Intellect Gb (728 results)

Paperback. Condition: New. Despite the increasing popularity of academic filmmaking programs in the United States, some of contemporary America's most exciting film directors have emerged from the theater world.  Directors: From Stage to Screen and Back Again features a series of interviews with directors who did just that, transitioning from work on stage productions to work in television and on full-length features. Taken together, these interviews demonstrate the myriad ways in which a theater background can engender innovative and stimulating work in film. As unique and idiosyncratic as the personalities they feature, the directors' conversations with Susan Lehman range over a vast field of topics. Each one traces its subject's personal artistic journey and explores how he or she handled the challenge of moving from stage to screen. Combined with a foreword by Emmy award-winning screenwriter Steve Brown, the directors' collective knowledge and experience will be invaluable to scholars, aspiring filmmakers, theater aficionados, and film enthusiasts.…

Paperback. Condition: New. Although, by all appearances, House of Cards is a television series about politics, it in fact explores some of the most subversive questions raised by Machiavelli's writings: what if the Prince were a ferocious animal? What would happen if our political world were overtaken by vampires? Would they be capable of mastering their bloodthirsty instincts, or would they remain true to their fundamental nature?In their relentless quest for power, Frank Underwood, his wife Claire and his chief of staff Doug Stamper are so ruthlessly ambitious that they demolish all boundaries between good and evil. According to a Machiavellian logic taken to its extreme, the specific necessity of a given situation always wins out over common morality. In the struggle for survival, these people are the predators, determined to come out on top whatever the cost.This book examines how the producers of the series take monstrous characters - who would not be out of place in a crime series or a horror film - and set them in the world of politics, which offers little resistance to violence and turns into a laboratory for systematic destruction. In this variation on the conflict between brutalization and civilization at the heart of power, the political sphere therefore becomes the scene of crime par excellence.Although the book contains concepts and theories in political science, it is accessibly written. It is also didactic: many examples are taken from the series and from the novels, so the reader always understands what is at stake in the analysis. It will find both an academic and a more general audience.Primary academic readership will be scholars and students in law, political science, film studies, media studies and cultural studies. The wider readership will include fans of the show, and of course people interested in politics, political thrillers, political philosophy, corruption and democracy, as well as the nature of political leadership.…

Paperback. Condition: New. Although, by all appearances, House of Cards is a television series about politics, it in fact explores some of the most subversive questions raised by Machiavelli's writings: what if the Prince were a ferocious animal? What would happen if our political world were overtaken by vampires? Would they be capable of mastering their bloodthirsty instincts, or would they remain true to their fundamental nature?In their relentless quest for power, Frank Underwood, his wife Claire and his chief of staff Doug Stamper are so ruthlessly ambitious that they demolish all boundaries between good and evil. According to a Machiavellian logic taken to its extreme, the specific necessity of a given situation always wins out over common morality. In the struggle for survival, these people are the predators, determined to come out on top whatever the cost.This book examines how the producers of the series take monstrous characters - who would not be out of place in a crime series or a horror film - and set them in the world of politics, which offers little resistance to violence and turns into a laboratory for systematic destruction. In this variation on the conflict between brutalization and civilization at the heart of power, the political sphere therefore becomes the scene of crime par excellence.Although the book contains concepts and theories in political science, it is accessibly written. It is also didactic: many examples are taken from the series and from the novels, so the reader always understands what is at stake in the analysis. It will find both an academic and a more general audience.Primary academic readership will be scholars and students in law, political science, film studies, media studies and cultural studies. The wider readership will include fans of the show, and of course people interested in politics, political thrillers, political philosophy, corruption and democracy, as well as the nature of political leadership.…

Paperback. Condition: New. Experience the interdisciplinary performance scene of the 1980s and beyond through the eyes of one of its most compelling witnesses. Jacki Apple's Performance / Media / Art / Culture traces performance art, multimedia theatre, audio arts and dance in the United States from 1983 to the present. Showcasing 35 years of Apple's critical essays and reviews, the collection explores the rise and diversification of intermedia performance; how new technologies (or rehashed old technologies) influence American culture and contemporary life; the interdependence of pop and performance culture; and the politics of art and the performance of politics. Apple writes with a journalist's attention to the immediacy of account and a historian's attention to structural aesthetic and personal networks, resulting in a volume brimming with big ideas but grounded in concentrated reviews of individual performances. Many of the pieces featured in this collection originally appeared in small press journals and magazines that have now gone out of print. Preserved and republished here for current and future readers, they offer a rich portrait of performance at the end of the millennium.…

