Bar Decors (17 results)

Condition: Bueno. : Sumérgete en el mundo del diseño de bares, cafés y locales nocturnos con este libro que presenta ejemplos de contrastes significativos en función del concepto arquitectónico o de diseño interior. Descubre una estética moderna en diversas formas, desde espacios lujosos de nueva creación hasta áreas redecoradas de antiguos usos no relacionados con el entretenimiento social. La mayoría de los lugares elegidos muestran un estilo retro particular adaptado a nuestros días. EAN: 9788495692337 Tipo: Libros Categoría: Arte y Cultura Título: Bar decors Autor: Elsa Rocher Editorial: Atrium Internacional, S.A. Idioma: es-ES Páginas: 640 Formato: tapa blanda.

Condition: Muy bueno. : Sumérgete en el mundo del diseño de bares, cafés y locales nocturnos con este libro que presenta ejemplos de contrastes significativos en función del concepto arquitectónico o de diseño interior. Descubre una estética moderna en diversas formas, desde espacios lujosos de nueva creación hasta áreas redecoradas de antiguos usos no relacionados con el entretenimiento social. La mayoría de los lugares elegidos muestran un estilo retro particular adaptado a nuestros días. EAN: 9788495692337 Tipo: Libros Categoría: Arte y Cultura Título: Bar decors Autor: Elsa Rocher Editorial: Atrium Internacional, S.A. Idioma: es-ES Páginas: 640 Formato: tapa blanda.

Condition: Muy bueno. : Descubre la fascinante historia y evolución de la decoración de bares a través de este libro. Elsa Rocher te guía a través de las tendencias y estilos que han marcado la pauta en el diseño de estos espacios emblemáticos. Con 640 páginas llenas de información y ejemplos visuales, este libro es una fuente invaluable para profesionales y entusiastas del diseño de interiores. EAN: 9788495692849 Tipo: Libros Categoría: Arte y Cultura Título: Bar Decors Autor: Elsa Rocher Editorial: Atrium International Idioma: es-ES Páginas: 640 Formato: tapa blanda.

Couverture souple. Condition: Bon. In-8° reliure souple,format moyen,couverture illustrée,Editions Atrium Group,Mexico,.,2002.Abondantes photographies en couleur,572 pages.Bon état,texte en français,anglais et allemand.

Tapa dura. Condition: Bien. Texto en español, italiano y portugués. Arte. Diseño. Interiorismo. Hostelería. Bares. Profusamente ilustrado con fotografías color. 19 x 14. Tapa blanda de editorial ilustrada. Sin subrayados ni anotaciones. Perfecto estado de conservación. Libro.

Dreisprachige Ausgabe (Englisch, Französisch, Deutsch). Mit zahlr. Abb. Flexibler illustr. Pappbd., sehr guter Zustand. 84-95692-09-0.

hardcover. Condition: Very Good. 2002 Atrium Publishers Group Text in English French and German. Softcover book. Pages are clean and bright no marks. Cover is clean and spine is smooth.

Softcover. Condition: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Tapa blanda. Condition: Bien. Cubiertas con señales de uso Idiomas: castellano, italiano, portugués Profusamente ilustrado y con explicaciones detalladas. El diseño de bares, cafeterías y discotecas muestra ejemplos de contrastes significativos según el concepto arquitectónico o interiorismo buscado. De cualquier forma, parece evidente que la demanda actual responde a una estética moderna en sus más diversos sentidos. Desde producciones vanguardistas hasta aquellas que consiguen socializar espacios antaño destinados a usos no relacionados con el ocio, la mayoría de ellas se presentan como herederas de un look retro alimentado y readaptado a nuestros días. El color como recurso principal, el abandono paulatino del diseño frío, el refinamiento del lujo contemporáneo y la elección de muebles excepcionales son los rasgos fundamentales de las tendencias actuales. A medida que pasan las páginas se abre un abanico de escenas, a veces con acentuadas referencias cinematográficas, o incluso representando un decorado radical, pero casi siempre marcando un paso adelante en la creación de interiores. Estado de la cubierta: Bien con señales de uso. Tamaño 15x21.Tenemos a su disposición fotografías de nuestros libros. Si desea verlas, o ampliar las ya publicadas, puede solicitarlo a través del correo electrónico de nuestra librería. Libro.

18x14. 640 pags. Fotos color. Texto en castellano, italiano y portugués.

Couverture souple. Condition: Neuf.

Condition: BUONO USATO. INTERLINGUE Photo book, illustrato totalmente da fotografie scattate in bar, caffè e discoteche, caratterizzati da suggestivi location arredi e innovativi progetti di architettura, arredamento degli interni e decorazioni, testo spagnolo, italiano e portoghese. Brossura corposa e compatta, copertina con imperfezioni al patinato opacizzato e sbiadito dall'uso, segnato da attrito e offuscato da polvere, primi fogli sgualciti da compressione, gli altri molto ben preservati. N. pag. 636.

Couverture souple. Condition: bon. RO40038033: 2000. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 119 pages augmentées de nombreuses photos en couleurs dans et hors texte + des patrons/ posters a decouper (agrafés au centre de l'ouvrage). . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

flessibile. Condition: Come Nuovo (Mint). Testi in spagnolo, italiano e portoghese. Traduzione per l'italiano di Lucia Cumpostu. 575 p., f.to cm 19,5x14,5, copertina flessibile, illustrazioni a colori. Come nuovo. Book.

ooo Scheda a cura di Equilibri libreria. L'immagine corrisponde alla copia in vendita. 011.83.90.381.

