Garden Vocal Score (44 results)

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 8 pages. 7.40x10.63x0.04 inches. In Stock.

Condition: New.

UNK. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Sheet music. Condition: Brand New. 12 pages. 6.85x10.47x0.04 inches. In Stock.

Wrappers. Condition: Very Good. [8]pp including covers [edge and corner wear] Size: 4to - over 9¾" - 12" tall. Musical notation (illustrator). Book.

Sheet music. Condition: Brand New. 16 pages. 6.89x10.55x0.04 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 96 pages. 9.57x6.50x0.32 inches. In Stock.

Paperback. Condition: Fair. 1885-90. Wrappers and edges foxed and worn. Ex Jane Manning with her ownership signature.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Size: Folio. xii, 27pp. Sewn as issued in publisher's printed wrappers (upper inner corner of front wrapper stained, slight wear to backstrip).

Size: Folio. 4pp. Disbound. Drop title. Engraved. The Cabinet was first produced in 1802.

Not in RISM. Size: Folio. 3pp. Disbound. Upper third of first leaf sunned. Engraved. Thomas John Dibdin (1771-1841).

Size: Folio. 5pp. Disbound. Engraved. From Bishop's The Slave.

Size: Folio. 7pp. Disbound. Engraved. Drop title.

Size: Folio. 5pp. Disbound. Drop title. Engraved.

Size: Folio. 7pp. Disbound. Engraved. Drop title.

Publisher's printed wrappers. Edition Schott, 11075. Size: Large 4to. [viii (title, dedication/note, cast-list)], 311pp. Large 4to. [viii (title, dedication/note, cast-list)], 311pp.

Sheet music. Condition: Brand New. 352 pages. 12.25x9.50x1.00 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware - (Choral Large Works). The Tower and the Garden is a setting of three poems for choir and string quartet. The texts juxtapose the dangers of technological hubris (the tower) and the need for a place of refuge (the garden) in a world threatened by war and ecological disaster. Each text suggest ways in which Catholic thought and imagery might challenge the status quo. The first text, poem 80 from the collection 'Cables to the Ace,' was written by Trappist monk and social activist Thomas Merton. It is an eschatological meditation on the garden of Gethsemane, where Christ's disciples slept on the eve of his crucifixion. Merton compares their slumber to society s indifference to the destruction of our natural world by potentially dangerous new technologies and war. The second text was written by poet and Catholic activist Denise Levertov. It is a meditation on the Tower of Babel and the tendencyfor technology in the information and nuclear age to serve only its own growth and to potentially destroy our lives in the bargain. The third poem, written by Keith Garebian, is an homage to queer filmmaker Derek Jarman and his cottage garden at Dungeness on the English coast. Situated precariously between a towering nuclear power plant and the sea, the garden was Jarman s austere refuge during the final months of his struggle with AIDS. While an atheist and highly critical of the church, Derek Jarman was intrigued bythe role religious and hagiographic narratives could play in his filmic indictments of Thatcher-era Britain. This is most notable inhis film The Garden, which was shot on location in Dungeness. Gregory Spears.…

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RISM A/I/1 and A/I/11 A 1632. BUC p.42. Size: Oblong folio. [iii (title, contents)], 67pp. Half leather (worn, front joint broken). Some pencilled annotations, including a cadenza in the margin of the final page. Engraved.

RISM A/I/1 and A/I/11 A 1632. BUC p.42. Size: Oblong folio. [iii (title, contents)], 67pp. Disbound, sewn in plain paper wrappers (worn). Engraved.

Size: Folio. [i (title)], 45pp. Disbound, sewn, final two leaves detached. Pictorial title torn from inner margin half way, final leaf torn and reinforced. Title with royal throne within a pavilion, surrounded by pillars, sea and ships, with depiction of Richard Howe, 1st Earl Howe (1726-1799) atop a cloud: Howe died on 5 August 1799. Other images on the pillars include Vincent, Duncan, Bridport, Nelson, Smith and Mitchell. RISM A/I/6 and A/I/13 M 3559 referencing just three complete copies.…

Size: Three volumes in one. Oblong folio. [i (title)], 38, [iii (title, introduction)], 40 (lacking pp.39/40 supplied here in facsimile)], 5pp. Quarter leather (very worn), limp boards (worn). Title-page designed by Giovanni Battista Cipriani (1727-1785). Engraved. Rosina: a re-issue of Napier's edition from 1783, an extremely popular work performed over several decades and reprinted more than 30 times until ca 1810. Three volumes in one. Oblong folio. [i (title)], 38, [iii (title, introduction)], 40 (lacking pp.39/40 supplied here in facsimile)], 5pp.…

Size: Folio. [i (title)], 29pp. Disbound. Few corners thumbed and worn. Engraved. Signed by Braham at foot of the title.

RISM A/I/8 S 3173. BUC p.947. Size: Oblong folio. 1f. (title), 38pp. Sewn as issued in contemporary plain brown wrappers. Engraved. Pictorial title-page engraved by Francesco Bartolozzi (1727-1815) after Giovanni Battista Cipriani (1727-1785).

Oblong folio. Disbound, laid into modern wrappers. Two paginations; the one to the lower outer corners is continuous and specific to the edition: [1f.] (title), 39, [i] (blank) pp. An earlier pagination to the upper outer, sometimes inner corners is incomplete: 1f. (title), [9]-23, 27-30, 32-36, [53]-67, [i] (blank) pp. Engraved. Publisher's catalogue to foot of title. Systems include staves for vocal parts and figured bass. Instrumental passages include a right-hand part marked "Sy" (=symphony). Additional stanzas printed as residual text. Dialogue not included. Each number preceded by caption: "Sung by." Names of singers mentioned in captions: "Mr. Legge" (Jonathan Legg, d. 1778), "Mrs. [Priscilla] Stevens" (d. 1783), "Mr. [Charles] Dibdin" (1745-1814), "Mr. [George] Mattocks" (1734/35-1804), "Mr. [John] Beard" (1715/16-1791), "Miss Hallam" (Isabella Mattocks, 1746-1826), "Miss [Elizabeth] Miller," "Miss Poitier (Jane Thompson, b. 1736), "Mr. [John] Fawcet[t]" (d. 1793), "Mr. [Edward] Shuter" (?1728-1776), and "Mr. [John] Dunstall." Second edition. RISM AM1786 (not distinguishing between the two editions, although the copy at the Bibliothèque nationale de France is noted as having 39 pages instead of 67). WorldCat (several additional copies, not distinguishing between editions). The first edition, to which the earlier, incomplete pagination in the present copy refers, has 67 pages; the second is a compilation of excerpts from the first and has 39 pages only. Page [25] of the second edition was re-engraved as in the first edition it contained the beginning of another number, excluded from the second edition, at its foot. "Irish librettist and musician [Kane O'Hara]. is known chiefly as the librettist and arranger of the music for Midas. the first 'English burletta', presented at the Crow Street Theatre, Dublin, on 22 January 1762 as a rival attraction to the season of Italian burlettas at the Smock Alley Theatre. The music contains popular songs of the time, such as arias from Italian operas and folksongs from Ireland and other countries, linked by dialogue set to recitative. There is frequent resort to concerted numbers. With characters consisting of mythological gods and mortals, Midas is in reality a burlesque of opera seria. It attained considerable popularity and was frequently performed in London after the first production at Covent Garden on 22 February 1764." Brian Boydell in Grove Music Online. …