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Death of a Salesman: Certain Private Coversations in Two Acts And a Requiem (Penguin Plays)

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9780140481341: Death of a Salesman: Certain Private Coversations in Two Acts And a Requiem (Penguin Plays)
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Willy Loman, the protagonist of "Death of a Salesman," has spent his life following the American way, living out his belief in salesmanship as a way to reinvent himself. But somehow the riches and respect he covets have eluded him. At age 63, he searches for the moment his life took a wrong turn, the moment of betrayal that undermined his relationship with his wife and destroyed his relationship with Biff, the son in whom he invested his faith. Willy lives in a fragile world of elaborate excuses and daydreams, conflating past and present in a desperate attempt to make sense of himself and of a world that once promised so much.

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Arthur Miller's 1949 Death of a Salesman has sold 11 million copies, and Willy Loman didn't make all those sales on a smile and a shoeshine. This play is the genuine article--it's got the goods on the human condition, all packed into a day in the life of one self-deluded, self-promoting, self-defeating soul. It's a sturdy bridge between kitchen-sink realism and spectral abstraction, the facts of particular hard times and universal themes. As Christopher Bigsby's mildly interesting afterword in this 50th-anniversary edition points out (as does Miller in his memoir, Timebends), Willy is closely based on the playwright's sad, absurd salesman uncle, Manny. But of course Miller made Manny into Everyman, and gave him the name of the crime commissioner, Lohmann, in Fritz Lang's angst-ridden 1932 Nazi parable, The Testament of Dr. Mabuse.

The tragedy of Loman the all--American dreamer and loser--works eternally, on the page as on the stage. A lot of plays made history around 1949, but none have stepped out of history into the classic canon as Salesman has. Great as it was, Tennessee Williams' work can't be revived as vividly as this play still is, all over the world. (This edition has edifying pictures of Lee J. Cobb's 1949 and Brian Dennehy's 1999 performances.) It connects Aristotle, The Great Gatsby, On the Waterfront, David Mamet, and the archetypal American movie antihero. It even transcends its author's tragic flaw of pious preachiness (which undoes his snoozy The Crucible, unfortunately his most-produced play).

No doubt you've seen Willy Loman's story at least once. It's still worth reading.--Tim Appelo, Amazon.com

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Winner of the Pulitzer Prize for Drama
Winner of the National Book Award Medal for Distinguished Contribution to American Letters

"By common consent, this is one of the finest dramas in the whole range of the American theater." --Brooks Atkinson, The New York Times

"So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." --Time

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Other Popular Editions of the Same Title

9780141182742: Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem (Penguin Modern Classics)

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ISBN 10: 0141182741 ISBN 13: 9780141182742
Publisher: Penguin Classics, 2000
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9780141180977: Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem (Penguin twentieth-century classics)

Pengui..., 1998
Softcover

9780822202905: Death of a Salesman (Acting Edition for Theater Productions)

Josef ..., 2002
Softcover

9781580496803: Death of a Salesman Activity Pack

Prestw..., 2004
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9780891907299: Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem (Penguin Plays)

Amereo..., 1940
Hardcover

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Book Description Paperback. Condition: new. Paperback. Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremems of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time The tragedy of a typical American—a salesman who at the age of sixty-three is faced with what he cannot face; defeat and disillusionment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780140481341

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