Sara VanDerBeek’s photographic and sculptural arrangements emulate a poet’s economic use of structure, phrasing and rhythm to suspend images and multiple processes within a rigorously shaped framework. This first book-length study presents close readings of VanDerBeek’s (*1976 in Baltimore) experimentation with photographic capture, printing, cast-concrete forms, and built environments that draw on diverse material cultures Ultimately, the book richly distills the chance, process, physicality, reflection and recollection of her site visits to Detroit, New Orleans, Los Angeles, Rome, Paris, Naples, Rotterdam and New York between 2006 and 2016. Contributions by international scholars and curators offer an oblique angle not only into VanDerBeek’s vital practice, but also the ways VanDerBeek is shaping current debates on the relationship between image and object within contemporary art.
"synopsis" may belong to another edition of this title.
Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing and rhythm to suspend images and multiple processes within a rigorously shaped framework. This first book-length study presents close readings of VanDerBeek's (*1976 in Baltimore) experimentation with photographic capture, printing, cast-concrete forms, and built environments that draw on diverse material cultures. Ultimately, the book richly distills the chance, process, physicality, reflection and recollection of her site visits to Detroit, New Orleans, Los Angeles, Rome, Paris, Naples, Rotterdam and New York between 2006 and 2016. Contributions by international scholars and curators offer an oblique angle not only into VanDerBeek's vital practice, but also the ways VanDerBeek is shaping current debates on the relationship between image and object within contemporary art.
"About this title" may belong to another edition of this title.
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00088444915
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Seller Inventory # M3775741089Z3
Seller: Riverby Books, Fredericksburg, VA, U.S.A.
Soft cover. Condition: Very Good. Softcover. White covers with blue lettering. Title page not dated. 175 pages. Very good condition. Binding is stiff; pages are bright and clean. Small signs of shelf wear. Contents feature works from an exhibion at the Hammer Mueseum, the Whitney Museum of American Art, the Baltimore Museum of Art, and more. Cover states that there are 104 illustrations. Please e-mail us with questions or to request photos. This is an oversized book. Extra shipping charges may be required for international or priority delivery. Seller Inventory # 18-1680
Seller: Ivy Ridge Books/Scott Cranin, Fayetteville, NY, U.S.A.
paperback. Condition: New. Paperback in original factory shrink wrap. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011. Seller Inventory # 11133
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 176 pages; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra. Seller Inventory # SaVaHa35
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Softcover. White card wraps with color image and blue lettering. 175 pp. with 104 illus. Edited by Gloria Sutton. With an essay by Ina Bloom and an interview of the artist by Roxana Marcoci. "Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing and rhythm to suspend images and multiple processes within a rigorously shaped framework. This first book-length study presents close readings of VanDerBeek's (*1976 in Baltimore) experimentation with photographic capture, printing, cast-concrete forms, and built environments that draw on diverse material cultures. Ultimately, the book richly distills the chance, process, physicality, reflection and recollection of her site visits to Detroit, New Orleans, Los Angeles, Rome, Paris, Naples, Rotterdam and New York between 2006 and 2016. Contributions by international scholars and curators offer an oblique angle not only into VanDerBeek's vital practice, but also the ways VanDerBeek is shaping current debates on the relationship between image and object within contemporary art." (from the publisher's web site). VG; unread but with light shelf wear. Seller Inventory # 158275
Seller: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. Neuware -Sara VanDerBeeks ( 1976 in Baltimore) fotografische und skulpturale Arrangements greifen die aus der Dichtung bekannte ökonomische Verwendung von Struktur, Phrasierung und Rhythmus auf, um Bilder und multiple Prozesse innerhalb eines rigoros gestalteten Rahmens aufzuheben. Diese erste Studie in Buchlänge präsentiert eingehende Interpretationen von VanDerBeeks Experimenten mit der fotografischen Aufnahme, mit Abzügen, Gussbetonformen und gebauten Umgebungen, die auf verschiedene materielle Kulturen zurückgreifen. Letztlich bietet das Buch eine reichhaltige Auswahl von Zufällen, Prozessen, Physikalitäten, Reflexionen über und Erinnerungen an Orte in Detroit, New Orleans, Los Angeles, Rom, Paris, Neapel, Rotterdam und New York, die sie von 2006 bis 2016 besucht hat. Beiträge internationaler Fachleute und Kuratoren betrachten nicht nur VanDerBeeks grundlegende Praxis aus einem ungewöhnlichen Blickwinkel, sondern untersuchen auch, wie sie die derzeitigen Debatten über die Beziehung zwischen Bild und Objekt in der zeitgenössischen Kunst prägt. 175 pp. Englisch. Seller Inventory # 9783775741088
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. Neuware -Sara VanDerBeeks ( 1976 in Baltimore) fotografische und skulpturale Arrangements greifen die aus der Dichtung bekannte ökonomische Verwendung von Struktur, Phrasierung und Rhythmus auf, um Bilder und multiple Prozesse innerhalb eines rigoros gestalteten Rahmens aufzuheben. Diese erste Studie in Buchlänge präsentiert eingehende Interpretationen von VanDerBeeks Experimenten mit der fotografischen Aufnahme, mit Abzügen, Gussbetonformen und gebauten Umgebungen, die auf verschiedene materielle Kulturen zurückgreifen. Letztlich bietet das Buch eine reichhaltige Auswahl von Zufällen, Prozessen, Physikalitäten, Reflexionen über und Erinnerungen an Orte in Detroit, New Orleans, Los Angeles, Rom, Paris, Neapel, Rotterdam und New York, die sie von 2006 bis 2016 besucht hat. Beiträge internationaler Fachleute und Kuratoren betrachten nicht nur VanDerBeeks grundlegende Praxis aus einem ungewöhnlichen Blickwinkel, sondern untersuchen auch, wie sie die derzeitigen Debatten über die Beziehung zwischen Bild und Objekt in der zeitgenössischen Kunst prägt. 175 pp. Englisch. Seller Inventory # 9783775741088
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition. First edition and first printing. Softcover. 175 pages. Text in English. Features an essay by Ina Blom along with the text of a conversation between VanDerBeek and Roxana Marcoci. Includes 104 color illustrations and a checklist. A fine copy in wrappers. Signed by VanDerBeek in silver marker on the title page. Uncommon signed. Signed. Seller Inventory # 207644
Seller: moluna, Greven, Germany
Condition: New. Innovative works in the interplay between installation and photographyInnovative Arbeiten im Spannungsfeld zwischen Installation und FotografieSara VanDerBeeks ( 1976 in Baltimore) fotografische und skulpturale Arrangements greifen die aus der Dicht. Seller Inventory # 101754992