Block Museum (85 results)

Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.…

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. some shelfwear but still NICE! Standard-sized.

Paperback. Condition: Very good. Paperback. 105pp. Very good in publisher's French fold wraps.

Paperback. Condition: Very Good. Factory sealed. Winner of the 2002 American Association of Museums Publications Design Competition. Catalog for (September 22-December 9, 2001 exhibition. 105pp. 60 color plates. Artists include Barlach, Christo, Giacometti, Hepworth, Maillol, Moore, Nadelman, Pepper, Serra, and Shapiro. Provides a unique opportunity for understanding the relationship between two- and three-dimensional art. Essays by Rudolph H. Weingartner, collector and former Dean of Northwestern University's College of Arts and Sciences, and Starr Figura, Assistant Curator, Prints and Illustrated Books, The Museum of Modern Art, New York. …

Paperback. Condition: Very Good. No Jacket. Good clean unmarked copy. This book shows minimal sign of wear to the cover, binding, or pages. No dust jacket included with this book. Secure packaging for safe delivery.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condition: Very Good. Approx. 7 5/8" wide by 12". ; 105 pages.

First Edition. First edition and first printing. Hardcover. 87 pages. Exhibition catalog for a show that ran September 23 through October 29, 2000. Features a foreword and acknowledgements by by David Mickenberg, and texts by Mildred Constantine and Mary Jane Jacob. Includes numerous color and black and white illustrations and a checklist. A near fine copy in illustrated boards with some slight tapping to the corners. No dust jacket as issued.…

First Edition. First edition. Hardcover. 124 pages. Exhibition catalog for a show that ran September 12 through November 30, 2015. Features text contributions by Lisa G Corrin, Anthony Elms, Brian Holmes, and Dieter Roelstraete. Includes numerous color illustrations, list of previous exhibitions and a selected bibliography. A fine copy in cloth boards. No dust jacket as issued.…

stiff paper wrappers. small 4to. stiff paper wrappers. xxviii, 329+(1) pages in addition to 32 leaves of color plates. First edition. Three hundred years ago, now treasured medieval manuscripts were scorned, neglected and left to vandals. An exhibit held at the Mary and Leigh Block Museum of Art early in 2001, sought to explore new ideas and perspectives on the destruction and reconstitution of illuminated manuscripts in the 18th and 19th centuries in France and England and in the early 20th century in America. Although many questions remain unanswered, the research presented in this Catalogue to accompany the exhibition helps define the field of study for the future. With 159 black-and-white illustrations and 38 beautiful color plates, bibliography and index.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of covers and ends of spine strip. Light scuffing and smudging to covers and spine strip. Light creasing visible across spine strip and exterior hinges. Secure packaging for safe delivery. …

Condition: As New. Unread book in perfect condition.

Hardback. Condition: Like New. Takes a collaborative approach to prioritize the voices of indigenous artists of ChicagolandZhegagoynak, also called Chicagoland, has long been an Indigenous cultural and economic hub. It is the traditional homeland of the Council of Three Fires?the Ojibwe, Potawatomi, and Odawa?as well as the Menominee, Miami, Ho-Chunk, Sac, Fox, Kickapoo, and Illinois nations. Today, Chicago has the third largest urban Indian population in the United States. Indigenous voices, however, are often absent from stories of Chicagoland. This silence is damaging. Woven Being begins with the question, What if Indigenous people with ties to the region were the point of entry for thinking about this land?Guided by Indigenous collaborations, priorities, and voices, this work explores expansive themes, resisting the monolithic storytelling that often characterizes presentations shaped by settler-colonial perspectives and practices. The book is developed in collaboration with four artists who have connections to Zhegagoynak?Andrea Carlson (Grand Portage Ojibwe), Kelly Church (Match-E-Be-Nash-E-Wish Band of Pottawatomi), Nora Moore Lloyd (Lac Courte Oreilles Band of Lake Superior Ojibwe), and Jason Wesaw (Pokagon Band of Potawatomi). Authors with deep ties to the artists introduce and expand on the artists? contributions from their own disciplinary and personal vantage points. Excerpts of poetry, prose, and images, chosen in dialogue with the artists, further expand the narrative. An addendum highlights the frequently underrecognized work of Chicago-based Indigenous artists and institutions.Woven Being offers a new look at art in Chicagoland and its relationship with Indigenous arts across Turtle Island (North America). …

First Edition. First edition. Softcover. 23 pages. Exhibition catalog for a show that ran January 4 through March 6, 2005. Features essays by Stephen F. Eisenman, Patrick L. Tomlin, Justine DeYoung, and Shalini Seshadri. Includes 7 figures and a checklist. A fine copy in stapled wrappers.

Hardcover. Condition: Near Fine. Exhibit promo print, interview laid in. Clean pages. _______Ships with tracking in sturdy cardboard. [100].

Softcover, 272 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condition: acceptable. Fast Free Shipping â" A well-loved copy with text fully readable and cover pages intact. May display wear such as writing, highlighting, bends, folds or library marks. Still a complete and usable book.

Hardback. Condition: Like New. Takes a collaborative approach to prioritize the voices of indigenous artists of ChicagolandZhegagoynak, also called Chicagoland, has long been an Indigenous cultural and economic hub. It is the traditional homeland of the Council of Three Fires?the Ojibwe, Potawatomi, and Odawa?as well as the Menominee, Miami, Ho-Chunk, Sac, Fox, Kickapoo, and Illinois nations. Today, Chicago has the third largest urban Indian population in the United States. Indigenous voices, however, are often absent from stories of Chicagoland. This silence is damaging. Woven Being begins with the question, What if Indigenous people with ties to the region were the point of entry for thinking about this land?Guided by Indigenous collaborations, priorities, and voices, this work explores expansive themes, resisting the monolithic storytelling that often characterizes presentations shaped by settler-colonial perspectives and practices. The book is developed in collaboration with four artists who have connections to Zhegagoynak?Andrea Carlson (Grand Portage Ojibwe), Kelly Church (Match-E-Be-Nash-E-Wish Band of Pottawatomi), Nora Moore Lloyd (Lac Courte Oreilles Band of Lake Superior Ojibwe), and Jason Wesaw (Pokagon Band of Potawatomi). Authors with deep ties to the artists introduce and expand on the artists? contributions from their own disciplinary and personal vantage points. Excerpts of poetry, prose, and images, chosen in dialogue with the artists, further expand the narrative. An addendum highlights the frequently underrecognized work of Chicago-based Indigenous artists and institutions.Woven Being offers a new look at art in Chicagoland and its relationship with Indigenous arts across Turtle Island (North America). …

Paperback. Condition: Very Good. 1st Edition. Very good, clean, tight condition - collector's "fine". Professional book dealer since 1999. All orders are processed promptly and carefully packaged.

Condition: New. 1991. 1st Edition. paperback. . . . . .

Condition: Very Good. Softcover, 321 pages, illustrated throughout in color and b&w. Contains works by Erich Heckel, Ernst Ludwig Kirchner, Otto Mueller, Emil Nolde, Max Pechstein, and Karl Schmidt-Rottluff. Light edgewear to wrappers, faint foxing to top edge, else a clean, tight copy. Record # 464531. …

Condition: Very Good. Location:1005 358 pp. exhibition catalog corner creased of cover 1005.