david self (25 results)

Trade Paperback. Condition: Very Good. Sartain, Julie - Cover Art (illustrator). 285 Pages. Author signed on Title Page. No defects noted. Interior text pages are flawless. Who is the mysterious stranger who appears in Chama, New Mexico, where the Salazar family is vacationing? Sharon's old enemy? Or simply a harmless look-alike? Is she a dangerous manipulator, preying on elderly Joaquin Alvarez, or is she the innocent victim of petty gossip? Who else has reason to want Mr. Alvarez dead? Much as she'd like to focus on her family holiday, Sharon finds herself drawn into an intricate game of cat-and-mouse as she zeroes in on the truth. The author is originally from Texas and now lives in New Mexico. Signed by Author(s).

Trade Paperback. Condition: Very Good. Second Printing. 40 Pages. Stapled format. Inscribed to owner on inside front cover. Spine shows a bit of wear but for the most part has the appearance of an unread book. Rusty Meador was raised on a working cow ranch in Sierra County and went to school in a one room school house at Winston, New Mexico. There were six kids and six grades. He says he is too old to punch ol' wild cows anymore so he just sits around and writes cowboy poetry. The poems are interspersed with comments and stories by Rusty. Some of the poems he claims are true while others admittedly stretched a bit. Signed by Author(s).

paperback. Condition: New. Dust Jacket Condition: None as issued. Brand new paperback copy. We are unable to ship oversize books and multi-volume sets internationally.

Soft cover. Condition: New. 153+ pp. Book/dust jacket condition: New/na (paperback). 1st/First Edition likely (NAP). dated (2014)/inscribed by author on ffep. "You don't have to settle for the cards you have been dealt. Rearrange your hand and look at your options." Published 2012 at $14.99. All orders are processed and shipped from MI or WI, USA. Signed by Author(s).

Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Priority and international shipping will cost more than quoted due to size of book. Binding tight. Interior clean and bright, other than light smudge on upper corner of ffep. Red boards in nice condition, lightly bumped to spine ends; bright gilt on spine. Dj preserved in mylar; flaps and dj back slightly discolored, bumped around corners and spine ends, mild shelf wear. Fully illustrated with over 270 pictures and maps. Paginated by section, about 410 pages.

Pictorial Wraps. Condition: Fine. First Edition. Three captivating stories for upper primary school age to adult by Australian primary school teacher David Eckersall. The three stories contained in this volume are: Sara's Shadow / Blue Eyes / Patchy. About the author: "David Eckersall is the proud father of two adult sons, Joshua and Jacob, and lives with his wife Natalie on the outskirts of Melbourne on a small farm of approximately 16 acres. He has a love for animals and nature, and on his small farm has dogs, chickens, sheep and (some elusive) fish in the dam. Professionally, David is a Primary School trained teacher with more than 25 years' experience, working primarily as a classroom teacher specialising in Literacy and Maths. As a teacher he's always had a passion for children's literature and has had the privilege to share with his students the imaginations of Roald Dahl, Andy Griffiths, Pamela Allen, Paul Jennings, Morris Gleitzman and Mem Fox, just to name a few. His aim has always been to provide each child with a love of reading, especially those who find reading challenging or a chore. Throughout his late teens and adult life, he dabbled with writing fiction aimed at middle to upper primary school children. In 2018, he had the opportunity to take a break from teaching and dedicated much of this time to writing several stories. These stories are typically set in places throughout Victoria, Australia, and are strongly influenced by his favourite childhood places. His writing philosophy is a simple one. Tell an uncomplicated, engaging story where anything is possible." Printed in Australia. A LIKE NEW very nice clean tight solid softcover copy. 258pp. SB-21.

Soft cover. Condition: Good. illustrated by David W. Edgington (illustrator). ISBN 9774837521 /93. Stapled edition with a little light rubbing and handling wear on the cover.