Paperback. Condition: New. World Film Locations: Los Angeles Volume 2 is an engaging and highly visual city-wide tour of both well known and slightly lesser known films shot on location in one of the birthplaces of cinema and the 'screen spectacle'. It pairs 50 synopses of carefully chosen film scenes with evocative full-colour film stills.When the World Film Locations series was launched in 2011, with volumes on Los Angeles, New York, Paris and Tokyo, the world was a different place. Although interest in film locations has grown steadily for years as people seek to walk in the footsteps of their cinematic idols by visiting sites from their favorite movies - the recent global lockdown seems to have only increased an appetite for cinetourism; prompting us to consider a second volume for one of the world's most evocative and enduring locations. The city of Los Angeles, with its meandering sun-baked sweep and beautifully fractured topography, continues to lure filmmakers into its clutches - affording an endless panoply of locations to prop up both character and story. Since 2011, thousands of new productions have made the most of what the city has to offer; using, reusing and discovering places that will surely become sites of pilgrimage in years to come - and while this volume includes just 50 of them, our modest selection is carefully curated to compliment volume 1 and further reveal both the well-known and more hidden parts of a Los Angeles in constant flux.The heart of Hollywood's star-studded film industry for more than a century, Los Angeles and its abundant and ever-changing locales - from the Santa Monica Pier to the infamous and now-defunct Ambassador Hotel - have set the scene for a wide variety of cinematic treasures, from Chinatown to Forrest Gump, Falling Down to the coming-of-age classic Boyz n The Hood. This second volume marks an engaging citywide tour of the many films shot on location in this birthplace of cinema and the screen spectacle. World Film Locations: Los Angeles Vol 2 pairs fifty incisive synopses of carefully chosen film scenes - both famous and lesser-known - with an accompanying array of evocative full-colour film stills, demonstrating how motion pictures have contributed to the multifarious role of the city in our collective consciousness, as well as how key cinematic moments reveal aspects of its life and culture that are otherwise largely hidden from view. Insightful essays and interviews throughout turn the spotlight on the important directors, iconic locations, thematic elements and historical periods that provide insight into Los Angeles and its vibrant cinematic culture. Rounding out this information are city maps with information on how to locate key features, as well as photographs showing featured locations as they appear now. A guided tour of the City of Angels conducted by the likes of John Cassavetes, Robert Altman, Nicholas Ray, Michael Mann and Roman Polanski, World Film Locations: Los Angeles Vol 2 is a concise and user-friendly.…

Paperback. Condition: New. Experience the interdisciplinary performance scene of the 1980s and beyond through the eyes of one of its most compelling witnesses. Jacki Apple's Performance / Media / Art / Culture traces performance art, multimedia theatre, audio arts and dance in the United States from 1983 to the present. Showcasing 35 years of Apple's critical essays and reviews, the collection explores the rise and diversification of intermedia performance; how new technologies (or rehashed old technologies) influence American culture and contemporary life; the interdependence of pop and performance culture; and the politics of art and the performance of politics. Apple writes with a journalist's attention to the immediacy of account and a historian's attention to structural aesthetic and personal networks, resulting in a volume brimming with big ideas but grounded in concentrated reviews of individual performances. Many of the pieces featured in this collection originally appeared in small press journals and magazines that have now gone out of print. Preserved and republished here for current and future readers, they offer a rich portrait of performance at the end of the millennium.…

Paperback. Condition: New. This new book explores aspects of Paris from the time of Baudelaire within the context of nostalgia and modernity. It seeks to see Paris, through written texts and movies, from the outside, and as both concrete reality and a collection of myths associated with it.This collection of essays contains original research on the intersections of several disciplinary approaches to Paris and modernity. It is designed to make these complex concepts speak to an academic audience, but also to an undergraduate readership. It will therefore create intersections and problematize what are otherwise considered the remit of single disciplines.The book springs from two interdisciplinary courses on Paris and modernity - Paris at Dawn, which looks at modernity in the nineteenth and early twentieth centuries, and Paris at Midnight, which looks at left-bank culture following the Second World War - coordinated by Associate Professor Alistair Rolls (French studies) and Professor Marguerite Johnson (classics and classical reception) at the University of Newcastle, Australia.While it is driven by original research, notably by examining the intersections of any number of disciplinary lenses and positions on Paris and modernity, it is also designed to make these complex concepts understandable for a wider readership, including undergraduates. It will therefore create intersections and problematize what are otherwise considered the remit of single disciplines (with their monoliths and taxonomies); at the same time, it will also provide clarity and, importantly, make logical links between, for example, the past and present, myth and reality, poetry and history, and various schools and movements, including psychology, poetics, poststructuralism and critical theory, classical reception, feminism and existentialism. All contributors are academics working in the School of Humanities and Social Science, who have contributed to the development and delivery of these twinned courses. Remembering Paris investigates Paris as an urban and poetic site of remembrance. For Charles Baudelaire, the streets of Paris conjured visions of the past even as he contemplated the present. This book investigates this and other cases of double vision, tracing back from Baudelaire into antiquity, but also following Baudelaire forwards as his poetry is translated, received and referenced in texts and films in the twentieth century and beyond.Primary readership will be academics, educators, scholars and students - both undergraduate and postgraduate. The chapter structure and the relatively classic choice of authors and filmmakers is well suited to course use.Many universities are now turning to interdisciplinary courses, which combine historical, cultural, literary and artistic approaches to thematic studies. This book, therefore, will also be of interest to academics teaching courses on French language, literature and culture; literary studies; film studies; cultural studies; women studies, gender studie.…

