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Undergrounds Phantom Opera Sublimation by Hogle (24 results)
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The Undergrounds of the Phantom of the Opera: Sublimation and the Gothic in Leroux's Novel and its Progeny
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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The Undergrounds of the Phantom of the Opera: Sublimation and the Gothic in Leroux's Novel and its Progeny
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Seller rating 5 out of 5 stars
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Undergrounds of the Phantom of the Opera : Sublimation and the Gothic in Leroux's Novel and Its Progeny
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Undergrounds of the Phantom of the Opera : Sublimation and the Gothic in Leroux's Novel and Its Progeny
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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paperback. Condition: New. In shrink wrap. Looks like an interesting title!
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Undergrounds of the Phantom of the Opera : Sublimation and the Gothic in Leroux's Novel and Its Progeny
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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The Undergrounds of the Phantom of the Opera. Sublimation and the Gothic in Leroux's Novel and its Progeny.
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Seller rating 5 out of 5 stars
Condition: New. Num Pages: 262 pages, biography. BIC Classification: AN; DS; HBTB; JFC. Category: (G) General (US: Trade). Dimension: 235 x 155 x 15. Weight in Grams: 433. . 2002. Paperback. . . . .
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The Undergrounds of the "Phantom of the Opera". Sublimation and the Gothic in Leroux's Novel and its Progeny.
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Seller rating 5 out of 5 stars
Condition: New. This is an analytical study of "The Phantom of the Opera" in its many different versions from the original Gaston Leroux novel to the 21st century. It reveals the history of deep cultural tensions that underlie the novel and each major adaptation. Num Pages: 277 pages, biography. BIC Classification: 1D; AN; APF; DSBF; DSK; JFCA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 25. Weight in Grams: 576. . 2002. Hardback. . . . .
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Undergrounds of the Phantom of the Opera : Sublimation and the Gothic in Leroux's Novel and Its Progeny
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
£ 107.94
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Paperback. Condition: Brand New. 262 pages. 9.25x6.10x0.64 inches. In Stock.
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The Undergrounds of the Phantom of the Opera : Sublimation and the Gothic in Leroux's Novel and its Progeny
Language: English
Published by Palgrave Macmillan US, 2002
ISBN 10: 1349634107 ISBN 13: 9781349634101
£ 56.55 10% off£ 50.90
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Add to basketCondition: Hervorragend. Zustand: Hervorragend | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | This is the most comprehensive analytical study ever done of The Phantom of the Opera in its many different versions from the original Gaston Leroux novel to the present day. It proposes answers to the question, 'why do we keep needing this story told and retold in the Western world?' by revealing the history of deep cultural tensions that underlie the novel and each major adaptation. Using extensive historical and textual evidence and drawing on perspectives from several theories of cultural study, this book argues that we need this tale told and reconfigured because it provides us ways to both confront and disguise how we have fashioned our senses of identity in the Western middle class. The Phantom of the Opera - in varying ways over time - turns out like the 'Gothic' tradition it extends, to be deeply connected to Western self-fashioning in the face of conflicted attitudes about class, gender, race, religious beliefs, Freudian psychology, economic and international tensions, and especially the shifting and permeable boundaries between 'high' and 'low' culture. This book should interest all students of the history of Western culture, as well as those especially fascinated by Gothic fiction, opera, musical theatre, and film.
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Paperback. Condition: Brand New. 262 pages. 9.50x6.50x1.00 inches. In Stock.
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Condition: New. Num Pages: 262 pages, biography. BIC Classification: AN; DS; HBTB; JFC. Category: (G) General (US: Trade). Dimension: 235 x 155 x 15. Weight in Grams: 433. . 2002. Paperback. . . . . Books ship from the US and Ireland.
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Condition: New. This is an analytical study of "The Phantom of the Opera" in its many different versions from the original Gaston Leroux novel to the 21st century. It reveals the history of deep cultural tensions that underlie the novel and each major adaptation. Num Pages: 277 pages, biography. BIC Classification: 1D; AN; APF; DSBF; DSK; JFCA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 25. Weight in Grams: 576. . 2002. Hardback. . . . . Books ship from the US and Ireland.
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Taschenbuch. Condition: Neu. The Undergrounds of the Phantom of the Opera | Sublimation and the Gothic in Leroux's Novel and its Progeny | J. Hogle | Taschenbuch | xv | Englisch | 2002 | Palgrave Macmillan | EAN 9781349634101 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
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The Undergrounds of the Phantom of the Opera: Sublimation and the Gothic in LeRoux\ s Novel and Its Progeny
Language: English
Published by Palgrave Macmillan US, 2002
ISBN 10: 0312293461 ISBN 13: 9780312293468
Gebunden. Condition: New. JERROLD E. HOGLE is University Distinguished Professor in the Department of English and the Program in Comparative Cultural and Literary Studies at the University of Arizona. A Guggenheim, Mellon, and Lily Endowment Fellow, he has published widely on Romant.
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The Undergrounds of the Phantom of the Opera : Sublimation and the Gothic in Leroux's Novel and Its Progeny
Language: English
Published by Palgrave Macmillan Us, 2002
ISBN 10: 0312293461 ISBN 13: 9780312293468
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This is the most comprehensive analytical study ever done of The Phantom of the Opera in its many different versions from the original Gaston Leroux novel to the present day. It proposes answers to the question, 'why do we keep needing this story told and retold in the Western world ' by revealing the history of deep cultural tensions that underlie the novel and each major adaptation. Using extensive historical and textual evidence and drawing on perspectives from several theories of cultural study, this book argues that we need this tale told and reconfigured because it provides us ways to both confront and disguise how we have fashioned our senses of identity in the Western middle class. The Phantom of the Opera - in varying ways over time - turns out like the 'Gothic' tradition it extends, to be deeply connected to Western self-fashioning in the face of conflicted attitudes about class, gender, race, religious beliefs, Freudian psychology, economic and international tensions, and especially the shifting and permeable boundaries between 'high' and 'low' culture. This book should interest all students of the history of Western culture, as well as those especially fascinated by Gothic fiction, opera, musical theatre, and film.
-
The Undergrounds of the Phantom of the Opera : Sublimation and the Gothic in Leroux's Novel and its Progeny
Language: English
Published by Palgrave Macmillan US, Palgrave Macmillan US, 2002
ISBN 10: 1349634107 ISBN 13: 9781349634101
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This is the most comprehensive analytical study ever done of The Phantom of the Opera in its many different versions from the original Gaston Leroux novel to the present day. It proposes answers to the question, 'why do we keep needing this story told and retold in the Western world ' by revealing the history of deep cultural tensions that underlie the novel and each major adaptation. Using extensive historical and textual evidence and drawing on perspectives from several theories of cultural study, this book argues that we need this tale told and reconfigured because it provides us ways to both confront and disguise how we have fashioned our senses of identity in the Western middle class. The Phantom of the Opera - in varying ways over time - turns out like the 'Gothic' tradition it extends, to be deeply connected to Western self-fashioning in the face of conflicted attitudes about class, gender, race, religious beliefs, Freudian psychology, economic and international tensions, and especially the shifting and permeable boundaries between 'high' and 'low' culture. This book should interest all students of the history of Western culture, as well as those especially fascinated by Gothic fiction, opera, musical theatre, and film.
