Pontormo (800 results)

Paperback. Condition: Fair. Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art.…

Paperback. Condition: Fair. Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art.…

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover, 126 pages; very good condition; pages yellowed at edges; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Fair.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Fair.

paperback. Condition: As New. Used like new softcover. No spine creases, writing, highlighting or tears. A sound and square copy.

Paperback. Condition: Very Good. Text clean and tight; Getty Museum Studies On Art; 8vo 8" - 9" tall; 138 pages.

Trade Paperback. Condition: Used - Good. Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art. Used copy with some wearm some foxing.…

Trade Paperback. Condition: Used - Very Good. Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art. Very nice clean, tight copy free of any marks.…

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Fair. Binding weak but holding. Pages unmarked and only a little tanned. Several mild dog-ears. Cover is creased and worn, especially spine tips, and plastic coating starting to peel in places.

Paperback. Condition: Very Good. Unmarked. 21 color plates. 32 b/w illustrations. 1 color foldout. French flaps. Notes. Bibliography. Genealogy of the Guardi family. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo de'Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 52 page hardcover auction catalog with illustrations. Sale PONTORMO -6856. The auction was for this painting only. Catalog essay by Janet Cox-Rearick. Price realized not available. Dust jacket is bright, complete and clean. Full blue cloth exterior with title on front cover and spine in gold. Interior is unmarked, tight and clean.…

Trade Paperback. Condition: USED Poor. Peeling and cracked and just kinda nasty-looking. The content's here, though.

Condition: New. Brand New.

0 This is a catalog done by Christie's for a sale that occurred on Wednesday, May 31, 1989. It details the painting and its history. Christie's New York catalog titled: An important painting by Pontormo from the Collection of Chauncey D. Stillman. To be sold on Wednesday, May 31, 1989 at 2 PM. Very good in fine dust jacket. ex museum stamp on blank flyleaf is only flaw.…

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Poor. No Jacket. Pap-er, 14 pp text in Italian + 30 full-page b&w plates. Edges with some browning and cover edges chipped and top of and bottom of spine damaged.

Paperback. Condition: Fine. 1st. 132 pages, illustrations (some colour); 24 cm. Firm binding, clean inside copy. *** "Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art." - Publisher. Size: 8vo. …

Hardcover. Condition: Good. EX LIBRARY BOOK.

Paperback. Condition: G+. GOOD-PLUS TRADE-PAPERBACK.

Condition: As New. Pbk square small 4to, 79pp, text in English, lavishly illustr throughout in color, an excellent clean tight and unmarked copy, as new.