Transformations Modern Architecture (30 results)

Condition: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good.

Paperback. Condition: Good. Paperback book in good condition.

Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Self-Wrappers. Condition: Very Good. Second printing. 4to, 168 pp., b/w photos. Wrappers edgeworn, corners lightly bumped, previous owner name.

Softcover, 168 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

A profusely illus. survey of recent trends in world architecture. Pub. in conj. with an exhibition. 352 bold b&w photos. Vg+. Book.

Trade Paperback. Condition: Used - Good. Book has minor shelf wear. Out of print.

Paperback. Condition: Very Good. Second Printing. 168pp. Tips and spine ends are lightly bumped and lightly rubbed. Wraps have light scratches. Text is unmarked.

Condition: Wie neu. Umschlag an den Rändern minimal berieben/bestossen. Innenteil tadellos - u n g e l e s e n - keine Risse, Knicke, Anmerkungen. ! Altersbedingt leicht nachgedunkelt! KEIN Mängelexemplar! Versand aus München FF0360 Sprache: Englisch Gewicht in Gramm: 748.

Condition: Very Good.

Soft cover. Condition: Very Good. No Jacket. First Edition. 6 colour plates; 370 black & white illustrations; First British Edition; Paperback; Slight signs of use, vg+.

168pgs. 29x22. Fotos. Rústica con solapas.

Condition: New. Satisfaction Guaranteed or your money back.

23 x 29 cm. 168 Seiten, 352 Abb. Klappenbrosch. Einband leicht berieben, Unfortunately, deliveries to the USA are not possible at this time.

Paperback. Condition: Acceptable. NOT an ex-library book. Clean copy in good condition. Some marking due to age on pages, but overall book remains in good condition considering age. Quick dispatch from UK seller.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Soft cover. Condition: New. AKPINAR, IPEK - ELA GUNGOREN - JOHAN MARTELIUS - GERTRUD OLSSON (Editors) Transformations of public space. Architecture and the visual arts in late modern Istanbul 1950-80. Istanbul: Swedish Research Institute in Istanbul, 2021. 4to., 161 p., color and b/w ills. Paperback. New ISBN: 9789188929372 CATALOG: Architecture & Urban studies KEYWORDS: Istanbul - Constantinople Architecture History of art Urbanization In the decades following World War II, the former imperial capital of Istanbul entered a new stage of urban development. Large-scale transformations of its outline and edifices reimagined the cityscape while at the same time the conservation of the rich architectural heritage became a major issue. These efforts crystallized in a number of public space projects, where modernity and tradition were envisioned, manifested and negotiated artistically, structurally and socially. Major infrastructural projects competed with concerns for human scale as well as for local habits and vernacular tastes, as represented in architectural forms, ornamental details and visual arts. Stressing both the continuity and radical renewal of Istanbul in the period from 1950 to 1980, the studies in this volume analyse the emergence of the 'late modern" version of the megacity. …

Soft cover. Condition: New. 161 pages : illustrations ; 28 cm. In English with some Turkish. In the decades following World War II, the former imperial capital of Istanbul entered a new stage of urban development. Large-scale transformations of its outline and edifices reimagined the cityscape while at the same time the conservation of the rich architectural heritage became a major issue. These efforts crystallized in a number of public space projects, where modernity and tradition were envisioned, manifested and negotiated artistically, structurally and socially. Major infrastructural projects competed with concerns for human scale as well as for local habits and vernacular tastes, as represented in architectural forms, ornamental details and visual arts. Stressing both the continuity and radical renewal of Istanbul in the period from 1950 to 1980, the studies in this volume analyse the emergence of the 'late modern' version of the megacity.…

168 pages, illustrations in b/w, paperback.

Condition: New.

Condition: New.

Paperback. Condition: As New.

Paperback. Condition: As New.

Trade paperback. Condition: Very good. Presumed First Edition, First printing. The format is approximately 9 inches by 11.5 inches. 168 pages. Illustrated front and back covers with flaps. Illustrations. Arthur Justin Drexler (13 March 1925 16 January 1987) was a museum curator and director of the Museum of Modern Art (MoMA) for 35 years. Drexler attended the High School of Music and Art, and The Cooper Union studying architecture and served with the U.S. Army Corps of Engineers during the Second World War. After the war Drexler worked with the office of industrial designer George Nelson and was Architecture Editor of Interiors magazine. Drexler joined the Museum of Modern Art in New York in 1951 as Curator of Architecture and Design and was promoted to Director of the Department in 1956 succeeding Philip Johnson. Drexler has lectured at New York University, Yale University, Harvard University, Pratt Institute, the Massachusetts Institute of Technology, and other universities and institutions. Over thirty-five years Drexler conceived, organized and oversaw trailblazing exhibitions that foresaw major stylistic design developments in industrial design, architecture and landscaping. MoMA played a central role in examining the work of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Drexler's pioneering shows promoted new ideas about architecture and design as modern arts and left an indelible mark on the course of midcentury modernism. In 1977, Drexler received the American Institute of Architects Medal for "vast contributions in documenting the art of architecture." The exhibition on which this book is based took place at The Museum of Modern Art, Nye York, from February 23 through April 24, 1979. Illustrated in black & white with 352 photographs of buildings and architectural models, with features on Louis Kahn, James Stirling, Robert Venturi, and others. During the previous two decades before this exhibition the history of modern architecture had been one of sorting out, developing, and transforming possibility implicit at the beginning. What has changed more than architectural pratices is the way we see buildings and talk about them. Underlying this change is the feeling that the modern movement in architectures understood by its pioneers is now over. That change in attitudes describes a hope (or a fear) rather than a fact, and it also focuses attention on the nature of modernism. The effects building produce are primarily and unavoidably visual. Modernism has valued buildings and artifacts that are well made and do what is required of them. In that sense it has been against interpretation, preferring instead the self-evident fitness of things. As interpretation is again required, it will collide with fitness. We are still dealing with the conflict between art an technology that best the nineteenth century, and which the modern movement expected to resolve.…

Condition: leido. 1ª ed. Rustica con solapas. Sello anterior propietario. Lengua inglesa. 168.