This catalogue has been published in conjunction with the exhibition: Accidentally on Purpose: Improvisation in African Textiles and African-American Quilts, presented at the Figge Art Museum, Davenport, Iowa from November 18, 2006 to February 11, 2007.
Accidentally on Purpose presents 129 African textiles and improvisational African-American quilts by 61 quilters. These quilts differ from standard-traditional quilts in their use of approximate measurement, flexible patterns, bold colors, strong contrast, multiple patterns, shifts in scale, scrap applique, and construction techniques similar to those used in West and Central African textiles. The exhibition and catalogue explore the relationship between these transatlantic traditions. Accidentally on Purpose celebrates the sophistication, vivacity, and significance of improvisational African-American quilts, both as artistic achievements and as expressions of African-American culture.
"synopsis" may belong to another edition of this title.
This exuberantly illustrated book celebrates the sophistication, vivacity, and significance of improvisational African-American quilts, both as artistic achievements and as expressions of African-American traditions. The knowledge, attitudes, and values carried across the Atlantic by enslaved Africans appear to have informed a quilt-making tradition so powerful that, to this day, it preserves its identity in a special province of African-American quilts.Such 'Afro-traditional' quilts are made by people who have no formal art training and who usually do not consider themselves artists; they learned their craft and absorbed its aesthetics by watching and helping their mothers, aunts, and grandmothers who, in turn, learned form previous generations. The resulting - often highly idiosyncratic - quilts call out to be seen as the works of art that they are. The brilliance of this work must be partially credited to a tradition which encourages individual expression and provides a context in which the talents of individual artists can flourish.
Improvisation, pervasive in black African art and familiar as a basic element of many African-American musical forms, is a vital force in this tradition.The artists maintain a generous attitude toward the accidental, embracing innovations that originate beyond the conscious domain. They use approximate measurement and 'flexible patterning', in which the design, conceived of as an invitation to variation, will not repeat, but will materialize in a sequence of visual elaborations. Afro-traditional attitudes and methods are antithetical to the standard American quilt-making tradition in which great value is placed on precise measurement and exact pattern replication. Instead they bear a keen likeness to the improvisatory practices of the textile-makers of Kongo and West Africa, regions from which American slaves were taken. These antipathies and affinities suggest an enduring African influence on the Afro-traditional quilt."About this title" may belong to another edition of this title.
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Seller Inventory # 0977149129-8-1
Seller: Neils Books, Moline, IL, U.S.A.
Soft cover. Condition: Very Good. 1st Edition. Seller Inventory # 489bb
Seller: Edward Ripp: Bookseller, Albuquerque, NM, U.S.A.
Paperback. Condition: Near Fine. Square 4to, 175 pp, near fine in pictorial wraps. 128 color illustrations + numerous b&w text illustrations. Quiltmakers' profiles. Bibliography. Scarce. Seller Inventory # 12565
Seller: Smith Family Bookstore Downtown, Eugene, OR, U.S.A.
Soft cover. Condition: Very Good. A few spots of discoloration to rear cover, otherwise light handling to french-fold covers. Binding tight and text clean. Seller Inventory # 4433893
Seller: YESIBOOKSTORE, MIAMI, FL, U.S.A.
paperback. Condition: As New. Seller Inventory # 0977149129-VB
Seller: Brodsky Bookshop, Taos, NM, U.S.A.
Soft cover. Condition: Very Good. 1st Edition. Softcover. Square format. 8vo(9.5 x 9.5 in.). White wraps with French flaps adding stability. Color quilt image on front with black titling. Rear is blank. Lightly used condition. Little surface wear. Corners are good. Printed on nice low-gloss paper. This is an extensive study of quilt designs from Africa that traveled and were used by African American quilters. Page after page of color images. Brief profiles of quilters are mixed in with text and images. The images are well-captured, dense in color, many are extraordinary. A special book, hard to find. Seller Inventory # 001985
Seller: GoldBooks, Denver, CO, U.S.A.
Paperback. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 8W55_65_0977149129
Seller: BWS BKS, Ferndale, NY, U.S.A.
Paperback. Condition: New. This exuberantly illustrated book celebrates the sophistication, vivacity, and significance of improvisational African-Aemrican quilts, both as artistic achievements and as expressions of African-American traditions. The knowledge, attitudes, and values carried across the Atlantic by enslaved Africans appear to have informed a quiltmaking tradition so powerful that, to this day, it preserves its identity in a special province of African-American quilts. Such "Afro-traditional" quilts are made by people who have no formal art training and who usually do not consider themselves artists; they learned their craft and absorbed its aesthetics by watching and helping their mothers, aunts, and grandmothers who, in turn, learned form previous generations. The resulting--often highly idiosyncratic--quilts call out to be seen as the works of art that they are. The brilliance of this work must be partially credited to a tradition which encourages individual expression and provides a context in which the talents of individual artists can flourish. Improvisation, pervasive in black African art and familiar as a basic element of many African-American musical forms, is a vital force in this tradition. The artists maintain a generous attitude toward the accidental, embracing innovations that originate beyond the conscious domain. they use approximate measurement and "flexible patterning," in which the design, conceived of as a an invitation to variation, will not repeat, but will materialize in a sequence of visual elaborations. Afro-traditional attitudes and methods are antithetical to the standard American quiltmaking tradition--practiced by both whites and blacks--in which great value is placed on precise measurement and exact pattern replication. Instead they bear a keen likeness to the improvisatory practices of the textile-makers of Kongo and West Africa, regions from which American slaves were taken. These antipathies and affinities suggest an enduring African influence on the Afro-traditional quilt. Seller Inventory # 90219