Visions November Spring String (3 results)

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  • Language: English

    Published by Hal Leonard Publishers, 2024

    1784544434 / 9781784544430

    Seller: INDOO, Avenel, NJ, U.S.A.INDOO

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    £ 26.06

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    Condition: New. Brand New.

  • Language: English

    Published by Boosey & Hawkes Inc Jul 2024, 2024

    1784544434 / 9781784544430

    • Softcover

    Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH

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    £ 36.28

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    Taschenbuch. Condition: Neu. Neuware - (Boosey & Hawkes Scores/Books). Composed in 1988 and revised in 1991, this 28-minute work was commissioned by the University of Glasgow s McEwen Bequest. The composer stated in 1991, 'My first string quartet, Visions of a November Spring, is the peculiar 'odd man out' in my work since it is the nearest thing to an autobiographical statement. The title is an indication that the piece is a celebration of (or comment on) a newly emerging fecundity of expression which seemed to absorb me in the latter part of 1987, and which extended itself through more recent pieces, Busqueda (1988), Into the Ferment (1988) and Tryst (1989). As well as marking the beginning of a particularly prolific time for me, it also marked a fusion of earlier influences and a departure in a style of writing which is both naturally and deliberately more direct and explicit.'.…

  • Language: English

    Published by Boosey & Hawkes Inc Jul 2024, 2024

    1784544442 / 9781784544447

    • Softcover

    Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH

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    Condition: New

    £ 62.54

    £ 29.51 shipping 
    Ships from Germany to U.S.A.

    Quantity: 2 available

    Taschenbuch. Condition: Neu. Neuware - (Boosey & Hawkes Chamber Music). Composed in 1988 and revised in 1991, this 28-minute work was commissioned by the University of Glasgow s McEwen Bequest. The composer stated in 1991, 'My first string quartet, Visions of a November Spring, is the peculiar 'odd man out' in my work since it is the nearest thing to an autobiographical statement. The title is an indication that the piece is a celebration of (or comment on) a newly emerging fecundity of expression which seemed to absorb me in the latter part of 1987, and which extended itself through more recent pieces, Busqueda (1988), Into the Ferment (1988) and Tryst (1989). As well as marking the beginning of a particularly prolific time for me, it also marked a fusion of earlier influences and a departure in a style of writing which is both naturally and deliberately more direct and explicit.'.…