Munch by Müller Westermann Iris (42 results)

Condition: Very Good. Dust Jacket Condition: 48177077. 1788193510. 8/31/2026 4:25:10 PM.

Condition: Very Good. Dust Jacket Condition: 12769896. 1787300407. 8/21/2026 8:20:07 AM.

hardcover. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

hardcover. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.…

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: VG+ in VG+ dust jacket. Oversize black cloth hardcover, slight binding lean, else like new -- clean, tight, unmarked. Dust jacket with very light wear. Published on the occasion of an exhibition at Moderna museet, Stockholm, Feb. 19-May 15, 2005; Munch-museet, Oslo, June 11-Aug. 28, 2005; the Royal Academy of Arts, Sept. 17-Dec. 11, 2005./ Includes bibliographical references (pages 196-199) and index. Experienced full-time bookseller since 1994 (selling online since 1998). Images may be added by request. Questions welcome.…

Paperback. Condition: Used. In a world saturated with picture-perfect art books that flash vibrant images of canvases and curatorial commentary, "Munch By Himself" by Iris Muller-Westermann emerges like an eccentric uncle at a formal dinner?slightly disheveled, but brimming with unfiltered wisdom. Published in 2005 by the Royal Academy of Arts, this work invites readers to peel back the layers of Edvard Munch?s life with all the delicacy of a drunken raccoon rummaging through a dumpster. After all, who wouldn?t want to explore the psyche of an artist who is best known for a painting that seems to scream louder than a toddler in a toy store? What lies within these pages is a quirky yet earnest attempt to understand Munch?s artistic odyssey?a journey fraught with existential crises, melancholy, and perhaps an unquenchable thirst for existential angst. With a title that suggests a solitary figure munching on snacks in a corner, one may wonder if this book delivers insights or merely a guide to the most snack-worthy paintings. Spoiler alert: it?s both, and if you ever wanted to know how many biscuits Munch might have devoured while contemplating the human condition, you might just find that answer nestled between some rather serious essays. Muller-Westermann masterfully wanders through Munch?s tumultuous life, exploring how his personal tragedies are reflected in his art?just like how one?s lunch choices often reflect their emotional state. Did Munch paint "The Scream" after a particularly harrowing encounter with a soggy sandwich? You?ll have to read on to find out! This book tantalizes with subtext while keeping the reader guessing whether the author is serious or just having a laugh at our expense. Throughout the chapters, one can expect a delightful mélange of artistic critique, biographical anecdotes, and the occasional existential musing that makes you ponder whether you should be reading a book about art or simply searching for deeper meaning in your own snack choices. Forget the sterile art critique; here lies a refreshing take that might just inspire you to analyze your own lunch breaks as an artistic expression. Join us as we unravel the enigma of the man behind "The Scream," one potato chip at a time. For those who enjoy a book that feels like an intellectual scavenger hunt, "Munch By Himself" may offer just the right blend of insight and whimsy. Its pages are a tapestry of thoughts, some as disjointed as a toddler trying to assemble a puzzle while simultaneously deciding whether to eat the pieces or not. You might find yourself questioning Munch?s sanity or your own as you ponder his relationship with the world?one biscuit at a time. Condition: Used, and much like Munch himself, this book carries its own unique scars and quirks?spines that have cracked under the weight of existential thought, pages that may have been dog-eared by an overly enthusiastic reader, and the occasional coffee ring that adds character (or just a hint of immoderate snacking). Each wrinkle in the cover tells a story, much like the artist?s own tumultuous journey through life and art. So, if you?re ready to lose yourself in the beautifully chaotic mind of Edvard Munch, alongside the ramblings of a truly whimsical author, grab a copy of this second-hand treasure from Crappy Old Books. Immerse yourself in an experience that promises not just to inform, but to entertain?as if you?ve stumbled upon a conversation about art over a cup of poorly made tea, where the scones are slightly stale but the insights are fresh. Because at the end of the day, isn?t that what art is really about? Enjoying the imperfectly perfect moments, one mouthful at a time? THIS BOOK BEARS THE CRAPPY OLD BOOKS STAMP. IF THAT IS UNDESIRABLE PLEASE DO NOT BUY THIS. THE STAMP MARKS WHICH IS USUALLY TO THE FRONT AND BACK INNER PAGES SAYS SOLD BY CRAPPY OLD BOOKS WITH WEB SITE URL. IT IN NO WAY DEMINISHED FROM THE READING. IF YOU WANT A PRISTINE BOOK, PLEASE FIND ANOTHER BOOK IN BETTER CONDITION SOMEWHERE ELSE. …

Paperback. Condition: Very Good.

Hardcover. Condition: As New. Dust Jacket Condition: As New. New book and DJ, still in publisher's shrinkwrap.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: very good.

Hardcover. Condition: Used-Very Good. 1St Edition. Cloth, d.j. 4to. Profusely illus. Some shelf-wear. Else bright, clean copy.

Hardcover. Condition: Fine. 1st Edition. Book is in fine condition. 206pp with colour illustrations.

