Practical Hints Colour Painting Illustrated by Burnet John (34 results)

Condition: New. In.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

Hardcover. Condition: Acceptable. Foxing to boards, throughout. Still readable.

Condition: New. SUPER FAST SHIPPING.

Taschenbuch. Condition: Neu. Neuware - A practical guide to color theory and technique for painters, featuring examples from the works of the great masters of the Venetian, Flemish, and Dutch schools. With detailed explanations and step-by-step instructions, this book is an indispensable resource for artists looking to improve their craft.

Condition: New. SUPER FAST SHIPPING.

Condition: New. SUPER FAST SHIPPING.

Buch. Condition: Neu. Neuware.

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hardback. Condition: Good. Dust Jacket Condition: No DW. New Edition. Original burgundy cloth covered covers with leather spine (vignette of child at easel). Armorial bookplate of Richard James Streatfeild. Clean tight text in sound covers BUT SPINE RATHER WORN and frayed at ends. A very good working copy. SPECIAL POSTAGE RATES APPLY (GB 2024 £8) Packed weight 2200g.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 172.

Hardcover. Condition: Very Good. No Jacket. New Edition - Part One (Fourth Edition), Part Two (Eighth Edition), Part Three (Eighth Edition), Part Four (Second Edition). Large hardback copy in quarter bound black leather with gold gilt lettering and design, burgundy cloth boards, no dustjacket as issued. Rough cut page edges. Colour and b/w plates with tissue throughout, b/w illustrations within text. Not library copy, no inscriptions. Previous owner's Ex Libris sticker to front pastedown, some rubbing to leather spine, Binding is good, pages are very good. (2/5).

Hardcover. Condition: Very Good. 'New Edition. Illustrated with Copper Plates and Wood Cuts.' Part One (Fourth Edition), Part Two (Eighth Edition), Part Three (Eighth Edition), Part Four (Second Edition). Part One: An Essay on the Education of the Eye with Reference to Painting. Part Two: Practical Hints on Composition In Painting. Part Three: Practical Hints on Light And Shade In Painting. Part Four: Practical Hints on Colour In Painting. Quarter bound large hardcover, black leather spine with gilt lettering and design. Burgundy cloth boards. You can see the covers in the photos. There is a good deal of color loss on the front. There's one spot of the same on the rear. The spine is in very good condition. The gilt lettering and design there is quite bright. The spine ends have little to no wear. All four corners have rub-through. The cloth at the front bottom right corner has a small tear/crease. There's also rub-through on the front middle edge coming up a couple of inches from its bottom edge and an inch or so of the same coming down from its top edge. The other five edges have only minor rubbing. The top page edge is gilt. The middle and bottom page edges are deckled or rough- cut. The book is quite square and is quite solidly bound from cover to cover. The covers are tight. There is a thin tear at the juncture of the rear cover and rear end paper, a couple of inches long off the bottom edge with a little bit of webbing showing. It has No impact at all on the binding there. There is a thin space with a little webbing showing between the blank verso of the title page (for the whole book) and the facing half-title page. The black first front end paper (both end papers and inside covers are black and in very good shape) and the title page together appear to be bound only along parts of their edges, so there is some possibility that the two pages could detach if not handled carefully. However, after that the pages (all the pages) become quite tight and give no indication of any kind of binding vulnerability. There are a great many drawings throughout and then there are the numbered plates. I've looked at all of the plates. There are Eight in Part One. Ten in Part Two. Ten in Part Three. And Nine in Part Four. All of these plates 37 Listed Plates, listed at the start of each Part are present, and all are in excellent condition. Every one of them still has its full-page tissue guard. The nine plates in Part Four are in color. The overall condition of the text pages is very good. I've turned over a lot of pages and scrolled through many as well. The pages are very clean. You aren't going to find much by way of soiling. I'm scrolling through now, again and failing to find even one spot, although I'm sure there must be a few, it's a large book. The pages, as expected, have some margin toning, but it's pretty light. I don't see any foxing on any of the pages, including the illustrations. I've only found a handful of corners that have a small crease. Creasing is not an issue, although I wouldn't be surprised if there are a few more. As referenced, the middle and bottom edges are rough-cut. Most of the edges are smooth, but there are a handful toward the end of the book that have a little bit of bending/creasing just off a small part of their middle edge. Most, perhaps all, of the tissue guards have a bit of wear at their middle edge due to the fact that they are a little longer than the text pages. There are probably a few very small tears off the edges of some text pages, although I didn't see any. I did see a handful of tiny losses off a bottom or top edge, typically no more than 1/8th of an inch. That's pretty much it. There are no markings. No attachments of any kind (NOT ex-library). And no one has written their name or anything else anywhere in the book.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 340.

