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Condition: New. pp. 320.
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Taylor & Francis Ltd, 2015
ISBN 10: 1138937673 ISBN 13: 9781138937673
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 320.
Language: English
Published by Routledge 2015-07-18, 2015
ISBN 10: 1138937673 ISBN 13: 9781138937673
Seller: Chiron Media, Wallingford, United Kingdom
£ 54.87
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Seller: Book Dispensary, Concord, ON, Canada
First Edition
Hardcover. Condition: Very Good. 1st Edition. VERY GOOD hardcover, no marks in text, tight binding, clean exterior. Book.
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. pp. 320.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. reprint edition. 320 pages. 8.90x5.90x0.80 inches. In Stock.
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Language: English
Published by Routledge 2012-08-17, 2012
ISBN 10: 0415509696 ISBN 13: 9780415509695
Seller: Chiron Media, Wallingford, United Kingdom
Hardcover. Condition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
£ 175.72
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Add to basketCondition: As New. Unread book in perfect condition.
Language: English
Published by Taylor & Francis Group, 2012
ISBN 10: 0415509696 ISBN 13: 9780415509695
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 334.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 199.03
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Add to basketCondition: New. In.
Language: English
Published by Taylor & Francis Group, 2012
ISBN 10: 0415509696 ISBN 13: 9780415509695
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. pp. 334.
Language: English
Published by Taylor & Francis Ltd, 2012
ISBN 10: 0415509696 ISBN 13: 9780415509695
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
Condition: New. Editor(s): Clayton, J. Douglas; Meerzon, Yana. Series: Routledge Advances in Theatre and Performance Studies. Num Pages: 334 pages, 2 black & white halftones. BIC Classification: 2AGR; DSBF; DSG. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 236 x 152 x 21. Weight in Grams: 572. . 2012. 1st Edition. hardcover. . . . .
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 1st edition. 334 pages. 9.50x6.50x1.00 inches. In Stock.
Condition: New. Editor(s): Clayton, J. Douglas; Meerzon, Yana. Series: Routledge Advances in Theatre and Performance Studies. Num Pages: 334 pages, 2 black & white halftones. BIC Classification: 2AGR; DSBF; DSG. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 236 x 152 x 21. Weight in Grams: 572. . 2012. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Published by Routledge, New York / London, 2013
Seller: The Book Gallery, Jerusalem, Israel
16x23.5 cm. xviii+316 pages. Hardcover. Slight scratch on front cover. Else in good condition. The book is in : English.
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book considers the hundred years of re-writes of Anton Chekhov's work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov's dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book presents adaptation as the emerging genre of drama, theatre, and film. This trend marks the performative and social practices of the new millennium, highlighting our epoch's need to engage with the history of dramatic forms and their evolution. The collection demonstrates that adaptation as the practice of transformation and as a re-thinking of habitual dramatic norms and genre definitions leads to the rejuvenation of existing dramatic and performative standards, pioneering the creation of new traditions and expectations. As the major mode of the storytelling imagination, adaptation can build upon and drive the audience's horizons of expectations in theatre aesthetics. Hence, this volume investigates the original and transformative knowledge that the story of Chekhov's drama in mutations offers to scholars of drama and performance, to students of modern literatures and cultures, and to theatre practitioners worldwide.
Language: English
Published by Taylor & Francis Group, 2012
ISBN 10: 0415509696 ISBN 13: 9780415509695
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 334 This item is printed on demand.
Language: English
Published by Taylor & Francis Ltd, 2012
ISBN 10: 0415509696 ISBN 13: 9780415509695
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book considers the hundred years of re-writes of Anton Chekhov's work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov's dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book presents adaptation as the emerging genre of drama, theatre, and film. This trend marks the performative and social practices of the new millennium, highlighting our epoch's need to engage with the history of dramatic forms and their evolution. The collection demonstrates that adaptation as the practice of transformation and as a re-thinking of habitual dramatic norms and genre definitions leads to the rejuvenation of existing dramatic and performative standards, pioneering the creation of new traditions and expectations. As the major mode of the storytelling imagination, adaptation can build upon and drive the audience's horizons of expectations in theatre aesthetics. Hence, this volume investigates the original and transformative knowledge that the story of Chekhov's drama in mutations offers to scholars of drama and performance, to students of modern literatures and cultures, and to theatre practitioners worldwide.