Hardcover. Condition: New/Sealed. black cloth boards w/ black & gold pictorial dustjacket. 206 pgs w/ illustrations. content as follows: Published on the occasion of an exhibition at Moderna museet, Stockholm, Feb. 19-May 15, 2005; Munch-museet, Oslo, June 11-Aug. 28, 2005; the Royal Academy of Arts, Sept. 17-Dec. 11, 2005./ Includes bibliographical references (pages 196-199) and index.…

Soft cover. Condition: As New. Book is like new. Pages, cover and spine in excellent condition.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. 4to. A fine copy in a very good dustwrapper which is complete and untorn. 206 pages. Illustrated throughout mainly in colour. This exhibition catalogue "examines for the first time Munch's extensive oeuvre of painted nd graphic self-portraits, together with his rarely seen drawings and photographic self-portraits.".…

Cloth. Condition: Fine Condition. Fine Condition. 206 pages. Hardcover. Texts in English. Crisp, tight, sharp, bright, and clean condition. 216 illustrations most in color. Published on the occasion of the exhibition from the Moderna Museet, Stockholm 19 February-15 May 2005, Munch-Museet, Oslo 11 June-28 August 2005 and the Royal Academy of Arts, London 17 September-11 December 2005. Dustjacket is protected with a mylar cover. Book.…

Softcover exhibition catalog, 206 pages, in English; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra for this item.

1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 206 pages: ill.; 27 cm. Notes; "Translated from the German, Swedish, and original Norwegian by Translate-a-book, Oxford" -- t.p. verso. Published on the occasion of an exhibition at Moderna museet, Stockholm, Feb. 19-May 15, 2005; Munch-museet, Oslo, June 11-Aug. 28, 2005; the Royal Academy of Arts, Sept. 17-Dec. 11, 2005. Includes bibliographical references (p. [196]-199) and index. Contents; Includes a chronology by Ylva Hillström. Summary; There is little doubt that the celebrated Norwegian painter and printmaker Edvard Munch (1863-1944) had the greatest impact on expressionism of any Scandinavian artist. His intense, evocative treatment of psychological and emotional themes exerted a major influence on the art of the twentieth century. Often biographical, his output offers a fascinating insight into the psyche of an artist. No artist observed and painted himself throughout his life as frequently as Munch, and few have revealed their weaknesses and anxieties as frankly. This handsome volume, the catalogue of an exhibition at the Moderna Museet, Stockholm, the Munch Museet, Oslo, and the Royal Academy of Arts, London, contains beautiful reproductions of 150 paintings, drawings and rarely seen photographic self-portraits of startling originality. The curator and scholar Iris Muller-Westermann sets them in context in her incisive account of the artist's life and career, and Merete Mazzarella examines how many of Munch's preoccupations remain relevant today. Edvard Munch: By Himself sheds light for the first time on the uniquely wide range of Munch's self-portraits, enabling us to trace the visual self-reflections of one of the most influential figures in modern art. Subjects; Munch, Edvard 1863-1944. Royal Academy of Arts (Great Britain) - Exhibitions. Munch-museet (Oslo, Norway) - Exhibitions. Moderna Museet (Stockholm, Sweden) - Exhibitions. Painters, Norwegian - 19th century. Painters, Norwegian - 20th century. Self-portraits - 20th century. Self-portraits - 19th century. Self-portraits, Norwegian. Royal Academy of Arts (London). Painting & paintings; Individual artists; Drawing & drawings; Expressionism. ART / History / General. ART / European. ART / Individual Artists / General. 1.4 Kg.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. A very heavy book that will require additional postage for destinations outside of the USA.

hardcover. Over 150 illustrations, mostly in color. 206pp. Square 4to, black cloth, d.w. (London: Royal Academy of Arts, 2005). First edition. A fine copy in a fine dust wrapper.

Hardcover. Condition: Very Good-. Dust Jacket Condition: Very Good+. Exhibition Edition. 368 pages; color and B&W illustrations throughout the book. Minor rubbing and a couple of faint smudges on the exterior edges of textblock. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

26,5 x 25 cm ; Leinen. Condition: Gut. 205 S. ; Hardcoverausgabe, Leineneinband mit Schutzumschlag, 205 Seiten mit 227 Abbildungen in Farbe und Duotone. Gutes Exemplar. hw1704 ISBN: 3829601980.

Hardcover. Condition: New. Hardcover. New. Includes dustjacket. All orders shipped securely in a bubble envelope or box/hard mailer.

Soft cover. Condition: Near Fine. 2005, Royal Academy of Arts, 4to., 208pp., many coloured and plain illustrations, near fine, wrappers a little faded.

Encuadernación de tapa dura. Condition: Bien. Dust Jacket Condition: Bien. G428. Royal Academy of Arts - 206pp Libro en inglés. Contiene imágenes a color. PAM.

Hardcover. Condition: As New. Dust Jacket Condition: As New. USART-P-New quarto in its jacket. 367pp, 351 illustrations, 315 in color. Heavy, NO overseas shipments. Size: 4to - over 9¾" - 12" tall.

paperback. Condition: Fine.

Hardcover. Condition: New. 1st Edition. MINT In ORIGINAL SHRINKWRAP. Fantastic Warehouse Find. A BRAND NEW HARDBACK BOOK. Not facsimile reprint. Published/printed by Hatje Cantz. Approximately 10 X 12.