Soft cover. Condition: Fine. 1st Edition. Comic Book. Standard format and Small size (8 1/2 x 5 1/2). Staple bound. First Printing. With photo illustrated covers and black/white interior art. FINE. All corners fairly pointed. Binding tight and square. Without tears, creases, bumps or chips. With slight wear from handling and age. Not marked in any way and very clean and bright. All items carefully wrapped and sent boxed.

Soft cover. Condition: Near Fine. 1st Edition. SC - Illustrated. No markings or markings. Clean. Tight. 24pp. 4to. Guide to collecting Jewish postcards. Includes introduction, catalogue of postcards of Jewish life (includes values, subjects etc), major publishers, glossary and index. --B.R. Box 131.

Condition: Near Fine. Limited Edition. A near fine, clean and tight copy with just a light bump to top right corner. First Edition, Limited to 1000 copies and signed by White. 45pp. Softcover in stiff card wrapper.

Softcover. Condition: Very Good. First Edition. Heavy, extra postage required unless posted within South Africa. The wraps are a little shelf rubbed and edge worn. Internally, clean. Tightly bound. r*10/07/2024. [ak]. Our orders are shipped using tracked courier delivery services.

Soft cover. Condition: Very Good. 1st Edition. Spiral bound detailed illustrated history of Conservative clubs in Sandown on the Isle of Wight.

Pictorial Wraps. Condition: Very Good. First Edition. SIGNED & briefly INSCRIBED by the author in blue ink on title page: "For Tim & Tamara, fellow Bus-nauts who are always on the bus. David 10/10/90". Numerous b&w photographs and illustrations throughout. Oblong volume. Slight shelfwear, otherwise a nice clean tight solid softcover copy. 117pp. Uncommon title, scarce signed copy. SB-53. Signed by Author(s).

Softcover. Condition: Very Good with no dust jacket. 94 pp. Photos. Edgewear, corners rubbed. French text / en francais. A nice little history of the village. ; 8vo 8" - 9" tall.

Paperback large quarto, very good condition, red cloth spine (concealed staples), thick card covers (private binding), minor edgewear, minimal pencil annotations. 56 pp. This genealogical book is an index to two previous books on the Smith family tree. From the title page: The index is for the following branches John, Francis, Robert, Robert Manaccan and Robert Charles Pearce. This red index volume ties the three volumes together.

Revised ed. Paperback large oblong quarto, very good condition, thick card covers (private binding), dark blue cloth spine (concealed staples), map, minor edgewear, few pencil corrections in pencil, few page numbers at the end in biro. 116 pp. This genealogical book contains the family histories of John and Mary Smith who came to Australia from Cornwall. This is Volume 1 and has been compiled by David Rutherford based on the original work of Neil R. M. Mackerras, 1966 - 1987. It has been added to, since 1987 by David Alexander Rutherford. (Loosely inserted letter dated 2006 from David Rutherford to a cousin. The first book of 3 about the genealogy of John and Mary Smith.).

Revised ed. Paperback large oblong quarto, very good condition, thick card covers (private binding), dark green cloth spine (concealed staples), map, minor edgewear, few pencil corrections title page. 361 pp. This genealogical book contains the histories of: Francis and Mary Smith of Cumboogle Cumbong, Robert Manaccan Smith, Robert Charles Pearce, and Robert and Jane Smith. This is Volumne 2 and has been compiled by David Rutherford based on the original work of Neil R. M. Mackerras, 1966 - 1987. (Plus 3 extra loosely inserted pages: A separate letter, dated 2000, comprising the descendants of Robert Smith. Some annotations pencil & biro. The second book of 3 about the genealogy of john and Mary Smith.).

Softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Inside cover hs remnant of a pirce sticker in top left corner. Tiny bit of soiling along edges - front and back. ; B and w illus.; Oblong Small 4to 9" - Oblong 11" tall; np pages.

