Publication Date: 1915
Seller: akpool.de - akpool GmbH, Berlin, Germany
Manuscript / Paper Collectible
Condition: guter Zustand. Zustand, siehe Scan, gelaufen, 1915 - ca 14 cm X 9 cm.
Seller: Bartko-Reher, Berlin, Germany
Manuscript / Paper Collectible
Condition: Guter Zustand. ***Ansichtskarte La Panne, Cabane et Type de Pêcheur, Fischerei*** ungelaufen, guter Zustand | Preis: 7.00 EUR | Keine MwSt.-Ausweisung, differenzbesteuert gem.§25a UStG | Versandkosten: Kostenloser Versand | Motive / Thematik > Berufe > Fischerei / Angeln > Fischerei.
Seller: Cpaphil.com, SAINT-FARGEAU, France
Manuscript / Paper Collectible
Carte Postale Moderne Marignane (Bouches du Rhone) Cabane de pecheur quartier de l'Esteau sur l'Etang de Bolmmon.
Seller: Bartko-Reher, Berlin, Germany
Manuscript / Paper Collectible
Condition: bon état. ***Carte postale Cap Gris-Nez, La Cabane du Pecheur*** non circulée, bon état | Prix: 8.00 EUR | Aucune désignation de la TVA, la fiscalité différentielle selon §25a UStG | Frais de port : Livraison gratuite | Monde > Europe > France > Code postal 62. Pas-de-Calais > autres villes et communes 62. Pas-de-Calais.
Published by Librairie J. Lefort, Paris Lille, 1873
Seller: antoine, Wavre, Belgium
Condition: État Moyen. 72 pages en format -12 - frontispice - reliure rigide en percaline rouge avec motif décoratif en dorure - rousseurs.
Condition: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.
Pas de couverture. Condition: bon. R110027239: 28 AVR 1877. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 49 à 64. Lecture en colonnes. Illustrée de quelques gravures en noir et blanc. . . . Classification Dewey : 70.4413-Magasin pittoresque, universel et mosaïque.
Condition: Used: Good. Occasion - Bon Etat - La cabane du pêcheur (2012) - Grand Format.
Condition: Used: Very Good. Occasion - Très Bon Etat - La cabane du pêcheur (2012) - Grand Format.
Publication Date: 2025
Seller: True World of Books, Delhi, India
LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1900 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 44 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French.
Language: French
Publication Date: 2025
Seller: S N Books World, Delhi, India
Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 54. A perfect gift for your loved ones. Reprinted from 1901 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 54.
Publication Date: 1870
Seller: photovintagefrance, ARNAVILLE, France
Photograph
Photographie,Tirage vintage stéréo, légendé // Circa 1870 // tirage d'époque // Format (cm): 8,5x17.
Published by Olivier-Pinot, 1890
Art / Print / Poster First Edition
Pas de couverture. Olivier-Pinot | Épinal s. d. [circa 1880-1900] | 49 x 39 cm | Image d'Épinal, lithographie couleurs, grand format, imprimée sur papier fort. Légères rousseurs marginales sinon bel état, couleurs très bien conservées. Ces planches sont des constructions ou maquettes en carton, sur lesquelles un patron était imprimé. Ce patron doit être découpé puis assemblé pour construire divers objets ou scènes de vie. L'imagerie d'Épinal publia plusieurs séries de modèles à découper dont les "Grandes Constructions" au format de 39 x 49 cm, les "Moyennes Constructions" et les "Petites Constructions". De 1880 à 1908, des constructions furent éditées avec pour objets l'architecture, les costumes, les bateaux et divers véhicules. Durant cette même période, les théâtres de papier ou "théâtre chez soi" connurent également un grand succès. Ce modèle de jouet se développa et perdura jusqu'à la seconde Guerre Mondiale. Vendues autrefois par des colporteurs, les images d'Épinal doivent leur nom à Jean-Charles Pellerin, qui fut le premier imprimeur à éditer en série ce type d'image, et qui habitait la ville d'Épinal (Vosges). Les sujets sont très variés mais généralement tournent autour de la religion, de l'histoire (Révolution française, batailles, uniformes militaires), ou tirés de romans à succès. L'imagerie d'Épinal prend ses origines dans l'imagerie, art populaire né au XVème siècle destiné principalement au public illettré des campagnes. À l'origine, l'image est gravée sur une planche de bois et l'impression s'effectue à l'aide d'une presse à bras. Elle est ensuite mise en couleur au moyen de pochoirs. Au XIXème siècle, on réalise à partir des bois gravés des moulages en plomb : les stéréotypes, qui permettent d'augmenter la production. En 1820, on passe à la lithographie, qui induit un changement de style radical, des dessins plus fins. En 1900, la mise en couleurs se fait toujours au pochoir, grâce à une machine qui peut colorier 300 images à l'heure, l'Aquatype. | [ENGLISH DESCRIPTION FOLLOWS] Épinal Image, color lithograph, large format, printed on heavy paper. Light marginal foxing otherwise fine condition, colors very well preserved. These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published with subjects including architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This type of toy developed and endured until the Second World War. Formerly sold by peddlers, Épinal images owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery has its origins in imagery, a popular art born in the 15th century intended primarily for the illiterate rural public. Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype. *.