Paperback. Condition: New. This new book explores aspects of Paris from the time of Baudelaire within the context of nostalgia and modernity. It seeks to see Paris, through written texts and movies, from the outside, and as both concrete reality and a collection of myths associated with it.This collection of essays contains original research on the intersections of several disciplinary approaches to Paris and modernity. It is designed to make these complex concepts speak to an academic audience, but also to an undergraduate readership. It will therefore create intersections and problematize what are otherwise considered the remit of single disciplines.The book springs from two interdisciplinary courses on Paris and modernity - Paris at Dawn, which looks at modernity in the nineteenth and early twentieth centuries, and Paris at Midnight, which looks at left-bank culture following the Second World War - coordinated by Associate Professor Alistair Rolls (French studies) and Professor Marguerite Johnson (classics and classical reception) at the University of Newcastle, Australia.While it is driven by original research, notably by examining the intersections of any number of disciplinary lenses and positions on Paris and modernity, it is also designed to make these complex concepts understandable for a wider readership, including undergraduates. It will therefore create intersections and problematize what are otherwise considered the remit of single disciplines (with their monoliths and taxonomies); at the same time, it will also provide clarity and, importantly, make logical links between, for example, the past and present, myth and reality, poetry and history, and various schools and movements, including psychology, poetics, poststructuralism and critical theory, classical reception, feminism and existentialism. All contributors are academics working in the School of Humanities and Social Science, who have contributed to the development and delivery of these twinned courses. Remembering Paris investigates Paris as an urban and poetic site of remembrance. For Charles Baudelaire, the streets of Paris conjured visions of the past even as he contemplated the present. This book investigates this and other cases of double vision, tracing back from Baudelaire into antiquity, but also following Baudelaire forwards as his poetry is translated, received and referenced in texts and films in the twentieth century and beyond.Primary readership will be academics, educators, scholars and students - both undergraduate and postgraduate. The chapter structure and the relatively classic choice of authors and filmmakers is well suited to course use.Many universities are now turning to interdisciplinary courses, which combine historical, cultural, literary and artistic approaches to thematic studies. This book, therefore, will also be of interest to academics teaching courses on French language, literature and culture; literary studies; film studies; cultural studies; women studies, gender studie.…

Paperback. Condition: New. Change is inevitable. This is the only constant in our lives. Yet, change is also something that we fear. We seek comfort in the familiar, in routines and in conventions. We are afraid of things that we don't know or we don't understand. We fear change because we don't know how change will affect us. Change, however, is necessary for progress. Sometimes, change happens naturally due to circumstances beyond our control, and sometimes we initiate change because we can or because we must.In 2020, we experienced the biggest change of our lifetimes. For a brief moment in history, the world came to a halt. Then, everything changed. Many things that we used to take for granted no longer applied. We experienced major disruptions to our daily lives. As if in some kind of perfect storm, so many things happened all at once - global pandemic, social inequalities, climate change, racial injustices, riots and unrests, gender struggles and rapid advances of new technologies. This book started to take shape in the midst of it all, and in a way, it is a time capsule of how we experienced the birth of what became known as the 'new normal'.Designers are the kind of people who thrive in times of change. In fact, it is their job to create change. The nature of their job is such that they have to take an existing situation and change it into a better, or a more preferred situation. Some do this by relying on their imagination and personal experiences, and some use evidence-based research to inform their work. Regardless of this, many share the belief that they can somehow make the world a better place - on a micro or a macro level.During this period of massive change, Gjoko Muratovski invited ten highly influential design figures - including iconic design leaders such as Carole Bilson, Karim Rashid, Bruce Mau, Steven Heller and Don Norman - to reflect on the state of things today. In return, each one of them shares a highly personal account on why change is good. The book also features a foreword written by the president of the World Design Organisation (WDO), Srini Srinisavan, and a conclusion by one of the greatest design philosophers of our time, Ken Friedman.By looking to the past and reflecting on the present, these designers project very personal images of the future that they would like to see. The conversations are very broad, and they cover highly diverse topics. From the effects of the pandemic, to issues of race and gender, notions of beauty, technology and industry, to global and local economies, politics, power, privilege and the importance of community.A 'must-read' for anyone interested in how designers and design can change the world.Gjoko Muratovski is a university executive, award-winning designer and innovation consultant working with leading organisations, Fortune 500 companies and governments from around the world, and a fellow of the Design Research Society.…