LeatherBound. Condition: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 120. A perfect gift for your loved ones. Reprinted from 1843 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 120.

Leatherbound. Condition: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 172. A perfect gift for your loved ones. Reprinted from 1827 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 172.

Hardcover. Condition: Good. No Jacket. BY EXAMPLES FROM THE ITALIAN, FLEMISH, AND DUTCH SCHOOLS. SIXTH EDITION. (London: James Carpenter, 1849). 45pp., 8 plates. -[bound with]- Burnet, *PRACTICAL HINTS ON COLOUR IN PAINTING. ILLUSTRATED BY EXAMPLES FROM THE WORKS OF THE VENETIAN, FLEMISH, AND DUTCH SCHOOLS. FIFTH EDITION. (London: James Carpenter, 1843). [xii], 64pp., 8 plates, neatly and brilliantly hand colored. The plates are rendered as either engraved or etched prints, and each bears a small, discreet library stamp, some on recto, some on verso. A Good+ copy overall.

xi + 64pp.+ 8 hand-coloured plates out-of-text, 5th edition, 29cm., modern cart.cover, some foxing, Good condition.

LeatherBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 388. A perfect gift for your loved ones. Reprinted from 1880 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 388.

Hardcover. Condition: Good. 3rd. ix, 64 pages, 8 leaves of hand colored plates : illustrations ; 28 cm. Original boards, rebacked on later leather spine. 5 raised bands, gilt stamping. Cover wear. Clean, unmarked pages.

Fifth edition of this beautifully produced but practical guide to colour in painting, which uses works by old masters such as Titian, Van Dyck and Rubens as a guide. The author, John Burnet (1784 - 1868) was a Scottish engraver and painter who exhibited with the Royal Academy and was awarded a fellowship with the Royal Society. The intelligence and confidence of his writing reflects more than Burnet's heightened distinction as an artist and a craftsman. Much inspired by the lectures of Joshua Reynolds, a philosophy of colour comes into existence through Burnet's comparative appraisal of these works. Quarto, bound in the original cloth-backed boards, paper titling label on front board, eight hand-coloured engraved plates, a very good copy.

Hardcover. Condition: Good. 1st Edition. London: Printed by the Proprietor and Sold by James Carpenter and Son., 1827, First Edition. Full leather binding, by Colnaghi, with gilt titles, raised bands, and gilt decoration to the compartments, gilt page edges, marbled paste downs and end papers. Full morocco boards with gilt decoration. A work in three parts, with separate pagination, illustrated with 33 separate engraved plates. [7], 8-31pp, 9 engraved plates. vi, [ii], 45pp, 8 engraved plates. ix, [iii], 64pp, 16 engraved plates, 8 in black and white and 8 in colour. Provenance: inscription to Amy Hogg to the front free end paper. Approximately 13 inches tall. Condition Report Externally Spine good condition gilt titles, five raised bands, gilt decoration to the compartments, worn. Joints good condition rubbed. Corners good condition bumped and worn. Boards good condition full leather boards, gilt tooled decoration, the outer edges of the boards are gilt decorated. Page edges good condition all gilt. See above and photos. Internally Hinges good condition sound. Paste downs good condition yellow. End papers good condition yellow, subsequent end papers, tanned and foxed, front free end paper effectively detached. Title good condition tanned with some foxing. Pages good condition tanned and foxed illustrated. Binding good condition. See photos. Publisher: see above. Publication Date: 1822-27 Binding: Hardback.

New (8th) edition. Large 4to. VIII, (4), 73; (8), 22; (8), 45; IX, (2), 64pp. With 41 (8 col.) plates. Orig. half calf, t.e.g. Large Paper India Proofs Copy. - Very good copy.

London, J. & J. Leighton, 1865, 6th ed., IX,(3),64,(1) pag., 8 coloured plates, original clothbacked boards with mounted title-label, quarto.

Hardcover. Condition: Very Good. 4to. Printed for the Proprietor and sold by James Carpenter and Son, Old Bond Street. FIRST EDITION 1827. Pp [iii]-ix [3] 54 [6] (half title, title and dedication of A Practical Treatise On Painting) [4] (publisher's adverts). Includes half title. With 8 tissue-guarded colour plates. Original drab boards, paper label to front cover, paper spine with paper label. Excellent margins. One inch at top and bottom of spine missing, a few other chips to lower part of spine. Contents are clean. A nice copy.