Publication Date: 2024
Seller: Gyan Books Pvt. Ltd., Delhi, India
Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1901. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 54, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 54 54.
Published by Pellerin & Cie, 1890
Art / Print / Poster First Edition
Pas de couverture. Pellerin & Cie | Épinal s. d. [circa 1890] | 39 x 49 cm | une feuille | Image d'Épinal, lithographie couleurs, grand format, imprimée sur papier fort. Importante déchirure en partie supérieure gauche restaurée, plis dans le coins inférieur droit avec déchirures, légers plis aux coins supérieur droit et inférieur gauche, couleurs très bien conservées. Ces planches sont des constructions ou maquettes en carton, sur lesquelles un patron était imprimé. Ce patron doit être découpé puis assemblé pour construire divers objets ou scènes de vie. L'imagerie d'Épinal publia plusieurs séries de modèles à découper dont les "Grandes Constructions" au format de 39 x 49 cm, les "Moyennes Constructions" et les "Petites Constructions". De 1880 à 1908, des constructions furent éditées avec pour objets l'architecture, les costumes, les bateaux et divers véhicules. Durant cette même période, les théâtres de papier ou "théâtre chez soi" connurent également un grand succès. Ce modèle de jouet se développa et perdura jusqu'à la seconde Guerre Mondiale. Vendues autrefois par des colporteurs, les images d'Épinal doivent leur nom à Jean-Charles Pellerin, qui fut le premier imprimeur à éditer en série ce type d'image, et qui habitait la ville d'Épinal (Vosges). Les sujets sont très variés mais généralement tournent autour de la religion, de l'histoire (Révolution française, batailles, uniformes militaires), ou tirés de romans à succès. L'imagerie d'Épinal prend ses origines dans l'imagerie, art populaire né au XVème siècle destiné principalement au public illettré des campagnes. ?À l'origine, l'image est gravée sur une planche de bois et l'impression s'effectue à l'aide d'une presse à bras. Elle est ensuite mise en couleur au moyen de pochoirs. Au XIXème siècle, on réalise à partir des bois gravés des moulages en plomb : les stéréotypes, qui permettent d'augmenter la production. En 1820, on passe à la lithographie, qui induit un changement de style radical, des dessins plus fins. En 1900, la mise en couleurs se fait toujours au pochoir, grâce à une machine qui peut colorier 300 images à l'heure, l'Aquatype. | [ENGLISH DESCRIPTION FOLLOWS] Image d'Épinal, color lithograph, large format, printed on heavy paper. Significant tear in upper left section restored, folds in lower right corner with tears, slight folds to upper right and lower left corners, colors very well preserved. These plates are cardboard constructions or models, on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the "Large Constructions" in 39 x 49 cm format, the "Medium Constructions" and the "Small Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "theater at home" also enjoyed great success. This toy model developed and lasted until the Second World War. Once sold by peddlers, the images d'Épinal owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from successful novels. Épinal imagery takes its origins in imagery, popular art born in the 15th century intended mainly for the illiterate rural public. Originally, the image is engraved on a wooden plate and printing is done using a hand press. It is then colored by means of stencils. In the 19th century, lead castings are made from the engraved wood: stereotypes, which allow production to be increased. In 1820, lithography was adopted, which induced a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, thanks to a machine that could color 300 images per hour, the Aquatype. *.
Publication Date: 2025
Seller: True World of Books, Delhi, India
LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1851 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 117 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 117.