Touch Evil Orson Welles (32 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The pages are lightly tanned. The copy shows minor external wear, but is in otherwise clean condition.

Paperback. Condition: Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Good condition. Volume 3. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Condition: Very Good. DETAILS: PAPERBACK, very good, covers slightly curled outwards, minor wet finger imprints at lower corner of first few pages, quite minor. COMITO, TERRY, ed. . Touch of evil: Orson Welles, director. New Brunswick, N.J.: Rutgers University Press, 1985, viii, 280pp., . Series: Rutgers films in print ; v. 3 Comito's introduction considers the film's relation to the tradition of film noir and demonstrates how Welles's mastery of cinematic language transforms the materials of a routine thriller into a work that is at once a sardonic examination of the dark side of sexuality, an elegiac rumination on the loss of innocence, and a disquieting assault on the viewer's own moral and ascetic certainties. Other contextual materials in the book include a biographical sketch of Welles; an important interview with Welles by Andre Bazin, Charles Bitsch, and Jean Domarchi, available here for the first time in English; an interview with Charlton Heston on the making of the film; representative reviews; critical essays by William Johnson, Jean Collett (translated especially for this book), Stephen Heath; an analysis of the relation of the complete film to Welles's recently discovered shooting script; and filmography and bibliography. The continuity script collates the two available versions of Touch of Evil and provides an invaluable, shot-by-shot guide through the visual and audio complexities of Welles's masterpiece. - CONTENTS: Introd. Welles's labyrinths : an introduction to Touch of Evil / Terry Comito. Orson Welles : a biographical sketch -- Touch of evil. Credits and cast. The continuity script. The shooting script(3) : the evolution of Orson Welles's touch of evil from novel to film / John Stubbs -- Interviews, reviews, and commentaries. 9780813510972 ISBN 081351097X 14.20. …

Stapled wraps. Condition: Very Good. (No. 47). [minor rubbing to covers, small stain at top of front cover, a couple of totally unnecessary pen scribbles near bottom of front cover, apparently executed by some idiot trying to figure out if his pen still worked]. (B&W photographs) Features include: a reassessment of Orson Welles' TOUCH OF EVIL, occasioned by the resurfacing of a longer print (this was before "restoration" was being done on every other movie in the vaults); analysis of LANCELOT DU LAC (Robert Bresson); contributing writers' "Ten Best" lists for 1975, and the editors' annual "Moments out of Time" feature, an evocative review of "scenes, shots, stances, sensations onscreen in '75"; brief reviews of DOG DAY AFTERNOON (Sidney Lumet), THE NICKEL RIDE (Robert Mulligan), THE ADVENTURE OF SHERLOCK HOLMES' SMARTER BROTHER (Gene Wilder), others.…

Paperback. Condition: Very Good-. Card covers are faintly shelf-marked, corners bumped, front cover curled; binding is tight; pages are clean with black and white photographic illustrations.; Rutgers Films In Print; 6 X 0.8 X 8 inches; 280 pages.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: new.

Condition: New. In English.

PF. Condition: New.

Tapa blanda. Condition: Bueno. Edicion en ESPAÑOL. Procedente del cierre de una tienda de cine de Barcelona. Se ignora el estado de la cinta. Actores: Charlton Heston.

Soft cover. Condition: Near Fine. very light edge wear, spine not broken, nice copy.

64 S. m. Abb., 4°, OBr. (Gut erhalten) Versand per Deutsche Post /DHL. Vorkasse grundsätzlich vorbehalten. BECAUSE OF THE EPR REGULATION NO SHIPPIMG POSSIBLE TO AUSTRIA, BALTIC STATES, BELGIUM, BULGARIA, CZECHIA, CYPRUS, DENMARK, FINNLAND, FRANCE, GREECE, HUNGARY, IRELAND, ITALY , KROATIA, LUXEMBOURG, MALTA, NETHERLANDS, POLAND, PORTUGAL, ROMANIA, SLOVENIA, SWEDE, SLOVAKIA, SPAIN. Sprache: Englisch Gewicht in Gramm: 350. …

50 S. m. zahlr. Abb., 4°, OBr. (Einband mit geringen Gebrauchsspuren) Versand per Deutsche Post /DHL. Vorkasse grundsätzlich vorbehalten. BECAUSE OF THE EPR REGULATION NO SHIPPIMG POSSIBLE TO AUSTRIA, BALTIC STATES, BELGIUM, BULGARIA, CZECHIA, CYPRUS, DENMARK, FINNLAND, FRANCE, GREECE, HUNGARY, IRELAND, ITALY , KROATIA, LUXEMBOURG, MALTA, NETHERLANDS, POLAND, PORTUGAL, ROMANIA, SLOVENIA, SWEDE, SLOVAKIA, SPAIN. Sprache: Englisch Gewicht in Gramm: 250. …

Soft cover. Condition: Fine. 1st Edition.

