Nasty Noises Error Compositional by Gard Stephen (12 results)

Condition: New.

Paperback or Softback. Condition: New. Nasty Noises - Error as a Compositional Element in Electro-Acoustic Music. Book.

Condition: New.

Condition: Good. Used - Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre.' Ex-library, but has been well cared for. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condition: New.

Taschenbuch. Condition: Neu. Nasty Noises | Error as a Compositional Element in Electro-Acoustic Music | Stephen Gard | Taschenbuch | Kartoniert / Broschiert | Englisch | 2013 | VDM Verlag Dr. Müller | EAN 9783836493529 | Verantwortliche Person für die EU: OmniScriptum GmbH & Co. KG, Bahnhofstr. 28, 66111 Saarbrücken, info[at]akademikerverlag[dot]de | Anbieter: preigu. …

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - ''Glitch'' is a stylistic mannerism within electro-acoustic composition that emerged in the late 1990s. Glitch, or ''microsound'', as it is known in the academic context, observes the conventions of music concrète, drawing on material sampled from the real world, and fashioning this into sonic narratives. Its signature is the ''sound of failure'', sonorities characteristic of electronic devices malfunctioning or mis-used: clicks, crackles, distortions, fractured digital files. Glitch/microsound has already diminished from a movement to a mannerism, but its legacy is a refreshment of our palette of sonorities, and an interrogation of the very act of listening. ''Nasty Noises'' is an examination of the use (and nature) of noise, error and the disjunct as musical ingredient, and the significance of glitch/microsound for electro-acoustic composers; 'Glitch' is a stylistic mannerism within electro-acoustic composition that emerged in the late 1990s. Glitch, or 'microsound', as it is known in the academic context, observes the conventions of music concrète, drawing on material sampled from the real world, and fashioning this into sonic narratives. Its signature is the 'sound of failure', sonorities characteristic of electronic devices malfunctioning or mis-used: clicks, crackles, distortions, fractured digital files. Glitch/microsound has already diminished from a movement to a mannerism, but its legacy is a refreshment of our palette of sonorities, and an interrogation of the very act of listening.'Nasty Noises' is an examination of the use (and nature) of noise, error and the disjunct as musical ingredient, and the significance of glitch/microsound for electro-acoustic composers.…