Dore's Illustrations for Don Quixote by Dore Gustave (17 results)

Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. 558.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

4°, Broschur, 153 Seiten, Einband etwas berieben, Ecken und Kanten leicht bestoßen; vorderer Deckel minimal klaffend; Schnitt hat leichte Lagerungsspuren; sonst gut erhalten. Abgleich des Titelbildes bitte bei nika-books. Sprache: Englisch Gewicht in Gramm: 550.

Paperback. Condition: new. Paperback. 190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, humor. "His Don Quixote from its first to its last page [is] a marvel of imagination, poetry, sentiment, and sarcasm. . . . People still speak of it only as 'Dore's Don Quixote'." - Life and Reminiscences of Gustave Dore Dore himself had something of Quixote's chivalry and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's great books. Dore never became the painter he yearned to be, but he came very close to realizing his desired intimacy with the classics. His sympathy with Cervantes' satire was so close that, of the numerous Quixote interpretations by many outstanding artists, Dore's has become the standard. The French translation of Cervantes that Dore illustrated is forgotten; here is the memorable remnant of that work - all 120 full-page plates, plus a selection of 70 characteristic headpiece and tailpiece vignettes. As can be seen in the backgrounds, Dore was ready professionally as well as emotionally for Quixote. He had traveled through Spain preparing an earlier work, and his graphic memory was as strong and indelible as that of another great Quixote interpreter, Picasso. From Sancho's village through Spanish hills and dry plateaus, in the Pyrenees and by the sea, in rural castles and Barcelona luxury, Dore illuminated the seventeenth-century setting with a nineteenth-century acquaintance with the scene. Dore was also a careful student of Renaissance costume and architecture; his minutiae, so copious, are invariably correct. Captions written especially for this edition describe the action with reference to the original Spanish text, capturing high points of the story. But of course Dore conveys it all in a picture: the famous windmill charge, traversing the Sierra Morena, battling the Knight of the White Moon, visions of giants, dragons, flaming lakes, and damsels, the Dulcinea never found, all in full-page wood engravings. Dore's marvelous penchant for ghostly effects in panoramic landscapes and seascapes finds large scope here, carefully engraved by one of the best of his longtime studio engravers, H. Pisano. Dore's Man of la Mancha glows with the artist's own enchantment and humor. Artists and illustration aficionados will add this royalty-free volume to other Dover editions of Dore's works - art he created to stand with great literature that now stands alone. Dore's Quixote indeed stands alone, unique among the knights and graphic castles in Spain. AUTHOR: French illustrator Gustave Dore (1833-83) began his prolific career at the age of 15, and his dramatic engravings have exercised an incalculable influence over latter-day artists. The remarkable scope of his work ranges from Milton, Dante, and the Bible to Rabelais, Shakespeare, and street scenes of 19th-century London. 190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, humor. Captions. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: Brand New. illustrated edition. 160 pages. 12.25x9.25x0.50 inches. In Stock.

Paperback. Condition: Good+. Dust Jacket Condition: No Dust Jacket. No global or priority shppg this title; Dover Fine Art, History Of Art; 11.7 X 9.0 X 0.5 inches; 160 pages.

Paperback. Condition: Brand New. illustrated edition. 160 pages. 12.25x9.25x0.50 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Neuware - 'His Don Quixote . from its first to its last page [is] a marvel of imagination, poetry, sentiment, and sarcasm. . . . People still speak of it only as 'Doré's Don Quixote'.'--Life and Reminiscences of Gustave Doré Doré himself had something of Quixote's chivalry and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's great books.Doré never became the painter he yearned to be, but he came very close to realizing his desired intimacy with the classics. His sympathy with Cervantes' satire was so close that, of the numerous Quixote interpretations by many outstanding artists, Doré's has become the standard. The French translation of Cervantes that Doré illustrated is forgotten; here is the memorable remnant of that work--all 120 full-page plates, plus a selection of 70 characteristic headpiece and tailpiece vignettes.As can be seen in the backgrounds, Doré was ready professionally as well as emotionally for Quixote. He had traveled through Spain preparing an earlier work, and his graphic memory was as strong and indelible as that of another great Quixote interpreter, Picasso. From Sancho's village through Spanish hills and dry plateaus, in the Pyrenees and by the sea, in rural castles and Barcelona luxury, Doré illuminated the seventeenth-century setting with a nineteenth-century acquaintance with the scene. Doré was also a careful student of Renaissance costume and architecture; his minutiae, so copious, are invariably correct.Captions written especially for this edition describe the action with reference to the original Spanish text, capturing high points of the story. But of course Doré conveys it all in a picture: the famous windmill charge, traversing the Sierra Morena, battling the Knight of the White Moon, visions of giants, dragons, flaming lakes, and damsels, the Dulcinea never found, all in full-page wood engravings. Doré's marvelous penchant for ghostly effects in panoramic landscapes and seascapes finds large scope here, carefully engraved by one of the best of his longtime studio engravers, H. Pisano.Doré's Man of la Mancha glows with the artist's own enchantment and humor. Artists and illustration aficionados will add this royalty-free volume to other Dover editions of Doré's works--art he created to stand with great literature that now stands alone. Doré's Quixote indeed stands alone, unique among the knights and graphic castles in Spain.Dover (1982) original publication of selections from L'ingenieux hidalgo Don Quichotte de la Manche par Miguel de Cervantes Saavedra, published by L. Hachette et Cie, Paris, 1869.