Condition: New. New. In shrink wrap. Looks like an interesting title! 0.69.

23 S., als Typoskript vervielfältigt, 4°. (Leichte Gebrauchsspuren) Versand per Deutsche Post /DHL. Vorkasse grundsätzlich vorbehalten. BECAUSE OF THE EPR REGULATION NO SHIPPIMG POSSIBLE TO AUSTRIA, BALTIC STATES, BELGIUM, BULGARIA, CZECHIA, CYPRUS, DENMARK, FINNLAND, FRANCE, GREECE, HUNGARY, IRELAND, ITALY , KROATIA, LUXEMBOURG, MALTA, NETHERLANDS, POLAND, PORTUGAL, ROMANIA, SLOVENIA, SWEDE, SLOVAKIA, SPAIN. Sprache: Englisch Gewicht in Gramm: 250 Beiliegend farbig illustrierte (Plakatmotiv) Einladungskarte zur Pressevorführung 4.4.1999 im Filmmuseum München. …

Paperback. Condition: Brand New. 280 pages. 8.00x5.75x0.50 inches. In Stock.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Brossura editoriale con punti metallici, fotografie in b/n a piena pagina, in ottimo stato. in 8° pp. (12).

Taschenbuch. Condition: Neu. Neuware - Welles is by consensus one of the most talented directors who ever worked in Hollywood, and this flamboyant film - a 1958 exploration of the thriller form - is one of his greatest achievements. Comito's introduction considers the film's relation to the tradition of film noir and demonstrates how Welles's mastery of cinematic language transforms the materials of a routine thriller into a work that is at once a sardonic examination of the dark side of sexuality, an elegiac rumination on the loss of innocence, and a disquieting assault on the viewer's own moral and ascetic certainties. Other contextual materials in the book include a biographical sketch of Welles; an important interview with Welles by Andre Bazin, Charles Bitsch, and Jean Domarchi, available here for the first time in English; an interview with Charlton Heston on the making of the film; representative reviews; critical essays by William Johnson, Jean Collett (translated especially for this book), Stephen Heath; an analysis of the relation of the complete film to Welles's recently discovered shooting script; and filmography and bibliography. The continuity script collates the two available versions of Touch of Eviland provides an invaluable, shot-by-shot guide through the visual and audio complexities of Welles's masterpiece.…

Condition: New. This study of Touch of Evil includes the continuity script, a biography of Orson Welles, an interview with Welles by Andre Bazih, an interview with Charlton Heston, excerpts from several critical essays, major reviews, a filmography and a bibliography.

S/W-Abbildungen mit farbigen Titeln, DIN A 1, auf A4 gefaltet, WA Versand per Deutsche Post /DHL. Vorkasse grundsätzlich vorbehalten. BECAUSE OF THE EPR REGULATION NO SHIPPIMG POSSIBLE TO AUSTRIA, BALTIC STATES, BELGIUM, BULGARIA, CZECHIA, CYPRUS, DENMARK, FINNLAND, FRANCE, GREECE, HUNGARY, IRELAND, ITALY , KROATIA, LUXEMBOURG, MALTA, NETHERLANDS, POLAND, PORTUGAL, ROMANIA, SLOVENIA, SWEDE, SLOVAKIA, SPAIN. Sprache: Deutsch Gewicht in Gramm: 500 (Leichte falzbedingte Knickspuren, sonst sehr gut erhalten). …

Softcover/Paperback. Condition: Fine. This is an approximately 8x10 B&W still of "Touch Of Evil". Orson Welles featured. This is an original photograph not a computer reprint. This still is originally from the Joe Franklin Archives Collection. The "Joe Franklin Show" was a long running New York TV program that broadcast locally and nationally for 43 years. Mr. Franklin hosted over 30,000 guests most were well known. His collection included many thousands of celebrity photos. Great promotional still, suitable for framing. - GRADE: Fine.…