Bruce Beasley (111 results)

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Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Hardcover*, Ex-library book with stickers and/or stamps throughout.

softcover. Condition: Used; Very Good. First Edition; First Printing. Numerous full-page color plates. Essay by Marlena Doktorczyk-Donohue. Published on the occasion of the exhibition held at the Autodesk Gallery, San Francisco, October 29, 2013 - February 7, 2014. ; Tight, clean and crisp. Rubbing to top of spine, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. Almost Like New.…

Paperback. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

softcover. Condition: Used; Like New. First Edition; First Printing. Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; Numerous illustrations in color and black and white. With an essay by Albert Elsen. Published on the occasion of the exhibition at Pepperdine University, and 4 other universities, 1990 - 1991.…

softcover. Condition: Collectible; Good. First Edition; First Printing. Tight, clean and crisp. A hint of age-toning to page edges, otherwise a gently read book in Very Good condition. No inscriptions. No remainder mark. Not ex-library. ; Numerous full-page plates. Foreword by Ian McKibbin White. Essay by William H. Elsner. Published on the occasion of the exhibition at the M. H. De Young Memorial Museum, October 7, 1972 - January 1, 1973; at Santa Barbara Museum of Art, January 6 - February 11, 1973; and at Fine Arts Gallery of San Diego, February 16 - March 31, 1973. …

Softcover, 176 pages; in English and German; good condition; light rubbing and edgewear to covers; long diagonal crease to lower right corner of first few pages; no internal marks. Foreign shipping may be extra. Profusely Illustrated (illustrator).

27,5 x 21 cm ; broschiert. Condition: Gut. 79 S. ; Volume 24, Number 4, May 2005. Englischsprachiges Kunstmagazin, Softcover, 79 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw1237.

Wraps. Condition: Very Good. Pangolin London, London, 2012. Wraps, 56 pp; 26 cm; illustrated throughout with color photographs. In Very Good condition, no dust jacket. Pictorial matte wraps reproduce a bronze sculpture detail by Beasley spanning the front and back covers; covers have mild shelf wear with light bumping to the edges. Binding is tight. Interior pages are clean and bright. Otherwise unmarked.Bruce Beasley (b. 1939, Los Angeles; based in Oakland, California) is an American sculptor active since the early 1960s, known for monumental geometric work in bronze, steel, and aluminum. His assemblage "Chorus" was acquired by the Museum of Modern Art in 1962, at the time making him the youngest artist in MoMA's permanent collection; his work is now held by the Guggenheim, LACMA, SFMOMA, and roughly forty other museums in the United States and abroad.Exhibition catalogue published by Pangolin London for "Bruce Beasley," the gallery's solo show of the artist's sculpture held 28 June through 25 August 2012 at Kings Place. The catalogue carries a foreword by Rungwe Kingdon, sculptor and founder (with Claude Koenig) of Pangolin London and of Pangolin Editions, the bronze foundry that cast much of the work shown. Sculpture from across Beasley's career is reproduced (works dated 1990 through 2012), including "Tenacity" (1990), "Solid Sequence" (1993), "Ally" (1997), "Advocate II" (2002), "Outreach II" (2002), "Horizon" (2006), and the new bronze "Homage to Wegener" (2012); each plate gives title, date, medium, edition, and dimensions. Full-page color photography is by Steve Russell.…

Wrappers. Condition: Very Good. Autodesk, San Francisco, California, Published 2013. Wraps, 68 pp.; 21 x 28 cm (oblong); illustrated throughout with color photographs of sculpture by Lee Fatheree. In Very Good condition. Glossy pictorial paper covers reproducing Beasley's "Coriolis III" sculpture on the front, with light bumping and creasing to edges and corners and mild shelf wear, including a bit of color loss at the corner tips, edges, and back cover. Binding tight, pages clean and unmarked. Catalog for the exhibition "Bruce Beasley: 3D Printed Sculpture" held at The Autodesk Gallery, San Francisco, October 29, 2013 - February 7, 2014. Documents the Coriolis series, a body of work Beasley produced using Autodesk software and Stratasys 3D printing technology, in which a four-inch-wide polygonal bar is digitally curved and twisted into self-intersecting ribbon forms before being printed in acrylonitrile butadiene styrene. Bruce Beasley (born 1939, Los Angeles), a California abstract sculptor whose work is held in the collections of the Museum of Modern Art, the Solomon R. Guggenheim Museum, the National Museum of American Art, the Musee d'Art Moderne in Paris, the National Art Museum of China, and over thirty other institutions, contributes an essay on his transition from cast-bronze and acrylic monoliths to digitally generated and printed forms. Preface and main essay by curator Marlena Doktorczyk-Donohue. Photography by Lee Fatheree. Contents: Preface, by Marlena Doktorczyk-Donohue; Essay, by Marlena Doktorczyk-Donohue; 3D Printing, by Bruce Beasley; Catalogue.…

