Today Michelangelo’s painting and sculpture is seen most often in museums, while his architectural designs have been left incomplete or modified by others so that some are barely recognizable. But his art was made to be viewed in churches, homes and political settings, by people who brought their own needs and expectations to his work. Paintings and sculptures were rarely seen in isolation; instead they were seen as part of rituals and ceremonies. Viewers of Michelangelo’s time would experience the work under specific lighting conditions and from particular positions. They would move through spaces and past sculpture, and they might make comparisons to other objects nearby. In this engaging book, Bernadine Barnes brings together new research to show how Michelangelo’s art was seen in its own time. The original setting is reconstructed for works that have been moved, modified or left incomplete. Michelangelo’s consideration of his audience changed throughout his career: sometimes he produced work for conventional religious settings, and at other times he was given unprecedented freedom by open-minded patrons. This book brings the viewer back into the development of Michelangelo’s work, and gives emphasis to the differences between viewers in specific settings. Michelangelo lived in a time when the development of prints and published art criticism changed the nature of the viewing public in ways that foreshadow our own media culture. This book encourages today’s viewers to take a fresh look at Michelangelo’s work.
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Bernadine Barnes is Professor of Renaissance Art History at Wake Forest University, North Carolina. Her previous publications include Michelangelo’s Last Judgment: The Renaissance Response (1998) and Michelangelo in Print: Reproductions as Response in the Sixteenth Century (2010).
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Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR009918056
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Seller: MW Books, New York, NY, U.S.A.
First Edition. Near fine copy in the original title-blocked cloth with paper-labelled illustration to front cover. Spine bands and panel edges very slightly dulled with age. Remains well-preserved overall. Physical description; 264 pages : illustrations, 22 cm. Notes; Includes bibliographical references and index. Contents; Cover -- Michelangelo and the Viewer in His Time -- Imprint Page -- Contents -- Introduction -- 1. The Artist in Search of an Audience -- 2. The Heroic Body -- 3. Visions of Majesty: Projects for Pope Julius II -- 4. Power and Illusion: Commissions for the Medici -- 5. Painting the Visionary Experience: Frescoes for Pope Paul III -- 6. Love, Desire and Politics: Works for Private Viewers -- 7. Vision and Space: Michelangelo's Roman Architecture -- 8. Last Works -- Conclusion -- References -- Select Bibliography -- Acknowledgements -- Photo Acknowledgements -- Index. Subjects; Michelangelo Buonarroti 1475-1564 Criticism and interpretation. Michelangelo Buonarroti 1475-1564 Appreciation. Michelangelo Buonarroti 1475-1564. Artists Italy ; Biography. Art, Renaissance Italy. Art appreciation Italy History. 1 Kg. Seller Inventory # 488037
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 240 pages. 9.00x6.00x0.50 inches. In Stock. Seller Inventory # 1780237405
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