Paperback. Condition: New. The cinematic output of Australian director Peter Weir has garnered numerous awards and widespread critical acclaim - from his early short films of the 1970s to the Hollywood hits he's helmed since 1985, including the likes of Witness, Dead Poets Society, The Truman Show and Master and Commander.Drawing on contemporary concepts from transnational cinema studies, this book investigates Weir's entire three-decade career, paying particular attention to his journey from his native Sydney, with its largely auteur-driven national cinema, to the multimillion-dollar Hollywood film industry with its many genre conventions. Along the way, the author explores a host of questions accompanying this move, including Weir's status as a transnational filmmaker and a more generalized discussion of the critically controversial idea of the auteur. Rounding out this volume are interviews with leading Hollywood filmmakers who discuss Weir's work.…

Paperback. Condition: New. The punk movement of the 1970s to early 1980s is examined as an art movement through archive research, interviews, and art historical analysis. It is about pop, pain, poetry, presence, and about a 'no future' generation refusing to be the next artworld avant-garde, instead choosing to be the 'rear-guard'.Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge.A large portion of the discussed materials stem from the protagonists' private archives, while some very public-scandalous and spectacular-events are discussed, too, such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981. The examined materials cover almost all media: paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art.What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves "bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way?Although aimed at students and scholars of art, design, music and performance history, the subject as well as the author's accessible, occasionally playful style will no doubt draw readers with an interest in punk, music, and urban histories.…

Paperback. Condition: New. An introduction to pedagogy of dissensus.A pedagogy of dissensus is informed by the dissensual characteristics of art. The book includes both theoretical foundations and examples of how the theory is unfolded in different contexts ranging from educational practice to arts-based research. Motivated by the author's long-held interest in the role of art in society in general and education in particular, it is a vital new contribution to arts-based approaches to education.Referencing philosophers and theorists such as Jacques Rancière, Gert Biesta, Dennis Atkinson, and Helga Eng, Lisbet Skregelid demonstrates why art matters because of its ability to create necessary disturbance and resistance in education. In this book, she argues that art has something to offer education because it challenges existing norms, has no definitive answers, and contributes to new ways of seeing both oneself, others, and one's surroundings. Placing art at the center and enabling dissensus in education can contribute as a contrast to the dominating policy led by economic ambition and competition.…

Paperback. Condition: New. The book combines photography and written text to analyse the role of memorials and commemoration sites in the construction of antagonistic nationalism. Taking Cypriot memorializations as a case study, the book shows how these memorials often support, but sometimes also undermine, the discursive-material assemblage of nationalism.…

Paperback. Condition: New. World Film Locations: Los Angeles Volume 2 is an engaging and highly visual city-wide tour of both well known and slightly lesser known films shot on location in one of the birthplaces of cinema and the 'screen spectacle'. It pairs 50 synopses of carefully chosen film scenes with evocative full-colour film stills.When the World Film Locations series was launched in 2011, with volumes on Los Angeles, New York, Paris and Tokyo, the world was a different place. Although interest in film locations has grown steadily for years as people seek to walk in the footsteps of their cinematic idols by visiting sites from their favorite movies - the recent global lockdown seems to have only increased an appetite for cinetourism; prompting us to consider a second volume for one of the world's most evocative and enduring locations. The city of Los Angeles, with its meandering sun-baked sweep and beautifully fractured topography, continues to lure filmmakers into its clutches - affording an endless panoply of locations to prop up both character and story. Since 2011, thousands of new productions have made the most of what the city has to offer; using, reusing and discovering places that will surely become sites of pilgrimage in years to come - and while this volume includes just 50 of them, our modest selection is carefully curated to compliment volume 1 and further reveal both the well-known and more hidden parts of a Los Angeles in constant flux. The heart of Hollywood's star-studded film industry for more than a century, Los Angeles and its abundant and ever-changing locales - from the Santa Monica Pier to the infamous and now-defunct Ambassador Hotel - have set the scene for a wide variety of cinematic treasures, from Chinatown to Forrest Gump, Falling Down to the coming-of-age classic Boyz n The Hood. This second volume marks an engaging citywide tour of the many films shot on location in this birthplace of cinema and the screen spectacle. World Film Locations: Los Angeles Vol 2 pairs fifty incisive synopses of carefully chosen film scenes - both famous and lesser-known - with an accompanying array of evocative full-colour film stills, demonstrating how motion pictures have contributed to the multifarious role of the city in our collective consciousness, as well as how key cinematic moments reveal aspects of its life and culture that are otherwise largely hidden from view. Insightful essays and interviews throughout turn the spotlight on the important directors, iconic locations, thematic elements and historical periods that provide insight into Los Angeles and its vibrant cinematic culture. Rounding out this information are city maps with information on how to locate key features, as well as photographs showing featured locations as they appear now. A guided tour of the City of Angels conducted by the likes of John Cassavetes, Robert Altman, Nicholas Ray, Michael Mann and Roman Polanski, World Film Locations: Los Angeles Vol 2 is a concise and user-friendly.…

