Seller: HPB Inc., Dallas, TX, U.S.A.
Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
£ 7.08
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Add to basketPaperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Seller: RUSH HOUR BUSINESS, Worcester, MA, U.S.A.
paperback. Condition: As New. Excellent condition. Pages are crisp and clean with no markings. Fast shipping with tracking number.
Seller: Better World Books Ltd, Dunfermline, United Kingdom
£ 9.48
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Add to basketCondition: Very Good. New Ed. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by MIT Press, Cambridge, MA, 2004
ISBN 10: 026261202X ISBN 13: 9780262612029
Language: English
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Paperback. Condition: Fine. 218 pages, illustrations; 23 cm. Tight, clean copy. *** "Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique community-based art, and public art, its creators insisted on the inseparability of the work and its context." - Publisher. *** CONTENTS: Genealogy of site specificity; Unhinging of site specificity; Sitings of public art: integration versus intervention; From site to community in new genre public art: the case of "culture in action"; The (un)sitings of community; By way of a conclusion: one place after another. Size: 8vo.
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 218 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.
Seller: Toscana Books, AUSTIN, TX, U.S.A.
Paperback. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Published by Penguin Random House, 2004
ISBN 10: 026261202X ISBN 13: 9780262612029
Language: English
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: As New. Unread copy in mint condition.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Published by Penguin Random House, 2004
ISBN 10: 026261202X ISBN 13: 9780262612029
Language: English
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New.
Published by MIT Press, Cambridge, 2004
ISBN 10: 026261202X ISBN 13: 9780262612029
Language: English
Seller: Dreadnought Books, Bristol, United Kingdom
£ 15
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Add to basketSoftcover. Condition: Good. Reprint. Size: 8vo <9 3/4". xii + 218pp. Text contains some pencil markings. Binding firm, spine cocked. Slight foxing front/rear pages, but body of book mostly clean and unfoxed. Edges slightly browned and marked. Covers creased. Illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Modern; Geography & Maps. ISBN: 026261202X. ISBN/EAN: 9780262612029. Pictures of this item not already displayed here available upon request. Inventory No: 49237.
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
£ 32.76
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Add to basketCondition: New. 2004. 1st. Paperback. A critical history of site-specific art since the late 1960s. Num Pages: 232 pages, 51 illus. BIC Classification: ACXJ. Category: (P) Professional & Vocational. Dimension: 228 x 177 x 12. Weight in Grams: 518. . . . . .
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
£ 28.51
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Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. 570.
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2004. 1st. Paperback. A critical history of site-specific art since the late 1960s. Num Pages: 232 pages, 51 illus. BIC Classification: ACXJ. Category: (P) Professional & Vocational. Dimension: 228 x 177 x 12. Weight in Grams: 518. . . . . . Books ship from the US and Ireland.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
£ 32.62
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Add to basketCondition: New.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 36.44
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
£ 38.22
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Add to basketCondition: As New. Unread book in perfect condition.
Seller: Elizabeth's Bookshops, Fremantle, WA, Australia
First Edition
£ 20.21
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Add to basketSoftcover. Condition: Near Fine. ARCHITECTURE / ART -A critical history of site-specific art since the late 1960s.Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces.ÂOne Place after AnotherÂoffers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.pp. 232 illusts #150325 First Edition Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.
Seller: BennettBooksLtd, San Diego, NV, U.S.A.
paperback. Condition: New. In shrink wrap. Looks like an interesting title!
Published by MIT Press Ltd Feb 2004, 2004
ISBN 10: 026261202X ISBN 13: 9780262612029
Language: English
Seller: AHA-BUCH GmbH, Einbeck, Germany
£ 42.84
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Add to basketTaschenbuch. Condition: Neu. Neuware - A critical history of site-specific art since the late 1960s.Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum 'to remove the work is to destroy the work' is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Seller: BooksRun, Philadelphia, PA, U.S.A.
Hardcover. Condition: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.
Seller: ZBK Books, Carlstadt, NJ, U.S.A.
Condition: very_good. Fast & Free Shipping â" Very good condition with a clean, sturdy cover and crisp pages. Gently used with only minor shelf wear. May include a few subtle marks, but overall a well-maintained copy ready to enjoy.Supplemental items like CDs or access codes may not be included.
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.4.
Seller: Aullay Books, Leicester, United Kingdom
£ 40
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Add to basketHardcover. Condition: Fine. Dust Jacket Condition: Fine. Good condition; no yellowing, creases or marks. 218 pp.
Seller: Toscana Books, AUSTIN, TX, U.S.A.
Hardcover. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.