Published by The Museum of Modern Art, New York, 1977
ISBN 10: 0870702823 ISBN 13: 9780870702822
Language: English
Seller: Saucony Book Shop, Kutztown, PA, U.S.A.
Soft cover. Condition: Very Good. 2nd Edition. Stiff white pictorial wraps, lettered in black and red, oblong format. Minor tanning and surface rubbing, vertical crease to back cover. Former owner's signature inked inside front cover, otherwise unmarked. 2nd ed., 4th ptg. thus: 1985. Size: 8vo - over 7¾" - 9¾" tall. Book.
Published by Museum of Modern Art/Graham Foundation for Advanced Studies in the Fine Arts, New York and Chicago, 1966
Seller: Saucony Book Shop, Kutztown, PA, U.S.A.
First Edition
Soft cover. Condition: Fine. 1st Edition. Stiff white wraps, lettered in red and black. Just a hint of shelf wear, essentially as issued. 3rd ptg.: 1974. 144 pp. Size: 8vo - over 7¾" - 9¾" tall. Book.
Published by The Museum of Modern Art, New York, 2019
ISBN 10: 1633450627 ISBN 13: 9781633450622
Language: English
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
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Published by The Museum of Modern Art, New York, 1966
ISBN 13: 2900013560820
Wrappers. Condition: Very Good. First Thus. (1966). 8vo. First simultaneous wrappered edition. Rubbing and wear to wraps. VG in wrappers.
Published by The Museum of Modern Art, New York, 1966
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.
Hardcover. 10mo; pp 135; G/G-; ivory spine with black text; dust jacket shows slight soiling to exterior; small chips to corners; tape mends inside dj to spine edges; cloth has slight wear to exterior; strong boards; text block shows light tone to exterior edges; interior clean; illustrated; NOTE: Shelved in Netdesk office, Case #3. 1322443. FP New Rockville Stock.
Published by The Museum of Modern Art, New York, 1966
Seller: Weinberg Modern Books, New York, NY, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st edition, inaugural publication of The Museum of Modern Art Papers on Architecture in 1966. The signature of James Jarrett, professor of architectural theory and Yale and CUNY, on f.f.e.p., likely his own copy. NF boards. Soiling and light chipping to dj, with small open tear to spine tail. Underline in a light hand to limited pages.
Published by Museum of Modern Art, New York, 1966
Seller: Clayton Fine Books, Shepherdstown, WV, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. Fine in gray cloth-covered boards and near fine dust jacket with light rubbing and publisher's price clip and replacement price sticker.
Published by The Museum of Modern Art, 1966
Seller: Moe's Books, Berkeley, CA, U.S.A.
First Edition Signed
Hard cover. Condition: Very good. Dust Jacket Condition: Very good. Bin 4 (Long Case). Inscribed by Robert Venturi. First edition. Book has a slight musty smell. Jacket is lightly tanned and rubbed, with mild wear along edges. Binding is tight. Covers and pages are clean and unmarked.
Published by The Museum of Modern Art, New York, 1966
Seller: Raptis Rare Books, Palm Beach, FL, U.S.A.
First Edition Signed
First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Boldly signed by Robert Venturi who has added a drawing of his mother's house on the dedication page. Fine in a near fine dust jacket. Introduction by Vincent Scully. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).
Published by The Museum of Modern Art, New York, 1966
Seller: Raptis Rare Books, Palm Beach, FL, U.S.A.
First Edition Signed
First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Presentation copy, inscribed by the author on the front free endpaper, "To Al, Friendship and respect Bob Venturi." FineÂin a near fine dust jacket with a touch of shelfwear. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).
Published by The Museum of Modern Art, New York, 1966
Seller: Raptis Rare Books, Palm Beach, FL, U.S.A.
First Edition Signed
First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Signed and dated by Robert Venturi on the title page. FineÂin a near fine dust jacket with a touch of shelfwear. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).