, engraver, enamel artisan, and cartographer. After graduation at the school of applied arts in Geneva, he spent several years in Russia. Later, he worked in La Chaux-de-Fonds and Geneva as an enamel designer. He drew topographic maps for text books and atlases, e.g. the "Nouvelle Géographie Universelle" by Reclus.Sehr seltene, erste und einzige Ausgabe des prachtvollen Schweizer Uniformenwerkes. Druck der Tafeln bei Lemercier in Paris. - Gezeigt werden Dragoner, Scharfschützen, Infanterie, Jäger sowie verschiedene Offiziers-Ränge in leuchtendem Kolorit, jeweils mit hübscher Staffage. - - Ohne Titelei und Tafelverzeichnis.Prima ed unica edizione, molto rara, di quest'opera dedicata alle magnifiche uniformi svizzere. Le tavole delle uniformi, suggestive, vivaci e decorative, mostrano le diverse truppe con tocchi paesaggistici. …

0. Sprache: Deutschu.

0. Sprache: Deutschu.

PARIS, Bechet ainé - 1825 - Edition Originale - In-8 - Reliure 1/2 basane - Dos lisse à filets dorés - Pièce de titre en maroquin cerise - Titre doré - 59 + (1) pages -Exlibris Léon godart - Bon exemplaire - Réf.20179 Livres Ebay.

0. Papierbedingt etwas knittrig. Sprache: Deutschu.

Pas de couverture. Condition: Bon. Gravure Dimensions : 63 x 49 cm.

0. Sprache: Deutschu.

0. Sprache: Deutschu.

XXVII-307pp. 1 mapa plegado y 16 láminas. Primera edición.

0. Sprache: Deutschu.

Paris, Vinchon fils, succ. de Mad. Veuve Ballard, 1837, in-12°, 16,5 x 10 cm, 226 pp, broché, sans couverture, (Poussier. et avec traces d'usage, oreilles d'ânes, titre souill.) Le catalogue officiel du Salon de Paris.( The official Paris Salon catalogue ).

2. Paris, Vinchon, fils et successeur de Me Ve Ballard, 1837, in-12°, 16 x10 cm, 226 pp, broché, couverture factice en papier marbré...

Blyerts och lavyr. Signerad "Mörner" i blyerts samt numrerad 27 i övre högra hörnet. 16,2 x 9,8 cm, bladet med snedklippta hörn. - - - Ej inramad. Monterad i syrafri passepartout med yttermått 30 x 21 cm som passar standardramar. Fotograferad med ram.

Condition: guter Zustand. Lithographie, von Jean Francois Gigoux (1806 - Besancon - 1894), auf Velin. 30,7:22,7 cm. Erschienen in L'Artiste" um 1835. Stockfleckig.

Uncut in recent boards. Some slight foxing and creasing to plates, but very fine. Rare. London, published by R. Ackermann, 96 Strand, 1831. Printed at C. Hullmandel's Lithographic Establishment, 49, Gt Marlborough Strt. Folio. 42,5 x 32,5 cms. Pictorial lithographed wrappers + 6 lithographed plates. Several images to each sheet. The lithographed scenes contrast a French couple to an English one, drinking soldiers of 1500, 1750, 1810 and 1830, a game of chess between Charles XII and Frederic the Great overseen by Napoleon, a Salon in the year 1600 and one in 1830, a troubadour in 1330 and one in 1830, a German woman versus an Italian one, "Dressed - undressed", "At home - Abroad", "Court Dress - Military Dress", etc. - - - Swedish count Hjalmar Mörner, whose christian name has been misinterpreted on the title of this album, was a Swedish military man, one of the most talented draughtsmen among the many "artist soldiers" of his time. Having received an artistic training aimed at drawing military maps etc., Mörner spent many years away from Sweden, in Italy, England and France, where he died in 1837. In England he published two rare albums, "Miscellaneous Sketches of Contrasts" (1831) and "Humourous Sketches" (1832), greatly influenced by the English caricaturists. …