Paperback. Condition: New. In this new edition of her accessible autoethnography of fat feminist activism in the West, Charlotte Cooper revisits and discusses her activism in the context of recent shifts in the movement. The new preface explores the impact of the Coronavirus pandemic on fat people and fat activism and how Black Lives Matter is inspiring new forms of activism. Cooper issues a call to action in Fat Studies and offers alternatives to current public health approaches to Diabetes. What is fat activism and why is it important? To answer this question, Charlotte Cooper presents an expansive grassroots study that traces the forty-year history of international fat activism and grounds its actions in their proper historical and geographical contexts. She details fat activist methods, analyses existing literature in the field, challenges long-held assumptions that uphold systemic fatphobia, and makes clear how crucial feminism, queer theory and anti-racism are to the lifeblood of the movement. She also considers fat activism's proxy concerns, including body image, body positivity, the obesity epidemic and fat stigma.Combining rigorous scholarship with personal, accessible writing, Fat Activism: A Radical Social Movement is a rare insider's view of fat people speaking about their lives and politics on their own terms. This is the book you have been waiting for.…

Paperback. Condition: New. The book combines photography and written text to analyse the role of memorials and commemoration sites in the construction of antagonistic nationalism. Taking Cypriot memorializations as a case study, the book shows how these memorials often support, but sometimes also undermine, the discursive-material assemblage of nationalism.…

Paperback. Condition: New. In this new edition of her accessible autoethnography of fat feminist activism in the West, Charlotte Cooper revisits and discusses her activism in the context of recent shifts in the movement. The new preface explores the impact of the Coronavirus pandemic on fat people and fat activism and how Black Lives Matter is inspiring new forms of activism. Cooper issues a call to action in Fat Studies and offers alternatives to current public health approaches to Diabetes. What is fat activism and why is it important? To answer this question, Charlotte Cooper presents an expansive grassroots study that traces the forty-year history of international fat activism and grounds its actions in their proper historical and geographical contexts. She details fat activist methods, analyses existing literature in the field, challenges long-held assumptions that uphold systemic fatphobia, and makes clear how crucial feminism, queer theory and anti-racism are to the lifeblood of the movement. She also considers fat activism's proxy concerns, including body image, body positivity, the obesity epidemic and fat stigma.Combining rigorous scholarship with personal, accessible writing, Fat Activism: A Radical Social Movement is a rare insider's view of fat people speaking about their lives and politics on their own terms. This is the book you have been waiting for.…

Paperback. Condition: New. Much more than an archive, these are the vivid, still pertinent voices and messages of the pioneers worldwide.The nineteen articles chosen by the editors of Applied Theatre Research represent key themes and elements from the early days of applied theatre that are still - and indeed now more than ever - relevant. They are all high-quality articles, some of which were highly influential in their own time. All of them still have plenty to say to today's applied theatre, both in their own terms and sometimes in terms of how their publication influenced the development at the time of this still-expanding field, or refracted it in ways that give us new insights with hindsight.They have been arranged in sections according to some of the key themes - and problematic issues - that were discovered, thought out and sometimes stumbled across by the pioneer writers in the collection. Each section is preceded by a critical editorial commentary on those themes, besides thorough introductions to all the articles and in some cases re-evaluations. The editors have added substantial additional new material to the collection and in doing so, bring their own applied theatre experience to bear on these themes, as they raise general questions that are wide-ranging, contemporary and urgent: from the vital and contested issues of power, partnerships and the giving of voice through theatre to applied theatre's proactive response to COVID-19, to the need to identify, take account of and address the needs of all stakeholders in any applied theatre project. The articles are grouped in six sections, covering areas such as diversity of geography, community contexts, forms of applied theatre and organizational factors that characterize applied theatre; the definition and nature of applied theatre; how the best intentioned projects could be compromised by any of the many opportunities for applied theatre to go wrong; opportunities for change it can offer and the incorporation of new media technologies, and ethnographic performance, two factors that have now become major preoccupations for our field, particularly in the years since the articles were written. The final section recognizes that applied theatre has been around not for 30 years, but for thousands, and in countless cultures.The editorial chapters have strong connections with the rest of the book, but are written with the editors' deep insights into the field, and are sharp in their focus and context. The book offers useful insights into the start of applied theatre and its development as an area of practice and research. The chapter collection is relevant and includes influential names in the field who have contributed significantly to the development of applied theatre over time.The primary market will be academics and advanced practitioners in applied theatre, drama education and theatre studies - including the expanding fields of drama therapy, theatre and health etc. It will also be useful for educators exploring c. …

