Permanent Collection by Davis Tim (13 results)

Hardcover. Condition: Very Good. 1st Edition. Tucson: Nazraeli Press, 2005. First edition, one of 1,000 copies. [72]pp. Large, square 4to. Illustrated paper over boards; no jacket, as issued. Very good or better, with light bumping to top corners. Photobook by American photographer and poet Tim Davis (b. 1967); photographs of famous paintings in which reflections and glare augment and/or obscure the original works in unexpected ways.…

Hardcover without dustjacket as issued; unpaginated; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Used - Very Good. Davis is a sort of new-fangled Luminist, attuned to visuality in our current variant of the frenetic urbane. Luminism starts from an initial wonder: What is it about objects that allows us to see them? â" Bill Berkson Throughout his various bodies of work, Tim Davis photographs âgrand and gorgeous failures of light to sync up to its supposed functions.â In Permanent Collection, he focuses on paintings in museums, photographing them from oblique angles so that existing museum lighting glares off the paintingsâ surfaces, changing their often-reproduced meanings. By then enlarging the photographs to the size of the original painting, the light is allowed to do more than illuminate a paintingâs image, but instead can obscure, erase, add humor, sadness, strangeness or narrative to objects we think of as ?xed and permanent. Davisâs work has been widely exhibited and written about, and is included in numerous collections, including The Museum of Modern Art, New York, the Guggenheim Museum, and Fotomuseum Winterthur. Permanent Collection opens with essays by Bill Berkson and Walead Beshty. This ?rst printing is limited to 1,000 casebound copies. Slight scratching/scuffing on cover. Book has minor shelf wear. Very nice copy.…

Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Published by Nazraeli Press, 2005. Folio. Pictorial boards. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. An excellent copy of this book displaying the artwork of Tim Davis. Unnumbered pages. ISBN: 1590051300. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.…

Hardcover. Condition: Very Good. First Edition. First Edition, First Printing. Published by Nazareli Press / JGS, 2005. Folio. Hardcover. Book is very good. Dust jacket is very good.

ill. OPappband. / Hardcover. 1. Aufl. Sprache: Englisch (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1300.

First Edition. First edition and first printing. Hardcover. Printed in an edition of only 1000 copies. Features brief texts by Bill Berkson and Walead Beshty. Includes 50 color images. A near fine copy in illustrated boards. No dust jacket as issued. Signed by Davis on the half title page. Signed.

Hardcover. Condition: New. Dust Jacket Condition: No dust jacket as issued. 1st Edition. First edition, first and only printing. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Tim Davis. Texts by Bill Berkson and Walead Beshty. 72 pp., with 48 four-color plates, beautifully printed on fine matte art paper. 13-3/4 x 13 inches. This first edition was limited to 1000 copies. New in publisher's shrink-wrap. From Bill Berkson: "Davis is a sort of new-fangled Luminist, attuned to visuality in our current variant of the frenetic urbane. Luminism starts from an initial wonder: What is it about objects that allows us to see them?" From the publisher: "Throughout his various bodies of work, Tim Davis photographs "grand and gorgeous failures of light to sync up to its supposed functions." In Permanent Collection, he focuses on paintings in museums, photographing them from oblique angles so that existing museum lighting glares off the paintings' surfaces, changing their often-reproduced meanings. By then enlarging the photographs to the size of the original painting, the light is allowed to do more than illuminate a painting's image, but instead can obscure, erase, add humor, sadness, strangeness or narrative to objects we think of as fixed and permanent. Davis's work has been widely exhibited and written about, and is included in numerous collections, including The Museum of Modern Art, New York, the Guggenheim Museum, and Fotomuseum Winterthur. Permanent Collection opens with essays by Bill Berkson and Walead Beshty. This first printing is limited to 1,000 hardbound copies.".…

Hardcover. Condition: New. 1st Edition.

Condition: Bueno. First. Cita Books is an online bookshop run by readers for readers. Through its website it offers for sale items of its own library: a selection of titles collected over two decades, during which it has kept alive its interest in themes belonging to the fields of art, architecture and design.…

Hardcover. Condition: Fine. Dust Jacket Condition: No dust jacket as issued. 1st Edition. First edition, first and only printing. Signed in blue ink on the half-title page by Davis. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Tim Davis. Texts by Bill Berkson and Walead Beshty. 72 pp., with 48 four-color plates, beautifully printed on fine matte art paper. 13-3/4 x 13 inches. This first edition was limited to 1000 copies. Fine. From Bill Berkson: "Davis is a sort of new-fangled Luminist, attuned to visuality in our current variant of the frenetic urbane. Luminism starts from an initial wonder: What is it about objects that allows us to see them?" From the publisher: "Throughout his various bodies of work, Tim Davis photographs "grand and gorgeous failures of light to sync up to its supposed functions." In Permanent Collection, he focuses on paintings in museums, photographing them from oblique angles so that existing museum lighting glares off the paintings' surfaces, changing their often-reproduced meanings. By then enlarging the photographs to the size of the original painting, the light is allowed to do more than illuminate a painting's image, but instead can obscure, erase, add humor, sadness, strangeness or narrative to objects we think of as fixed and permanent. Davis's work has been widely exhibited and written about, and is included in numerous collections, including The Museum of Modern Art, New York, the Guggenheim Museum, and Fotomuseum Winterthur. Permanent Collection opens with essays by Bill Berkson and Walead Beshty. This first printing is limited to 1,000 hardbound copies." Signed by Author.…

HARDCOVER. Condition: As New. 1st Edition. Extra Large square Folio in colour printed boards, unpaginated, approx. 76pp on thick gloss art paper, colour plates, etc . [CONDITION: NEW copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condition: Very Good. First Edition. [350 x 330mm]. No jacket as issued. Scuffing to spine ends. Light spotting to rear cover. Autographed by Tim Davis. Good provenance, available on request. Good clean copy. Signed by Author(s).