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  • David McCandless.

    Language: English

    Published by Indiana University Press, Bloomington & Indianapolis, 1997

    ISBN 10: 0253333067 ISBN 13: 9780253333063

    Seller: Monkey House Books, Miller Place, NY, U.S.A.

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    £ 14.05

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    Hardcover. Condition: Very Good. Examines the role of gender and issues of desire & sexual power in several of William Shakespeare's often overlooked tragi-comedies, including All's Well That Ends Well, Troilus and Cressida, and Measure for Measure. 205 pages, endnotes, index. Corners lightly bumped, sticker on jacket spine. Dust Jacket condition very good.

  • McCandless, David

    Language: English

    Published by Indiana University Press, Bloomington, IN, 1997

    ISBN 10: 0253333067 ISBN 13: 9780253333063

    Seller: MLC Books, Northfield, MN, U.S.A.

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    Hard Cover. Condition: Very Good. Dust Jacket Condition: Fine. First Edition. An examination of gender roles in All's Well that Ends Well, Measure for Measure, and Troilus and Cressida, 205 pages. Small ink notes in the inrtoduction, jacket in Brodart.

  • Seller image for Gender and performance in Shakespeare's problem comedies. for sale by Steven Wolfe Books

    McCandless, David

    Published by Bloomington: Indiana University Press, 1997, 1997

    Seller: Steven Wolfe Books, Newton Centre, MA, U.S.A.

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    very good dust-jacket, very good light gray cloth. MCCANDLESS, DAVID. Gender and performance in Shakespeare's problem comedies. Bloomington: Indiana University Press, 1997, 1st printing number line starting with 1, viii, 205pp., . Series: Drama and performance studies. - "Composed at a critical moment in English history, Shakespeare's "problem plays"--All's Well That Ends Well, Measure for Measure, and Troilus and Cressida - dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly; females contend and confound traditional femininity. Male authority, even male ideas of the heroic, suffers in the face of a female's disruptive sexual power. By resisting comic closure, these plays leave uncontained the subversions of gender that comedies for the most part successfully hold in check." "David McCandless follows the drama of gender enacted in these plays. His approach weds a theoretically engaged textual analysis to the dynamics of performance. He adopts the perspective not of expert spectator but of practitioner, bringing directorial modes of inquiry to his analysis. While drawing upon the performance histories of the problem comedies, he exploits his own experience as a director in dramatizing and theorizing the enactment of gender. The book provides a unique and invigorating example of how performance criticism can illuminate these difficult, sometimes overlooked tragicomedies." - CONTENTS: 1. Introduction: All's Well That Ends Well -- Helena's Femininity: Subject vs. Object -- Bertram's Masculinity: Rite of Passage -- Drama of Difference: Old and New Tales Staging the Bed-Trick -- 2. Final Scenes: Unresolved Tension -- Measure for Measure -- The Duke as Ghostly Father -- Angelo's Sadism: Punishing Claudio -- Speechless Dialect: Isabella's (Lacking) Sexuality -- Angelo's Sadomasochistic Fantasy: Propositioning Isabella -- Isabella's Sadomasochism Gestic Staging -- The Duke's Sadomasochistic Spectacle -- Final Moments: "What Do You Think This Is?" -- 3. Troilus and Cressida The War as Empty Spectacle -- Troilus and Cressida: The Limits of Sexuality -- Seduction -- The Limits of Subjectivity Feminist Gestus -- Between Men: The Homoerotics of War Final Scenes. 9780253333063 ISBN 0253333067.