Performance Authenticity Arts (35 results)

Condition: New.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First printing. 8vo. 274 pp. Fine in Fine dust jacket.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Good. Very slight creasing to edges of unclipped dustwrapper, otherwise a very good clean tight copy of this hard-cover book, part of the publisher's "Cambridge Studies in Philosopy and the Arts" series. A collection of twelve pieces by different authors on aspects of "the complex and developing interaction between performance and authenticity in the arts". 274pp Size: 8vo - over 7¾" - 9¾" tall.

Condition: New. In.

Paperback. Condition: New.

Condition: New. These essays investigate the complex and developing interaction between performance and authenticity in the arts. Editor(s): Kemal, Salim; Gaskell, Ivan. Series: Cambridge Studies in Philosophy and the Arts. Num Pages: 286 pages, black & white illustrations. BIC Classification: A; AS; DSA; HPCF; JFCX. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 18. Weight in Grams: 454. . 2010. Reissue. paperback. . . . .

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: New. These essays investigate the complex and developing interaction between performance and authenticity in the arts. Editor(s): Kemal, Salim; Gaskell, Ivan. Series: Cambridge Studies in Philosophy and the Arts. Num Pages: 286 pages, black & white illustrations. BIC Classification: A; AS; DSA; HPCF; JFCX. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 18. Weight in Grams: 454. . 2010. Reissue. paperback. . . . . Books ship from the US and Ireland.

Hardcover. Condition: new. Hardcover. This book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics, and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. The final essays discuss the link of authenticity to sincerity and truth in poetry, explain how performance, as an authentic feature of poetry, embodies a collective effort, and culminate in a discussion of the dark side of performance - its constant susceptibility to inauthenticity. Together the essays suggest how issues of performance and authenticity enter into consideration of a wide range of the arts. Brings together a distinguished group of scholars to investigate the complex and developing interaction between performance and authenticity in the arts. Subjects discussed include the experiences of religious and aesthetic authenticity, the performance of music, and the dark side of performance - its constant susceptibility to inauthenticity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. In.

Condition: New. pp. 284.

Hardcover. Condition: Brand New. 274 pages. 9.50x6.50x1.00 inches. In Stock.

Paperback. Condition: Like New. Like New. book.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. The final essays discuss the link of authenticity to sincerity and truth in poetry, explain how performance, as an authentic feature of poetry, embodies a collective effort, and culminate in a discussion of the dark side of performance - its constant susceptibility to inauthenticity. Together the essays suggest how issues of performance and authenticity enter into consideration of a wide range of the arts.

Condition: New. These essays investigate the complex and developing interaction between performance and authenticity in the arts. Editor(s): Kemal, Salim; Gaskell, Ivan. Series: Cambridge Studies in Philosophy and the Arts. Num Pages: 286 pages, 1 table 4 music examples. BIC Classification: AS; DSA; HPCF; JFCX. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 21. Weight in Grams: 59. . 1999. hardcover. . . . . Books ship from the US and Ireland.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book brings together a distinguished group of scholars from music, drama, poetry, performance art, criticism, religion, classics, and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The subjects discussed include the experiences of religious and aesthetic authenticity, the performance of music, the link of authority and sincerity and truth in poetry, and the dark side of performance--its constant susceptibility to inauthenticity. Together the essays suggest how issues of performance and authenticity enter into consideration of a wide range of the arts.

Condition: New. These essays investigate the complex and developing interaction between performance and authenticity in the arts. Editor(s): Kemal, Salim; Gaskell, Ivan. Series: Cambridge Studies in Philosophy and the Arts. Num Pages: 286 pages, 1 table 4 music examples. BIC Classification: AS; DSA; HPCF; JFCX. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 21. Weight in Grams: 59. . 1999. hardcover. . . . .

Paperback. Condition: new. Paperback. This book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. The final essays discuss the link of authenticity to sincerity and truth in poetry, explain how performance, as an authentic feature of poetry, embodies a collective effort, and culminate in a discussion of the dark side of performance - its constant susceptibility to inauthenticity. Together the essays suggest how issues of performance and authenticity enter into consideration of a wide range of the arts. This book brings together a distinguished group of scholars to investigate the complex and developing interaction between performance and authenticity in the arts. Subjects discussed include the experiences of religious and aesthetic authenticity, the performance of music, and the dark side of performance - its constant susceptibility to inauthenticity. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Brand New. reissue edition. 274 pages. 8.75x5.75x0.75 inches. In Stock. This item is printed on demand.

Condition: New. Print on Demand pp. 286 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condition: New. Print on Demand pp. 286.

Condition: New. PRINT ON DEMAND pp. 286.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: Brand New. 274 pages. 9.50x6.50x1.00 inches. In Stock. This item is printed on demand.

Paperback. Condition: new. Paperback. This book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. The final essays discuss the link of authenticity to sincerity and truth in poetry, explain how performance, as an authentic feature of poetry, embodies a collective effort, and culminate in a discussion of the dark side of performance - its constant susceptibility to inauthenticity. Together the essays suggest how issues of performance and authenticity enter into consideration of a wide range of the arts. This book brings together a distinguished group of scholars to investigate the complex and developing interaction between performance and authenticity in the arts. Subjects discussed include the experiences of religious and aesthetic authenticity, the performance of music, and the dark side of performance - its constant susceptibility to inauthenticity. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 620.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book brings together a distinguished group of scholars to investigate the complex and developing interaction between performance and authenticity in the arts. Subjects discussed include the experiences of religious and aesthetic authenticity, the perfo.

Paperback. Condition: new. Paperback. This book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. The final essays discuss the link of authenticity to sincerity and truth in poetry, explain how performance, as an authentic feature of poetry, embodies a collective effort, and culminate in a discussion of the dark side of performance - its constant susceptibility to inauthenticity. Together the essays suggest how issues of performance and authenticity enter into consideration of a wide range of the arts. This book brings together a distinguished group of scholars to investigate the complex and developing interaction between performance and authenticity in the arts. Subjects discussed include the experiences of religious and aesthetic authenticity, the performance of music, and the dark side of performance - its constant susceptibility to inauthenticity. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. Print on Demand pp. 284.