Folio. Original publisher's heavy mid-gray textured printed wrappers. 1f. (recto half-title, verso copyright), 1f. (recto blank, verso full-page original lithograph by Raoul Dufy), 1f. (recto title, verso blank), [iii] (preface by Cocteau), [i] (blank), 56 pp. Text in French. Wrappers slightly browned at edges. Music uniformly browned throughout; minor foxing to lithograph, which is printed on heavy off-white wove paper; first two leaves loose. First Edition. "Still haunted by my memories of Brazil, I assembled a few popular melodies, tangos, maxixes, sambas, and even a Portuguese fado, and transcribed them with a rondo-like theme recurring between each two of them. I called this fantasia Le Boeuf sur le toit, the title of a Brazilian popular song. I thought that the character of this music might make it suitable for an accompaniment to one of Charlie Chaplin's films. . Cocteau disapproved of my idea, and proposed that he should use it for a show. . [He] produced a pantomime scenario that could be adapted to my music. He imagined a scene in a bar in America during Prohibition. The various characters were highly typical: a Boxer, a Negro Dwarf, a Lady of Fashion, a Red-headed Woman dressed as a man, a Bookmaker, a Gentleman in evening clothes. The Barman, with a face like that of Antinoüs, offers everyone cocktails. After a few incidents and various dances, a Policeman enters, whereupon the scene is immediately transformed into a milk-bar. The clients play a rustic scene and dance a pastorale as they sip glasses of milk. The Barman switches on a big fan, which decapitates the Policeman. The Redheaded Woman executes a dance with the Policeman's head, ending by standing on her hands like Salome in Rouen Cathedral. One by one the customers drift away, and the Barman presents an enormous bill to the resuscitated Policeman. . Guy-Pierre Fauconnet designed [the masks] as well as the costumes. . Raoul Dufy agreed to take over the work on the scenery for Le Boeuf, keeping [Guy-Pierre Fauconnet's] masks and designs for the costumes .". Milhaud: Notes without Music, pp. 101-103. "[Milhaud] was associated with the avant garde of the 1920s, whose abundant production reflects all musical genres. A pioneer in the use of percussion, polytonality, jazz and aleatory techniques, his music allies lyricism with often complex harmonies. Though his sources of inspiration were many and varied, his music has compelling stylistic unity. . The influence of Brazilian folk music was exceptionally strong, anecdotally in Le boeuf sur le toit, a medley of tangos and maxixes written as music for an imaginary Chaplin film." Jeremy Drake in Grove Music Online "Painter Raoul Dufy is best remembered as a devoted follower of Fauvism, although he also experimented frequently with other mediums such as ceramics, murals and tapestry design. . Although Fauvism as a movement was very loosely affiliated, and relatively short lived, Dufy's paintings were consistently well received throughout his entire career. His installation at the 26th Venice Biennale in 1952 garnered him the International Grand Prize for Painting." Sotheby's website.

First Edition. Folio, pp. [viii], 56, with full-page lithographed frontispiece illustration by Raoul Dufy; plate no. E.D. 24 L.S.; paper very lightly browned, one or two small marginal repairs, but a very good copy in the original printed grey wrappers; edges slightly discoloured, a few losses along spine; preserved in a cloth folder with slipcase; price stamp of Paris music-seller on end leaf, contemporary ownership inscription on upper cover and on title-page.First edition of Milhaud's Le boeuf sur le toit, Op. 58 (The ox on the roof, or The nothing-doing bar), a surrealist ballet-farce which became extremely popular in 1920s Paris. The scenario is provided by Jean Cocteau, and the work is arranged for two pianos by the composer. This is one of Milhaud's most frequently performed and recorded orchestral works. Milhaud had originally intended the piece to accompany a silent Charlie Chaplin film, but he was persuaded by Cocteau to let it be staged as a pantomime for acrobats and clowns. The first actors were clowns from the Medrano circus, the Fratellini. Raoul Dufy provided the stage designs, and the costumes and large masks were by Guy-Pierre Fauconnet.The première was given in February 1920 at the Théâtre des Champs-Élysées with an orchestra of twenty-five, in a programme which also included Trois petites pièces montées, written by Erik Satie for the show, the ballet Adieu New York by Georges Auric, and Francis Poulenc's Cocardes. The action was performed in slow motion like a dream sequence, while the music rushed full speed ahead. The stage set is that of a bar frequented by a number of characters: a boxer, a dwarf, a lady of fashion, a red-headed woman dressed as a man, a bookmaker, a gentleman in evening dress, a policeman who is decapitated by the blades of an overhead fan before being revived, and a number of others. A London production ran for two weeks in July 1920, although The Times reported that 'a Coliseum audience could make nothing of it'.The title of the piece is taken from an old Brazilian tango, and the composition is strongly influenced by Brazilian music. The overall structure, however, is a rondeau-avec-reprises in the spirit of Couperin or Rameau. In 1921 Le boeuf sur le toit gave its name to a Parisian cabaret-bar, formerly La Gaya, which was a meeting place for Cocteau, Milhaud, and their circle: Milhaud could often be heard playing a six handed version of the piece on the piano there, with Georges Auric and Arthur Rubinstein. The new club became a very popular centre of Paris cabaret society; jazz musicians from other Paris clubs would gather there after hours and play long into the night, giving rise to the expression 'faire le boeuf' still used today in French to describe a jam session. Language: French.