Published by Oxford University Press, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Published by Oxford University Press, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Trade Paperback. Condition: As New. First Edition, First Printing. This is a fine, as new, first edition, first printing, paperback copy, dark brown spine.
Published by Oxford University Press, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Published by Oxford University Press Inc, US, 2018
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Add to basketPaperback. Condition: New. Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
Published by Oxford University Press, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Published by Oxford University Press, USA 11/1/2017, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Paperback or Softback. Condition: New. Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach 0.93. Book.
Published by Oxford University Press, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Published by Oxford University Press, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Published by Oxford University Press, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Published by Oxford University Press Inc, New York, 2018
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Paperback. Condition: new. Paperback. Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice. Improvisation and Inventio in the Performance of Medieval Music is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Oxford University Press Inc, New York, 2018
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Add to basketPaperback. Condition: new. Paperback. Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice. Improvisation and Inventio in the Performance of Medieval Music is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Oxford University Press, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Published by Oxford University Press Nov 2017, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Add to basketTaschenbuch. Condition: Neu. Neuware - Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the bookexplores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval musicand folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that 'the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer inthe present,' emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in thepractical processes and exercises that make this book unique within the literature of medieval performance practice.
Published by Oxford University Press Inc, US, 2018
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
Seller: Rarewaves.com UK, London, United Kingdom
£ 27.33
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Add to basketPaperback. Condition: New. Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
Published by Oxford University Press, 2017
ISBN 10: 0190631171 ISBN 13: 9780190631178
Language: English
Seller: Prometei Books, New Rochelle, NY, U.S.A.
First Edition
Hardcover. Condition: As New. 1st Edition. New book, never read. Small dent bottom edge of back hard cover from shelfwear. Hard covers otherwise in excellent condition, pages clean and crisp, spine unbroken. 0619E.
Published by Oxford University Press, 2018
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Published by Oxford University Press, 2018
ISBN 10: 019063118X ISBN 13: 9780190631185
Language: English
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Add to basketPAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Published by Oxford University Press, 2017
ISBN 10: 019063118X ISBN 13: 9780190631185
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Add to basketPaperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 570.
Published by Oxford University Press, 2017
ISBN 10: 0190631171 ISBN 13: 9780190631178
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