Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condition: Very Good. no dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized. Seller Inventory # mon0000174585
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover without dustjacket as issued; unpaginated; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory # PeDaNa45
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condition: Used - Very Good. Davis is a sort of new-fangled Luminist, attuned to visuality in our current variant of the frenetic urbane. Luminism starts from an initial wonder: What is it about objects that allows us to see them? â" Bill Berkson Throughout his various bodies of work, Tim Davis photographs âgrand and gorgeous failures of light to sync up to its supposed functions.â In Permanent Collection, he focuses on paintings in museums, photographing them from oblique angles so that existing museum lighting glares off the paintingsâ surfaces, changing their often-reproduced meanings. By then enlarging the photographs to the size of the original painting, the light is allowed to do more than illuminate a paintingâs image, but instead can obscure, erase, add humor, sadness, strangeness or narrative to objects we think of as ?xed and permanent. Davisâs work has been widely exhibited and written about, and is included in numerous collections, including The Museum of Modern Art, New York, the Guggenheim Museum, and Fotomuseum Winterthur. Permanent Collection opens with essays by Bill Berkson and Walead Beshty. This ?rst printing is limited to 1,000 casebound copies. Slight scratching/scuffing on cover. Book has minor shelf wear. Very nice copy. Seller Inventory # 135226
Seller: Southampton Books, Sag Harbor, NY, U.S.A.
Hardcover. Condition: Like New. First Edition. First Edition, First Printing. Published by Nazraeli Press, 2005. Folio. Pictorial boards. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. An excellent copy of this book displaying the artwork of Tim Davis. Unnumbered pages. ISBN: 1590051300. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. Seller Inventory # 169683
Seller: BuchKunst-Usedom / Kunsthalle, Seebad Ahlbeck, Germany
ill. OPappband. / Hardcover. 1. Aufl. Sprache: Englisch (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1300. Seller Inventory # 411240
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First edition and first printing. Hardcover. Printed in an edition of only 1000 copies. Features brief texts by Bill Berkson and Walead Beshty. Includes 50 color images. A near fine copy in illustrated boards. No dust jacket as issued. Signed by Davis on the half title page. Seller Inventory # 204611
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Hardcover. Condition: New. 1st Edition. First edition, first and only printing. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Tim Davis. Texts by Bill Berkson and Walead Beshty. 72 pp., with 48 four-color plates, beautifully printed on fine matte art paper. 13-3/4 x 13 inches. This first edition was limited to 1000 copies. New in publisher's shrink-wrap. From Bill Berkson: "Davis is a sort of new-fangled Luminist, attuned to visuality in our current variant of the frenetic urbane. Luminism starts from an initial wonder: What is it about objects that allows us to see them?" From the publisher: "Throughout his various bodies of work, Tim Davis photographs "grand and gorgeous failures of light to sync up to its supposed functions." In Permanent Collection, he focuses on paintings in museums, photographing them from oblique angles so that existing museum lighting glares off the paintings' surfaces, changing their often-reproduced meanings. By then enlarging the photographs to the size of the original painting, the light is allowed to do more than illuminate a painting's image, but instead can obscure, erase, add humor, sadness, strangeness or narrative to objects we think of as fixed and permanent. Davis's work has been widely exhibited and written about, and is included in numerous collections, including The Museum of Modern Art, New York, the Guggenheim Museum, and Fotomuseum Winterthur. Permanent Collection opens with essays by Bill Berkson and Walead Beshty. This first printing is limited to 1,000 hardbound copies.". Seller Inventory # 101316
Seller: GoldBooks, Denver, CO, U.S.A.
Condition: new. Seller Inventory # 72B39_77_1590051300
Seller: Widney Manor Books, Solihull, MIDLA, United Kingdom
Hardcover. Condition: New. 1st Edition. Seller Inventory # 018321
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Hardcover. Condition: Fine. 1st Edition. First edition, first and only printing. Signed in blue ink on the half-title page by Davis. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Tim Davis. Texts by Bill Berkson and Walead Beshty. 72 pp., with 48 four-color plates, beautifully printed on fine matte art paper. 13-3/4 x 13 inches. This first edition was limited to 1000 copies. Fine. From Bill Berkson: "Davis is a sort of new-fangled Luminist, attuned to visuality in our current variant of the frenetic urbane. Luminism starts from an initial wonder: What is it about objects that allows us to see them?" From the publisher: "Throughout his various bodies of work, Tim Davis photographs "grand and gorgeous failures of light to sync up to its supposed functions." In Permanent Collection, he focuses on paintings in museums, photographing them from oblique angles so that existing museum lighting glares off the paintings' surfaces, changing their often-reproduced meanings. By then enlarging the photographs to the size of the original painting, the light is allowed to do more than illuminate a painting's image, but instead can obscure, erase, add humor, sadness, strangeness or narrative to objects we think of as fixed and permanent. Davis's work has been widely exhibited and written about, and is included in numerous collections, including The Museum of Modern Art, New York, the Guggenheim Museum, and Fotomuseum Winterthur. Permanent Collection opens with essays by Bill Berkson and Walead Beshty. This first printing is limited to 1,000 hardbound copies." Signed by Author. Seller Inventory # 108589