Mit zahlreichen, zum Teil farbigen Abbildungen. Die Einbände sind an Ecken und Kanten leicht bis etwas berieben und bestoßen, sonst handelt es sich um ein gutes Exemplar mit nur leichten Gebrauchsspuren. Alle Bände sind textsauber und stammen aus einem Nichtraucherhaushalt. Dieses Exemplar stammt aus der Bibliothek von Dr. Volker Hellmann, ehemaliger Dozent am Fachbereich Biologie der Universität Konstanz. // Parts 1-4A: Orig. half-cloth bindings; Part 4B: Orig. paperback. The covers are slightly rubbed and bumped at corners and edges, otherwise these are clean books in good condition. Books from a non smoking environment. This copy comes from the library of Dr. Volker Hellmann, former lecturer at the Department of Biology at the University of Konstanz. Sprache: Englisch Parts 1-4A: Orig.-Halbleinenbände; Part 4B: Orig. Broschur. Revised by Winifred M. Curtis and Dennis I. Morris.

Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Assumed First Edtion. 205 Pages. Black boards with gold spine and front lettering. No defects noted. Interior is flawless. This disseration addresses questions arising out genetic experimentes regarding natural selection. It invlolves testing hypotheses regarding selection The book addresses questijons that come out of generalized linear modeling in research. Contents in Six Chapters: Introducdtion, Generalized Linear Modeling Methhods for Selection Components Experiments, An Analysis of Density-Dependent Viability Selection, The Estimation of Concurrent Multiple Paeternity Probabilities in Natural Populations, Models for Multi-Generational Selection components Experiments, and Conclusion. Plus Table of Contents and References. This doctoral dissertation was submitted at the University of Gerogia in 1988.

Spiral bound. Condition: Very good. Presumed First Edition, First printing. viii, 199, [1] pages. Clear plastic front cover. Color illustration on front cover. Illustrations/Figures This includes a computer-aided chronology, a computer aided Hull Form design study, and the John Lyman analyses from 1971-1975! Endnotes. Works cited. Index of Short Citations. Initial Distribution sheet has only 200 copies listed! Works cited list a 1991 publication (page 184) supporting a publication date of 1991 or later. Mr. Wegner has been Curator of Ship Models at the David Taylor Model Basin, Naval Surface Warfare Center, Carderock, Maryland, since 1980. He began his study of designer's hull models at the Smithsonian Institution in 1968 and is a member of the American Society of Naval Architects and Marine Engineers, the U.S. Naval Institute, and the Organization of American Historians. The purpose of this study has been to utilize an interdisciplinary team to examine new evidence in order to determine the identity of the present Constellation: was it built in 1797 or 1855? Recognizing the controversy as one of the most emotionally-charged debates in recent American maritime history, the team would not have exacerbated this subject had they not discovered fresh and important historical, artifactual and technological evidence. Is the Constellation the oldest warship afloat in the world? Or is it the last sail-only warship designed by the Navy. Responsible stewshardship for the irreplaceable ship afloat in Baltimore demands that there be a full understanding of its history. The study concludes that the frigate Constellation was built in 1796-97 and torn apart in 1853. In 1853-1855 a new sloop-of-war (Constellation) was designed and built and is the one preserved and displayed today.

Condition: Very Good. Large 8vo. 13 UNNUMBERED PAGES. 16 colorful pages inside original brown softcovers that are 2-staple bound. A simple, strange little story, by a member of the group Half Japanese. 8.65 x 7 inches. Scarce. nly one copy Only one copy found at WorldCat (OCLC) the worldÕs largest library catalogue - this Mills College at Northeastern University. Fwiw this came from the estate of John Peel sold at Omega auctions in May 2026 (lot 325 '1970s poetry booklets/publications/programmes etc.' ) although there is no sign of this on the item itself. About fine.

288 pp. 16mo, old full sheep; but the front board is missing and the front free endpaper is defective. Binding defective as noted; faded old ink ownership signature at head of title page. A few leaves dog-eared; 2-3 inch paper flaw near the center of the title page.

