Jerusalem Diary by Gill Eric (6 results)

Hardcover. Condition: Good. No Jacket. Limited Edition. Buff paper-covered boards with title in black on front cover. Orange-brown cloth spine. Condition: Good. Foxing to endpapers and sporadically throughout book. Previous owners name in pencil on front endpaper. Binding cracked internally in one place. One of a limited edition of 300 copies, this is no.270. 59pp. Edited by Gill's wife Mary, this book contains extracts from the diary Eric Gill sent his wife on his way to Palestine, giving his impressions of the Holy Land. He regarded his journey as much a pilgrimage as to a place where he had been commissioned by Austen Harrison to carry out some work. 10 b/w photographic illustrations of carvings made by Eric Gill c.1934 around the courtyard of the Rockefeller museum in Jerusalem, which opened to the public in 1938. They present the various civiliszations which formed the cultures of the land of Palestine.…

16mo. 59pp. + [i]. 10 plates. Very light browning, orange cloth backed boards, with chipped glassine d/w. No. 118 of 300 Copies.A selection made by M. E. Gill, Eric Gill's wife. The plates are of the engravings made by Eric Gill round the cloisters of the new Palestine Archaeological Museum, Jerusalem. US$89. …

Hardcover. Condition: Very Good. No Jacket. 1st thus and Limited Ed. Limited ed. 140/300. 14.5 x 1.0 cm. Pp. (viii), 60, 10 photographic illustrations of Gill's sculptures. 1/4 cloth, paper-covered boards. Boards slightly faded. Eric Gill (illustrator).

Condition: Fine. First edition hard back binding in publisher's original grey paper covered boards, nutmeg cloth spine, black title to the front cover. 12mo. 6'' x 4½''. Contains 59pp with 10 monochrome gravure photographic illustrations of carvings made by Eric Gill c.1934 around the courtyard of the Rockefeller museum in Jerusalem, which opened to the public in 1938. They present the various civilisations which formed the cultures of the land of Palestine. Fine condition book in original glassine unprinted dust wrapper with piece missing to the top rear cover. Acetate film protection. Member of the P.B.F.A. JERUSALEM.…

Hardcover. Condition: Fine. London: Linotype & Machinery, 1953. 115/300 copies. 143 x 106mm. Pp. [vii], 60.10 collotype plates. Orig. qtr. cloth, printed boards. A very nice, crisp copy. D.w. A record of Gill's time in Jerusalem executing a commission to carve ten panels symbolizing the civilizations that had most affected the history of Palestine, at the Palestine Archaeological Museum. Gill 54a.…

A remarkable collection, including the dedication copy of the From the Jerusalem Diary, inscribed by the editor, Mary Gill, Eric Gill's widow, "To Austen St B. Harrison, with happy memories, from M.E.G.", with the Eric Gill-designed bookplate of Austen St Barbe Harrison to the front pastedown. Harrison, a close personal friend of Gill (1882-1940), was the architect with whom he collaborated on the design for the Rockefeller Museum in Jerusalem. In 1934, Gill was commissioned to carve ten panels for the museum, sculpt the fountain in the Central Court, and carve the English, Arabic, and Hebrew letters of the inscriptions throughout the building. Gill's designs symbolized "the civilizations of that have most affected the history of Palestine, together with the tympanum over the main entrance". The extracts from the diary he kept during his time there were published posthumously by his widow. It was preceded by an earlier version, From the Palestine Diary, printed by the Hague & Gill Press in 1949, of which two copies are here present. The Palestine Diary was subsequently abandoned, and only a small number of copies of the aborted edition now survive. René Hague, Gill's son-in-law, co-founder of the Press, and master printer, initally printed the sheets for the Harvill Press. However, "delays occurred and cancel title pages were printed . . . dated 1951 and 1952 [with the imprint 'High Wycombe | Hague Gill & Davey Ltd]" (Gill, pp. 87-8). These are present here, bound into copy (b). Bookseller G. F. Sims later purchased the surviving sheets and had them bound up by Sangorksi & Sutcliffe. In two letters to Harrison, Gill's other son-in-law and stone-carving assistant, Denis Tegetmeier, discusses the abandonment of the publication. Writing from Pigotts, Gill's home and workshop in High Wycombe, he explains that "there was an edition printed here but never bound or published, and minus the illustrations . . . I think the crisis which finally overtook the Press was responsible for the failure" (2 January 1959). The shortened version of the Palestine Diary, entitled From the Jerusalem Diary, was finally printed in 1953 by Linotype, with illustrations from photos of Gill's carvings. In Tegetmeier's second letter, dated 12 February 1959, he stresses the differences between the two publications: "the edition which was hand-set & printed here has really nothing to do with that printed by Linotype, which was produced privately, chiefly as a display of Eric's type 'Pilgrim' which they had recently acquired. The plan for producing an edition here, which was a much earlier & entirely different venture, proved abortive owing to the breakup of the Press & lack of funds to finance the binding etc. No blocks for the illus. were made & it only got as far as the printing of the letterpress". Accompanying the books are several pieces of correspondence from Mary Gill to Harrison: (i) Christmas card (1955), featuring a photo of Gill's carving of The Good Samaritan (1938) for Coventry Hospital, which was bombed in 1941; (ii) Christmas card (1960), featuring Joseph and the Child, with (iii) an autograph letter signed from Mary Gill, dated 21 December 1960 ("I feel very much immersed in our industrial world - of 1960 - with its noise, commercialism - and dangers . . . I know Eric would have hated it!"); (iv) poignantly, an autograph letter signed from Joanna Hague (Gill's daughter and wife of René Hague), dated 25 July 1961, informing Harrison of her mother's death on 22 March that year: Joanna explains the delay in writing to him ("I couldn't find your address among Mother's papers, but Bernard Wall . . . was able to give it to me . . . I don't think he knew what a close friend you were"). Gill 54a (revised edition); University of Michigan Official Publication, Volume 68, Issue 143, p. 310. Together 4 works, small octavo. Jerusalem Diary: 10 photogravures reproducing carvings by Eric Gill at the Rockefeller Museum courtyard. Two copies of From the Palestine Diary: (a) London: The Harvill Press, 1949. Original orange half morocco by Sangorski & Sutcliffe, orange cloth sides, title to spine gilt, top edge gilt; (b) As previous, wiith two cancel title pages: High Wycombe: Hague Gill & Davey Ltd, dated 1951 and 1952, bound in at rear. Original blue quarter morocco by Sangorski & Sutcliffe, patterned blue and gilt boards, title to spine gilt, fore edge uncut; (c) From the Jerusalem Diary. London: [privately printed,] 1953. Original orange cloth-backed green boards, title to front cover black. First edition, limited issue, number 234 of 300 copies; (d) folder of correspondence from Mary Gill to Austen St Barbe Harrison: two Christmas cards printed on single folded sheets of grey card; two autograph letter, one from Mary Gill and one from Joanna Hague (née Gill). Calligraphic bookplate of David Potter, designed by Reynold Stone, to front free endpapers of Jerusalem Diary and one copy of Palestine Diary. Very minor fading to spines and board edges, a little faint foxing to prelims, neatly repaired tear to p. 35/6 of Palestine Diaries. A very good set. …