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Seller: CorgiPack, Fulton, NY, U.S.A.
Paperback. Condition: Fine. Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. 304 pages. Documentary-style films--History and criticism.
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
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Condition: Acceptable. Used - Acceptable. Ex-library with wear - may contain significant amounts of highlighting and underlining in pen or pencil. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by McFarland & Company 9/1/2005, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Docufictions: Essays on the Intersection of Documentary and Fictional Filmmaking. Book.
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Published by McFarland & Co Inc Pub, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
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Paperback. Condition: Brand New. 294 pages. 9.50x6.75x0.75 inches. In Stock.
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
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Published by McFarland & Company, Incorporated Publishers, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
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Published by McFarland & Company, Incorporated Publishers, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. Print on Demand pp. x + 294 Index.
Language: English
Published by McFarland & Company, Incorporated Publishers, 2005
ISBN 10: 0786421843 ISBN 13: 9780786421848
Seller: Biblios, Frankfurt am main, HESSE, Germany
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Seller: preigu, Osnabrück, Germany
Taschenbuch. Condition: Neu. Docufictions | Essays on the Intersection of Documentary and Fictional Filmmaking | Gary D. Rhodes (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2005 | McFarland | EAN 9780786421848 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape.The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M\*A\*S\*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of 'reality' in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres.Instructors considering this book for use in a course may request an examination copy here.