Paperback. Condition: New. A well-known advocate and proponent of art in Chicago, Paul Klein is a long-time gallerist whose friendships with artists, dealers, collectors and curators have afforded him a rare vantage point on the vagaries and victories of the art world. Since closing his gallery in 2004, he has parlayed his insider knowledge into a cottage industry that addresses the imbalance between visual artists' gifts for creation and their frequent unfamiliarity with managing successful careers. Based on his many years in both the art world as a gallery owner and educator, The Art Rules is a practical, operational guide for visual artists that demystifies the art world and empowers practitioners to find success on their own terms. Filling a major void, The Art Rules gives practitioners the tools they need to realise their potential.…

Paperback. Condition: New. This collection of stories from two practising GPs describes the reality of working within a failing and highly bureaucratic system, where there is a balancing act: regulation versus relationships; autonomy versus standard practice; algorithm versus individual attention.We aren't suggesting a return to a 'better' time. We don't object to being bureaucrats, embedded within and accountable to the systems we are in. But we do want to consider how and with what the gap left by the old-fashioned GP has been filled. We use stories based on our experience to describe the effect of different facets of bureaucracy on our ability to maintain a nuanced, individualised approach to each patient and encounter; and to question the prominence and effect of protocol. We are interested in the way professional relationships are influenced by protocol: between and within organisations; and most importantly with patients/clients/service users.We are accustomed nowadays to automated telephone lines, chatbots, website FAQs- the frustration of being unable to connect with another human being who will listen to our particular question and give us something other than a generic answer. The same issues that are facing society at large have changed the way in which we work as GPs and the care we give.…

Paperback. Condition: New. What is Fat Activism and why is it important?Charlotte Cooper, a fat activist with around 30 years experience, answers this question by lifting the lid on a previously unexplored social movement and offering a fresh perspective on one of the major problems of our times.In her expansive grassroots study she:Reveals details of fat activist methods and approaches and explodes mythsCharts extensive accounts of international fat activist historical roots going back over four decadesExplores controversies and tensions in the movementShows that fat activism is an undeniably feminist and queer phenomenonExplains why fat activism presents exciting possibilities for anyone interested in social justiceFat Activism: A Radical Social Movement is a rare insider's view of fat people speaking about their lives and politics on their own terms. It is part of a new wave of accessible, accountable and rigorous work emerging through Research Justice and the Para-Academy.This is the book you have been waiting for.…

Paperback. Condition: New. What is Fat Activism and why is it important?Charlotte Cooper, a fat activist with around 30 years experience, answers this question by lifting the lid on a previously unexplored social movement and offering a fresh perspective on one of the major problems of our times.In her expansive grassroots study she:Reveals details of fat activist methods and approaches and explodes mythsCharts extensive accounts of international fat activist historical roots going back over four decadesExplores controversies and tensions in the movementShows that fat activism is an undeniably feminist and queer phenomenonExplains why fat activism presents exciting possibilities for anyone interested in social justiceFat Activism: A Radical Social Movement is a rare insider's view of fat people speaking about their lives and politics on their own terms. It is part of a new wave of accessible, accountable and rigorous work emerging through Research Justice and the Para-Academy.This is the book you have been waiting for.…

Paperback. Condition: New. The media and creative industries thrive on passion, but that passion often comes at a cost. Behind the glamour of journalism, filmmaking, games, music, advertising and online content creation lies a growing crisis - one of burnout, anxiety, substance abuse and exhaustion. Why do so many creative professionals report feeling both deeply fulfilled and profoundly unwell?Mark Deuze investigates the systemic issues that make creative work both exhilarating and unsustainable. Drawing on extensive research and in-depth interviews with media professionals, he notes the hidden downsides of doing what you love and offers a candid analysis of how workplace structures, high workloads and perceived injustices contribute to mental and physical distress.But this book is not just about what's broken; it's about what can be done. Deuze provides a roadmap for rethinking the culture of creative industries and offers strategies for balancing passion with sustainability. A practical resource for media scholars and those navigating the highs and lows of a creative career, this work challenges us to imagine a healthier future for our labour of love. …