Teckning i tusch. Signerad: "Arvid Fougstedt". 19,5 x 26,2 cm (dagermått). Ej granskad ur ramen. Proveniens: Konstnärens kvarlåtenskap. Ingick i Erik Wessel-Fougstedts donation till Konstakademien, som genom försäljningar använts för att finansiera stipendier och utlandsvistelser för konstnärer. / Utställd: Ingick möjligen på debututställningen 1919, där såväl målningen som en teckning med samma titel ställdes ut. / Stockholm, Konstakademien, 1992, avbildad som frontispis på sid. 4 i katalogen, upptagen som nr 13 och daterad till omkring 1918. / Stockholm, Konstakademien, 2016/17 (Fougstedt x 2). Detta är ett av Fougstedts mest kända motiv, som han varierade i flera teckningar och några snarlika målningar. Temat betraktas ofta som programbild för den s.k. Nya sakligheten i Sverige, en klassicerande konstriktning där Fougstedt spelade en central roll. - - - Det har talats om "dämpad experimentlusta" inom konsten efter det grymma världskriget, och konstnärer som kunde resa ut i Europa igen sökte sig ofta tillbaka till äldre konst och inspirerades av såväl tidig renässans som av 1800-talets stora målare, inte minst Ingres, den "ideala verklighetens målare". Man sökte harmoni, avspänning och frid och resultatet var ett slags modern klassicism, visserligen sval och harmonisk med linjeteckningen som grund, men samtidigt modern, ofta med konstlat arrangerade scener eller en gåtfull och overklig stämning. - - - Stilen kallas ibland "Ingrism", eller "Le style ingriste", och ämnet för denna bild är just Jean Auguste Dominique Ingres (1780-1867), som studerade i Jacques-Louis Davids ateljé 1797-1801, och David själv, som bedömer sin favoritelev. Uppslaget kan ha kommit från den stora utställningen "David et ses élèves", som Fougstedt möjligen såg i Paris 1913. Konstnärskollegerna i bilden är sysselsatta med att måla en modell i antik dräkt, medan Ingres själv är vänd i motsatt riktning. Han sitter vid det lyrformade staffli som ännu lär finnas bevarat och arbetar på en oval duk, förmodligen med ett helt annat motiv än de övriga. Ateljéns hela uppmärksamhet är riktad mot honom: Till höger står den jämnårige eleven Eckersberg (1783-1853) och sneglar på hans duk. Modellen kan inte vända sig och titta, men man kan nästan se hur han lyssnar på samtalet. - - - Fougstedts olika teckningar och målningar på detta tema uppvisar smärre skillnader; exempelvis är modellen i en av målningarna en kvinna, och i en av skisserna visar Eckersberg sitt lantliga ursprung genom att bära träskor. - - - Målningen "Ingres i Davids ateljé" hade en framträdande plats på Fougstedts debututställning i februari 1919 hos Ciacelli på Strandvägen, och väckte rätt stor uppmärksamhet. Den omnämndes utförligt i en recension av Pär Lagerkvist, och kritikern Gotthard Johansson utpekade senare utställningen som impulsgivare för den svenska 1920-talsklassicismen. Senare forskning har tagit fasta på att klassicismen låg i tiden även på andra sätt, och att man exempelvis visade dansk guldålderskonst på Nationalmuseum 1917 och 1918. - - - Bengt O. Österblom ger en huvudsakligen personlig tolkning av målningen i sin monografi över konstnären från 1946, och betonar dess självbiografiska inslag. Fougstedt hade återvänt från Paris sommaren 1917 och kort senare flyttat in med sin familj i den sedermera välkända konstnärsbostaden på Heleneborgsgatan 4 på Söder. Samtidigt tillkom de första skisserna till målningen. Österblom ser projektet som ett slags uppvisning och programförklaring av en världsvan konstnär som återvänt till sitt hemland med rika erfarenheter i bagaget. Ateljén blir i denna tolkning Matisse-skolan i Paris, och den bredbent sittande Ingres är i själva verket Fougstedt själv. För Österblom handlar bilden bl. a. om stolthet och revansch. Jacques-Louis David motsvarar inte bara Mästaren / Matisse, utan även den far som vägrat att uppmuntra Fougstedts konstnärsbana, och som här förevisas vad sonen åstadkommit med en elegant och självmedveten gest mot staffliet.