Softcover. Condition: Near Fine. Light wear. ; Glossy paper, color and b/w illustrations. Text in english and German. Due to size, ships within US only and only by media rate mail. ; Small 4to 9" - 11" tall; 160 pp. Profusely Illustrated (illustrator).

Trade Paperback. Condition: Very Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" One small folio sheet, printed recto only and folded to form 4 (uncut) pages. Poster for the exhibition at the galleries, January 3-29, 1966. Slight browning (chiefly to edges).1 B/w Photograph (frontispiece portrait).…

hardcover. Condition: Used; Like New. First Edition; First Printing. Tight, clean and crisp. Sunning to dustjacket's edges, otherwise in excellent condition. No inscriptions. No remainder mark. Not price clipped. Not ex-library. ; Numerous full-page color plates. Foreword by Philip E. Linhares. Essay by Albert E. Elsen. Interview with the artist by Peter Frank. Published on the occasion of the exhibition at Oakland Museum of California, April 16 - July 31, 2005. …

Softcover, staple-bound, 14 pages; good condition; light rubbing and edgewear to covers with small creases around spine edge and lower right corner of pages; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Good. Unmarked. Previous owner's book plate inside cover. Some scrapping on back near spine. Exhibition catalog: Exhibited at the M.H. de Young Memorial Museum, October 7, 1972-January 1, 1973; exhibited at Santa Barbara Museum of Art, January 6-February 11, 1973; exhibited at Fine Arts Gallery of San Diego, February 16-March 31, 1973. Introduction by William H. Elsner. Black-and-white illustrations. 28p. Measures 8x9 inches. Bruce Beasley (b. 1939) is an American abstract expressionist sculptor.…

Trade Paperback. Condition: Used - Like New. Profusely Illustrated (illustrator).

Trade Paperback. Condition: Fine. No Jacket. No Additional Listings Printed. NOT an ex library book. Artist catalog 1994 and 1995. Narrative in English and Germany. Clean interior pages.

Paperback. Condition: Very Good. Paperback exhibition catalog for the 2012 show in London. A very good copy with light wear to the edges and a bit of scuffing to the covers. Interior is clean and unmarked. Binding tight. 56 pages, full color photos of Beasley's sculptures throughout. Beasley has been a productive force in sculpture in the west since the early 1960s.…

First edition. 16 + [32 pp]. Near fine in illustrated wrappers.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Very good, clean, tight condition. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.

Hardcover. Condition: Good. Satisfaction 100% guaranteed.

Hardcover. Condition: Very Good. Minimal wear and handling. Pages are clean and intact.

Soft cover. Condition: Good. No jacket. The cover is shelf worn. Binding is tight and inside is clean and unmarked.

Softcover. Condition: Near Fine. First Edition. Near Fine paperback about 11x8½ inches with just a bit of cover edgewear. Unpaginated, unmarked; AM CAN OVR73; Unpaginated pages.

Softcover, unpaginated; very good condition; light rubbing and edgewear to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Very Good. Very Good with light wear to covers and no marks to text. Art; Oblong 8vo 8" to 9" tall; 69 pages.

Paperback. Condition: Used: Very Good. VG minus with very slight shelfwear. Binding is tight. Appears unread; there is a very slight crease at base of cover at the corner; o/w VG overall, spine is tight; 160p.+[16]; 2 lbs 3 oz.; this will fit into a flat rate envelope for international shipping; 2 lbs 7 oz.…

Soft Cover. Condition: Very Good. clean, unmarked copy. Size: Oversized.

Soft cover. Condition: Very good. No jacket. The book is in great condition with no visible flaws apart from some light handling wear. Binding is tight and inside is clean and unmarked.