Paperback. Condition: New. Being a patient is part of being alive. Sooner or later most of us go through it. Disease and serious illness often strike quite randomly, and when they do, we quickly become subject to the impersonal forces of biochemistry and pharmacology. We rarely think about this beforehand and are often totally unprepared for it when it happens. Suddenly there we are, subject to a standard treatment protocol.Darrel Moellendorf learned this by experience during a month confined to a solitary and sterile hospital room where I received a life-saving stem cell transplant. His room was somebody's workspace, his schedule was somebody's work routine, his immune system was systematically crushed, and his prognosis was out of his hands. There was no assurance that it would all work out for the best.Having spent 30 years teaching philosophy to college students, He was facing the biggest test of all, perhaps the final exam. These are his reflections before, during and after treatment, written in real-time. In his words, 'my brain was sometimes addled by the chemotherapy that sapped my energy and destroyed my immune system, but I wrote out of the conviction that living well includes living well with disease, and eventually living well facing death.'This memoir expresses those convictions along with those that the virtues of patience, courage, trust, and hope serve us well. A measure of good humor also can't hurt.…

Paperback. Condition: New. Christopher Nolan occupies a rare realm within the Hollywood mainstream, creating complex, original films that achieve both critical acclaim and commercial success. In The Traumatic Screen, Stuart Joy builds on contemporary applications of psychoanalytic film theory to consider the function and presentation of trauma across Nolan's work, arguing that the complexity, thematic consistency and fragmentary nature of his films mimic the structural operation of trauma.From 1997's Doodlebug to 2017's Dunkirk, Nolan's films highlight cinema's ability to probe the nature of human consciousness while commenting on the relationship between spectator and screen. Joy examines Nolan's treatment of trauma - both individual and collective - through the formal construction, mise en scène and repeated themes of his films. The argument presented is based on close textual analysis and a methodological framework that incorporates the works of Sigmund Freud and Jacques Lacan. The first in-depth, overtly psychoanalytic understanding of trauma in the context of the director's filmography, this book builds on and challenges existing scholarship in a bold new interpretation of the Nolan canon.…

Paperback. Condition: New. DesignWISE challenges the linear logic that has long shaped design practice. Too often, we move from brief to solution without pausing to understand the wider consequences of our choices or the systemic relations they affect. In doing so, we overlook opportunities for deeper, regenerative change.This book introduces DesignWISE as a 360-degree alternative-a circular decision-making tool grounded in design thinking, systemic leadership, and indigenous wisdom traditions. Rather than progressing step by step, DesignWISE invites designers, leaders, and teams into a continuous cycle of reflection, evaluation, and renewal.At the centre of the method is a wheel: a structure inspired by the medicine wheel, encouraging holistic awareness, multiple perspectives, and a stronger connection between inner intention and outer impact. Each phase of the wheel opens a space for introspection, imagination, and responsibility, helping us understand how our decisions resonate across people, organisations, and the planet.DesignWISE ultimately argues that meaningful transformation begins within. By cultivating presence, curiosity, and mindfulness, we can unlock new sources of insight and move beyond conventional approaches to design. This book offers both a conceptual framework and a practical guide for anyone seeking to design with greater wisdom, depth, and planetary awareness.The DesignWISE Collective brings together designers, thinkers, and changemakers who believe in design as a force for systemic transformation. We're here to co-create a new paradigm for design-one that begins not with the user, but with the planet.…

Paperback. Condition: New. This book addresses the relationships between fashion, women and power. One of the constants within the book is to question the enduring relationship between women and dress and how these inform and articulate the ways in which women remain represented as either suitable or not for public office and their behaviour is informed through dress when they are in power. The book critiques the interplays between politics, power, class, race and expectation in relation to the everyday practice of getting dress and the more performative and symbolic function of dress as embodiment. As never before, women are in positions of political power, and find themselves facing the maelstroms of mass media regarding their fashion, their deportment, and their right to govern. The contributors offer a wide set of perspectives on women and their roles, and their fashions when taking up powerful positions in Australia, New Zealand, United Kingdom and the United States.From the United Kingdom, the historical issues surrounding the movement towards 'rational dress' for women seeking their rights to vote and exercise are interrogated. The volume also explores viewpoints from East Asia, such as the constricting role for 'common' women upon entering the Imperial family in Japan. From the United States come the troublesome media stories engulfing two significant American Democratic First Ladies, Hillary Rodham Clinton and Michelle Obama.From New Zealand, the media reports on Prime Minister Jacinda Ardern upon her motherhood while serving in the office and on her clothing during the 2019 Christchurch massacre comprise a much-needed contribution to the literature on women, politics and dress.Further, the role of dress in politics broadly as a form of resistance, will be examined in Australia from recent skirmishes over 'appropriate dress' with ex-prime minister Julia Gillard and other Australian female politicians. The role of women and what their fashion selections mean continues via considerable debate during worldwide events. Finally, the theme of resistance and social media continues with an examination of protest dressing in the recent street battles in Hong Kong to how young Asian women have been influenced by the social media campaigns to encourage wearing the veil in Indonesia, to Asian women negotiating femininity in political dress.Primary readership will be among researchers, scholars, educators and students in the fields of fashion, dress studies, women and gender studies and media and history. It will be of particular value as at graduate level and as a supplementary resource. There may be some general appeal to those with an interest in the women or cultures at the centre of the discussions.…