Paperback. Condition: Brand New. illustrated edition. 160 pages. 12.25x9.25x0.50 inches. In Stock.

Paperback. Condition: new. Paperback. 190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, humor. "His Don Quixote from its first to its last page [is] a marvel of imagination, poetry, sentiment, and sarcasm. . . . People still speak of it only as 'Dore's Don Quixote'." - Life and Reminiscences of Gustave Dore Dore himself had something of Quixote's chivalry and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's great books. Dore never became the painter he yearned to be, but he came very close to realizing his desired intimacy with the classics. His sympathy with Cervantes' satire was so close that, of the numerous Quixote interpretations by many outstanding artists, Dore's has become the standard. The French translation of Cervantes that Dore illustrated is forgotten; here is the memorable remnant of that work - all 120 full-page plates, plus a selection of 70 characteristic headpiece and tailpiece vignettes. As can be seen in the backgrounds, Dore was ready professionally as well as emotionally for Quixote. He had traveled through Spain preparing an earlier work, and his graphic memory was as strong and indelible as that of another great Quixote interpreter, Picasso. From Sancho's village through Spanish hills and dry plateaus, in the Pyrenees and by the sea, in rural castles and Barcelona luxury, Dore illuminated the seventeenth-century setting with a nineteenth-century acquaintance with the scene. Dore was also a careful student of Renaissance costume and architecture; his minutiae, so copious, are invariably correct. Captions written especially for this edition describe the action with reference to the original Spanish text, capturing high points of the story. But of course Dore conveys it all in a picture: the famous windmill charge, traversing the Sierra Morena, battling the Knight of the White Moon, visions of giants, dragons, flaming lakes, and damsels, the Dulcinea never found, all in full-page wood engravings. Dore's marvelous penchant for ghostly effects in panoramic landscapes and seascapes finds large scope here, carefully engraved by one of the best of his longtime studio engravers, H. Pisano. Dore's Man of la Mancha glows with the artist's own enchantment and humor. Artists and illustration aficionados will add this royalty-free volume to other Dover editions of Dore's works - art he created to stand with great literature that now stands alone. Dore's Quixote indeed stands alone, unique among the knights and graphic castles in Spain. AUTHOR: French illustrator Gustave Dore (1833-83) began his prolific career at the age of 15, and his dramatic engravings have exercised an incalculable influence over latter-day artists. The remarkable scope of his work ranges from Milton, Dante, and the Bible to Rabelais, Shakespeare, and street scenes of 19th-century London. 190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, humor. Captions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. Brand New.

Paperback. Condition: new. Paperback. 190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, humor. "His Don Quixote from its first to its last page [is] a marvel of imagination, poetry, sentiment, and sarcasm. . . . People still speak of it only as 'Dore's Don Quixote'." - Life and Reminiscences of Gustave Dore Dore himself had something of Quixote's chivalry and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's great books. Dore never became the painter he yearned to be, but he came very close to realizing his desired intimacy with the classics. His sympathy with Cervantes' satire was so close that, of the numerous Quixote interpretations by many outstanding artists, Dore's has become the standard. The French translation of Cervantes that Dore illustrated is forgotten; here is the memorable remnant of that work - all 120 full-page plates, plus a selection of 70 characteristic headpiece and tailpiece vignettes. As can be seen in the backgrounds, Dore was ready professionally as well as emotionally for Quixote. He had traveled through Spain preparing an earlier work, and his graphic memory was as strong and indelible as that of another great Quixote interpreter, Picasso. From Sancho's village through Spanish hills and dry plateaus, in the Pyrenees and by the sea, in rural castles and Barcelona luxury, Dore illuminated the seventeenth-century setting with a nineteenth-century acquaintance with the scene. Dore was also a careful student of Renaissance costume and architecture; his minutiae, so copious, are invariably correct. Captions written especially for this edition describe the action with reference to the original Spanish text, capturing high points of the story. But of course Dore conveys it all in a picture: the famous windmill charge, traversing the Sierra Morena, battling the Knight of the White Moon, visions of giants, dragons, flaming lakes, and damsels, the Dulcinea never found, all in full-page wood engravings. Dore's marvelous penchant for ghostly effects in panoramic landscapes and seascapes finds large scope here, carefully engraved by one of the best of his longtime studio engravers, H. Pisano. Dore's Man of la Mancha glows with the artist's own enchantment and humor. Artists and illustration aficionados will add this royalty-free volume to other Dover editions of Dore's works - art he created to stand with great literature that now stands alone. Dore's Quixote indeed stands alone, unique among the knights and graphic castles in Spain. AUTHOR: French illustrator Gustave Dore (1833-83) began his prolific career at the age of 15, and his dramatic engravings have exercised an incalculable influence over latter-day artists. The remarkable scope of his work ranges from Milton, Dante, and the Bible to Rabelais, Shakespeare, and street scenes of 19th-century London. 190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, humor. Captions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.