Design by Vignelli Massimo (37 results)

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condition: Good. First Printing. The book is in good condition with a hardcover binding. The dust jacket shows slight wear, including minor edge creases, but remains intact. The pages are clean and free from inscriptions or library markings, ensuring a pristine reading and viewing experience. slight wear with minor edge creases. Designed by Massimo Vignelli (illustrator).…

Paperback. Condition: Good. Minor shelf wear/ creasing on cover.

Paperback. Condition: Very Good. Not issued. Softcover. Clean and tight. No markings. Back cover has a creased corner, otherwise fine. Fast shipping from NYC.

Condition: New. In English.

Hardcover. Condition: Fine. Dust Jacket Included. 1st Edition. Square 4to. Unpaginated. Full color illustrations printed on coated paper. Original black cloth binding. This is a tight, fine book in a bright, fine DJ.

Condition: As New. Unread book in perfect condition.

Large Softcover. Condition: Very Good. Single spine crease. 2012 Large Softcover. 303 pp. Tracing the history of graphic design over the past 30 years, this dense and informative reader presents a large selection of essays which address the origins and purposes of the field. Originally intended to accompany a May 2011 conference in London, the investigation expanded its scope as one text lead to another and further relevant input was discovered. The first anthology of its kind, this reader comprises some of the most influential published texts about graphic design history, underscoring the aesthetic, theoretical, politcal and social tensions that have underpinned it from the beginning. Included are texts by Steve Baker, Wen Huei Chou, Johanna Drucker, Victor Margolin, Catherine de Smet and numerous others.…

Condition: Good. Original black boards, blind stamped spine, dust jacket, illustrated with numerous (full page) colour photographs, 4to.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 19,0 x 26,0 cm, 7 ½ x 10 ¼ in, 244 pages, 150 illustrations - Unimark International was a firm with global reach, with eleven offices in five different countries. Its use of the most modern design approaches and latest marketing methods quickly made it famous and unrivaled. Its clients were international corporations like Gillette, Jaguar, Ferrero, Knoll International, Olivetti, Pirelli, Ranx Xerox, Unilever, IBM, as well as American Airlines and Ford, for which it created visual corporate identities that are still in use today. Unimark was known for always using the latest technological innovations and for using computers long before anyone else. With their visual outlook, Unimark designers had a defining influence on our environment; they left an enduring legacy with their practice and their theory. Many Unimark designers have been honored with international awards for their achievements. A distinctive hallmark of Unimark design is the systematic use of the Helvetica typeface for the corporate identity of firms. The success of Unimark International, which is documented here for the first time, points the way for designers and the marketing sector today.…

Large Softcover. Condition: Very Good. Signed by Philip B. Meggs without inscription on title page. Edges a bit foxed, otherwise an excellent copy. 1993 Large Softcover. 96 pp. Color and black-and-white reproductions of Gonda's work throughout. Tomas Gonda is credited with a major role in the critical establishment of graphic design in Argentina and important contributions to the Ulm School of Design in Germany. Gonda was an important, though under-recognized, influence in late 20th-century design. Simultaneously, Gonda produced a substantial body of fine art, which informed, and was informed by, his design interests and became an outlet for his ruminations on the minimal nuances of colour, light and form. - Alliance Graphique Internationale.…

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: Fair. Dust Jacket Condition: Good. New York: H.N. Abrams, Third printing. Hardcover in dust jacket. Jacket has some light signs of prior handling and some damp-rippling to rear panel. Boards have a trace damp-stain and some flecking to lettering. Prior owner's Knoll salesman business card adhered to front end-paper. Otherwise unmarked. Internally Fine. *** Due to to the size and weight of this title, extra shipping charges may be required to deliver to some addresses abroad or domestic. ***.…

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. Dust Jacket Condition: Very good. Dust jacket faded along edges and spine. Inside of jacket is foxed.

Condition: As New. Unread book in perfect condition.

~ Collezione di 100 opere disegnate da 20 autori. ~ Prologo in spagnolo. Titoli delle opere in italino. Fotografie in bianco e nero a piena pagina di tutte le opere ~ Brossura editoriale ~ 76 pagine non numerate ~ 21x30x2cm. ~ Molto Buono ~ LANGUAGE: Italiano & Español // We accept PayPal & EU bank transfer in EUROS //.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First Edition. Oversize volume with numerous illustrations, most in color. The book is clean and like-new. Save for the spine which is sunned, the dust jacket is fine. A beautiful book. This is a heavy, oversized item and will, unfortunately, require extra shipping. JS.…

Hardcover. Condition: Brand New. 600 pages. 11.00x9.25x11.30 inches. In Stock.

hardcover. Condition: very good. Profusely illustrated in color and in black & white. 307 pages. Large oblong 4to, red cloth lettered in white and black (white lettering partially rubbed; small stain on rear cover). New York: Harry Abrams, (1981). First edition. A very good copy, lacking the dust wrapper.…

Hardcover. Condition: Brand New. 600 pages. 11.00x9.25x11.30 inches. In Stock.

Hardcover. Condition: Brand New. 0 edition. 391 pages. 9.75x9.75x1.75 inches. In Stock.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition, third printing, 1990. Appears Near Fine, but is actually a Very Good++ oversize hardback in a Very Good+ jacket. Coffee? stain at top edge of book spine, and back of dust jacket, scarcely visible on front-facing side of jacket. Tiny color chip out of white "Knoll" silkscreened text on boards. One or two tiny bumps and scrapes along jacket edges, jacket now protected in a Brodart. A clean, lightly used copy whose imperfections are only available under careful scrutiny. Heavy oversize book will require a shipping surcharge if not sent via US Media Mail, or to any non-US destination.…

hardcover. Condition: fine. Dust Jacket Condition: near fine. Richly illustrated in color. 319 pages. Square 4to, orange cloth, d.w. New York: Abrams, (1990). Third printing. A fine copy in a near fine copy.

Hard cover. 2nd Revised ed. Sewn binding. Cloth over boards. 319 p. Very good in very good dust jacket.