Composed at a critical moment in English history, Shakespeare's problem plays dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly, females contend and confound traditional femininity. Male authority, even male ideas of the heroic, suffer in the face of a female's disruptive sexual power. Of course, the main problem with these plays is their deviation from Shakespearean comic precedent: by resisting comic closure, they leave uncontained the subversions of gender that comedies mostly contain.They stage impersonations of man and woman that underscore the theatricality of gender, its status as a cultural construct. By failing to substantiate it, the characters in these plays disclose genders inadequacy as a marker. David McCandless follows the drama of gender enacted in these plays. His approach weds a theoretically engaged textual analysis to the dynamics of performance.McCandless thinks through these plays as performance, citing or envisioning performance choices to integrate text and performance in a reciprocally enriching interplay, rather than merely to corroborate or ornament a textual argument. He adopts the perspective, not of expert spectator, but of practitioner, bringing directorial modes of inquiry to his analysis. While he frequently draws upon the performance histories of the problem comedies, he more regularly exploits his own experience as a director in dramatizing and theorizing the enactment of gender. His book is a unique and invigorating example of performance criticism that illuminates these difficult, sometimes-overlooked tragicomedies. It is an original and timely contribution to Shakespearean theater scholarship.
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David McCandless is an independent scholar and director. Previously he directed plays and taught theater at the University of California, Berkeley, the University of Illinois, and Stanford University.
David McCandless is an independent scholar and director. Previously he directed playsand taught theater at the University of California, Berkeley, the University of Illinois, andStanford University.
"About this title" may belong to another edition of this title.
Seller: Monkey House Books, Miller Place, NY, U.S.A.
Hardcover. Condition: Very Good. Examines the role of gender and issues of desire & sexual power in several of William Shakespeare's often overlooked tragi-comedies, including All's Well That Ends Well, Troilus and Cressida, and Measure for Measure. 205 pages, endnotes, index. Corners lightly bumped, sticker on jacket spine. Dust Jacket condition very good. Seller Inventory # 11148
Seller: MLC Books, Northfield, MN, U.S.A.
Hard Cover. Condition: Very Good. Dust Jacket Condition: Fine. First Edition. An examination of gender roles in All's Well that Ends Well, Measure for Measure, and Troilus and Cressida, 205 pages. Small ink notes in the inrtoduction, jacket in Brodart. Seller Inventory # 260017
Seller: Take Five Books, Ashland, OR, U.S.A.
Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition. Gift Inscription. Seller Inventory # 023867