Paperback. Condition: New. The punk movement of the 1970s to early 1980s is examined as an art movement through archive research, interviews, and art historical analysis. It is about pop, pain, poetry, presence, and about a 'no future' generation refusing to be the next artworld avant-garde, instead choosing to be the 'rear-guard'.Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge.A large portion of the discussed materials stem from the protagonists' private archives, while some very public-scandalous and spectacular-events are discussed, too, such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981. The examined materials cover almost all media: paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art.What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves "bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way?Although aimed at students and scholars of art, design, music and performance history, the subject as well as the author's accessible, occasionally playful style will no doubt draw readers with an interest in punk, music, and urban histories.…

Paperback. Condition: New. Shiny Things combines an interest in visual art with a broad attention to popular culture - the wideness of its range is striking. It is more than just an expansion of subject matter, which many of today's innovative books also have - it considers how a specific physical property manifests itself in both art and culture at large, and contributes to an analysis of and polemics about the world. It is accessibly written but with a careful application of contemporary theory.Interesting, informative, and entertaining, this will appeal to progressive thinkers looking for new ways of presenting ideas. This is scholarship that challenges stale thought and interacts with philosophical ideas in real time, with a versatility that can often be lacking in traditional academic scholarship.Using art, especially contemporary art, as its recurrent point of reference, the authors argue that shininess has moved from a time when rarity gave shiny things a direct meaning of power and transcendence. Shininess today is pervasive; its attraction is a foundation of consumer culture with its attendant effects on our architecture, our conceptions of the body, and our production of spectacle. Power and the sacred as readings of the shiny have given way to readings of superficiality, irony and anxiety, while somehow shininess has maintained its qualities of fascination, newness and cleanliness.Examines the meanings and functions of shininess in art and in culture more generally: its contradictions of both preciousness and superficiality, and its complexities of representation; the way shininess itself is physically and metaphorically present in the construction of major conceptual categories such as hygiene, utopias, the sublime and camp; and the way the affects of shininess, rooted in its inherent disorienting excess, produce irony, anxiety, pleasure, kitsch, and fetishism. All of these large ideas are embodied in the instantly noticeable, sometimes precious and sometimes cheap physical presence of shiny things, those things that catch our eye and divert our attention. Shininess, then, is a compelling subject that instantly attracts and fascinates people.The book engages primarily with visual art, although it makes frequent use of material culture, as well as advertising, film, literature, and other areas of popular and political culture. The art world, however, is a place where many of the affects of shininess come into clearest focus, where the polemical semiotics of shine are most evident and consciously explored. Artists as diverse as Anish Kapoor (whose popular Cloud Gate sculpture in Chicago is a repeating example in the book), Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico and Gerard ter Borch centre the book in an art discourse that opens up to automobiles, Richard Nixon and Liberace.Will be relevant to academics, scholars and students with an interest in contemporary theory and material and popular cultures. Potential interest across th.…

Paperback. Condition: New. KinoSputniks closely analyse some key films from the history of Russian and Soviet cinema. Written by international experts in the field, they are intended for film enthusiasts and students, combining scholarship with an accessible style of writing.Ira Österberg's KinoSputnik on Aleksei Balabanov's cult film Brother (1997) examines the production history, context and reception of the film, and offers a detailed reading of its key themes.Balabanov's Brother made a mark on the new Russia's film history as its hero Danila Bagrov quickly gained cult status and the nostalgic rock soundtrack hit the nerve of the young post-Soviet generation. This study unravels the film's effective and ingenious mixture of genre elements, art narration and almost documentary-style realism, which would become trademarks for Balabanov's oeuvre.Primary readership will be among film studies students and film enthusiasts, but will also be of interest to anyone researching or studying film soundtracking.A list of all books in the series is here on the Intellect website on the series page KinoSputnik.…