The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbot's "The Pencil of Nature" heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated.
"synopsis" may belong to another edition of this title.
PATRIZIA DI BELLO teaches History and Theory of Photography at Birkbeck, University of London. She is the author of Women's Albums and Photography in Victorian England (2007), and the editor, with Gabriel Koureas, of Art, History and the Senses (2010). She is currently working on photography and sculpture. COLETTE WILSON is Lecturer in French Studies and Director of the MA in Cultural Memory at the Institute of Germanic and Romance Studies, London, where she also convenes the research seminar 'Photography: Theory, Practice, Debate'. She is the author of Paris and the Commune 1871-1878: The Politics of Forgetting (2007). Her current research focuses on French representations of Egypt. SHAMOON ZAMIR is Associate Professor of Literature and Visual Studies at New York University Abu Dhabi. He has taught at the University of Chicago, York University and the University of London. He is the author of Dark Voices: W.E.B. Du Bois and American Thought (1995) and has recently completed a study of the photography of Edward S. Curtis.
"About this title" may belong to another edition of this title.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. Seller Inventory # M1848856164Z3
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR006070372
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 13856052
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 13856052-n
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. The Photobook: From Talbot to Ruscha and Beyond. Book. Seller Inventory # BBS-9781848856165
Seller: Springhead Books, Rochester, United Kingdom
Soft cover. Condition: Very Good. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated. xv, 236 pages, ill. ; 23 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Seller Inventory # 018296
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Seller: California Books, Miami, FL, U.S.A.
Condition: New. Seller Inventory # I-9781848856165
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L0-9781848856165
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 288 This item is printed on demand. Seller Inventory # 58020195
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbot's "The Pencil of Nature" heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated. Seller Inventory # LU-9781848856165
Quantity: Over 20 available